“Tango Magique”

Philippe-Gérard and Max François, "Tango Magique"
(arr. Craig Terry)
Kathleen Felty, mezzo-soprano; Anthony Reed, bass; Craig Terry, piano

The well-known French composer/conductor Michel Philippe-Gérard (a.k.a. M. Philippe-Gérard, but more commonly referred to as "Philippe-Gérard") wrote the delectably romantic "Tango Magique" in 1953. The song is all about how, under the spell of the tango, lovers can find true happiness. Already in 1954 it was known to English-speaking audiences through a recording sung in translation by Tony Brent, a well-known British popular singer. "Tango Magique" became a huge hit in the original French, thanks to a 1956 recording by one of the most celebrated French cabaret artists of that time, tenor Tino Rossi. Another gifted popular singer, the contralto Léo Marjane, made a marvelous recording of it as well.

In 1967, Philippe-Gérard made a formal accusation of plagiarism against Bert Kaempfert's "Strangers in the Night," which had won a Grammy that year for Frank Sinatra. The case was not settled until 1971, with Philippe-Gérard's claim being rejected.

Meet the artists

*** Ryan Opera Center Ensemble

Provide the stars of tomorrow with your support today

Provide the stars of tomorrow with your support today

The Patrick G. and Shirley W. Ryan Opera Center is Lyric's preeminent artist-development program that nurtures the talents of some of the most promising operatic singers and pianists of each generation.

Donor generosity ensures continued unparalleled training, performance experience, and professional readiness of Ensemble members. By donating to the Ryan Opera Center you help provide:

  • Voice instruction

  • Career development

  • Acting and movement training

  • Artistic coaching

  • Guest artist master classes

About the Ryan Opera Center

About the Ryan Opera Center

The Patrick G. and Shirley W. Ryan Opera Center is Lyric's preeminent artist-development program that nurtures the talents of some of the most promising operatic singers and pianists of each generation. The program's Ensemble members earn their coveted spot by successfully auditioning among more than 400 artists worldwide. Its alumni are among the dominant names in opera today. Donor generosity ensures continued unparalleled training, performance experience, and professional readiness of Ensemble members. This highly competitive program, established in 1974, is honored to enjoy the support of acclaimed soprano Renée Fleming as Advisor, along with full-time staff Director Dan Novak, Music Director Craig Terry, and Director of Vocal Studies Julia Faulkner.

Photos: Kyle Flubacker