“Das Zauberlied” (“The Magic Song”)

Erik Meyer-Helmund and Georg von Dyherrn, "Das Zauberlied" ("The Magic Song")
(English version by John P. Jackson; arr. Craig Terry)
Martin Luther Clark, tenor; Ensemble Members; Craig Terry, piano

Comparatively little biographical material is available regarding either the poet or composer of this song. We do know that the sadly short-lived Georg von Dyherrn (1848-1878), born into an aristocratic family, was prevented by illness from pursuing a career in law. He chose instead to devote himself to writing novels and poetry. A number of his poems were set to music by the Russian-born, Berlin-based Erik Meyer-Helmund (1862-1932). The composer of five operas, Meyer-Helmund also wrote a good deal of piano music and nearly 300 songs. If he's remembered at all today, it's for several of the songs, which were performed by some of the most famous singers of his time.

Meyer-Helmund's most popular composition may well have been "Das Zauberlied" ("The Magic Song"), in which the singer confesses that his beloved has sung her way into his heart—through a lusciously romantic waltz. Published in 1886 and orchestrated 11 years later, the song was a favorite of many of the greatest German-speaking tenors of the 1930s, including such legends of singing as lyric tenor Joseph Schmidt, spinto tenor Richard Tauber, and dramatic tenor Franz Völker.

Meet the artists

*** Ryan Opera Center Ensemble

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Provide the stars of tomorrow with your support today

The Patrick G. and Shirley W. Ryan Opera Center is Lyric's preeminent artist-development program that nurtures the talents of some of the most promising operatic singers and pianists of each generation.

Donor generosity ensures continued unparalleled training, performance experience, and professional readiness of Ensemble members. By donating to the Ryan Opera Center you help provide:

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About the Ryan Opera Center

About the Ryan Opera Center

The Patrick G. and Shirley W. Ryan Opera Center is Lyric's preeminent artist-development program that nurtures the talents of some of the most promising operatic singers and pianists of each generation. The program's Ensemble members earn their coveted spot by successfully auditioning among more than 400 artists worldwide. Its alumni are among the dominant names in opera today. Donor generosity ensures continued unparalleled training, performance experience, and professional readiness of Ensemble members. This highly competitive program, established in 1974, is honored to enjoy the support of acclaimed soprano Renée Fleming as Advisor, along with full-time staff Director Dan Novak, Music Director Craig Terry, and Director of Vocal Studies Julia Faulkner.

Photos: Kyle Flubacker