Lyric Lately

For nearly five decades, The Patrick G. and Shirley W. Ryan Opera Center has nurtured the talents of a diverse range of emerging singers and pianists. Building on that legacy, the program added a new position to its 2021/22 Ensemble: Conductor/Pianist. We are thrilled to introduce the first person to take on this role, Donald Lee III.

For the first time in Lyric history, more than half of the season's conductors were women or people of color. Keep scrolling for a look back at the celebrated maestri who took the podium in the 2021/22 Season.

The Magic Victrola is a story of two young children, Gracie and Sam, who go to their Grandpa’s house for summer vacation. When they discover an old victrola — a phonograph used to play vinyl records — in his attic, they are shocked when his prized collection of opera albums come to life before their eyes. It is a story of magic and whimsy, but it takes a lot of work behind the scenes to make that magic possible.

The Magic Victrola is a wonderful way to introduce the young people in your life to the world of opera! Here are a few ideas to talk about with your little ones to help get them ready for a very special day at the opera house!

We sat down with Kentucky-born soprano, Michelle Bradley, to talk about making her Lyric and role debut, her take on Puccini's tempestuous diva, and the inspiring team behind this production of Tosca.

Whether you long to fall in love at Hotel Adina, climb aboard a ship heading down the Amazon River, or join Tamino and Papageno on a valiant rescue mission, you can relive the memories of a fabulous 2021/22 Season with these beautiful backgrounds.

Fire Shut Up in My Bones is part of a much longer trajectory of operatic contributions by Black composers, librettists, singers, and collaborating artists. Learn more about Terence Blanchard and Kasi Lemmons's gripping opera and the history it builds on in this article from noted scholar Naomi André.

Over more than two decades, former music director Sir Andrew Davis thrilled audiences at Lyric with illuminating interpretations across all the repertoire. In spring 2022, he returns to conduct Beethoven's Ninth Symphony with the Lyric Opera Orchestra, Chorus, and soloists.

As Lyric embraces many new-to-Chicago productions and premieres, Fire Shut Up in My Bones should catch the eyes of new and seasoned opera-goers. This coming-of-age story follows a boy of peculiar grace who does not quite fit in with his community. The production challenges audiences with contemporary topics of race, spirituality, and sexuality, musicality rooted in jazz, and stunning movement — distinguishing the piece from many traditional opera productions.

This spring, Fire Shut Up in My Bones takes its place in a growing line of young operas Lyric has helped bring to audiences. As a company, Lyric strives to reflect the stories and experiences of contemporary communities onstage, allowing people to see themselves in an ever-expanding art form.

While young people are feeling uncertain about their future and the world around them, Lyric continues to invest deeply in educational and community engagement programs that encourage participants to express their hopes, fears, and dreams through opera.

In this article, Italian opera professor Daniela Costa delves into Floria Tosca's role amongst Puccini heroines, and what it says about the composer's psyche and the time in which he was writing.

Lyric Opera of Chicago’s dazzling 2022/23 Season will feature productions of classic operas, a continuing focus on developing and presenting new work, and the return of Lyric’s annual spring musical.

While it’s still somewhat rare to see a woman on the podium, new faces and perspectives are increasingly emerging. Critically acclaimed conductor Eun Sun Kim, the recently appointed music director for San Francisco Opera, exemplifies that welcome change. Learn more about Kim and what makes her tick.

Puccini's Tosca is one of the most dramatic and passionate works in the repertoire — no wonder it's been a Lyric favorite since the company's very first season in 1954. From Grace Bumbry and Renata Tebaldi to Tito Gobbi and Luciano Pavarotti, here's a look back at some of the iconic stars and productions that have graced Lyric's stage over the years.

Director Louisa Muller discusses her vision for Lyric's 2021/22 production of Puccini's Tosca, working with conductor Eun Sun Kim, her experience at Lyric, and more in this insightful directors note.

Louisa Muller is known for her “absorbing, provocative staging” (Opera News) and is breaking new ground as a young stage director. Recently named a finalist in the “Best Newcomer” category at the 2020 International Opera Awards, Muller’s work is respected and admired around the world. This season, we are elated to welcome her back to this new-to-Chicago production of Puccini’s beloved Tosca.

From the rousing choruses of Nabucco to the complex characters of La traviata, there's much more to Giuseppe Verdi than his greatest hits. In this blog, we'll take a look at ten of the celebrated composer's lesser known gems.

Terence Blanchard and Kasi Lemmons’s powerful Fire Shut Up in My Bones recieves its much-anticipated Chicago premiere this spring at Lyric. Learn more about this bold and affecting opera and see the stunning new co-production between Lyric, the Metropolitan Opera, and Los Angeles Opera come to life, March 24 through April 8.

The Patrick G. and Shirley W. Ryan Opera Center's annual showcase, “Rising Stars in Concert,” celebrates the talented members of our 2021/22 Ensemble. In this blog, hear from seven departing artists as they reflect on their time at Lyric and prepare to move on to exciting careers in opera.

In March 2022, Lyric is proud to present Terence Blanchard and Kasi Lemmons’s contemporary opera, Fire Shut Up in My Bones. The source for this extremely moving story is New York Times columnist Charles M. Blow’s widely acclaimed memoir about his traumatic upbringing in 1970’s Louisiana. Read the book, then see it come to life in an entirely new form, with the option to bring your book club for special savings and perks.

Whether you're listening to classic carols or streaming full Lyric productions like Puccini's LA BOHÈME, these festive drinks are the perfect addition to a cozy evening by the fireplace or a holiday dinner with your loved ones!

This season, we are cultivating and sharing several newer pieces that reflect modern stories with contemporary themes. Or as some might call it: “opera of our times.” Learn more about the work that is shaping the present and future of the art form.

Conductor Karen Kamensek has worked in many of the world’s top opera houses including The Metropolitan Opera, San Francisco Opera, English National Opera, and more. This season, she returns to her native Chicago to make her much-anticipated Lyric debut in Mozart’s The Magic Flute.

Soprano Ana María Martínez on her relationship with Daniel Catán, the music of FLORENCIA EN EL AMAZONAS, her favorite moments in the opera, and more.

Read about the inspiration behind Catán's FLORENCIA EN EL AMAZONAS and the lasting legacy of this Spanish-language opera in this insightful interview with Andrea Puente Catán (musician, opera professional, and widow of late composer Daniel Catán).

With more than fourteen roles to date, it’s always a joy to welcome back a familiar face to the Lyric stage. Bass Raymond Aceto has captivated Chicago audiences with his rich tone and impressive range since his company debut in the 1997/98 Season as The Voice of Neptune in Mozart’s Idomeneo.

Whether you're mixing up drinks with your favorite feather-brained sidekick or falling in love at first sight with a beautiful Prince or Princess, these creative cocktails can only add to the magic of Mozart's music.

Although Melbourne-born director Barrie Kosky has been involved in theater and opera professionally for over 30 years, he didn’t direct The Magic Flute until 2012 when he began as Komische Oper Berlin’s new intendant and artistic director. When the Komische Oper programmed The Magic Flute as part of Kosky’s inaugural season, he realized that he needed to find a method with which to present the work that would delight audiences while resonating with his artistic vision.

It’s always exciting when Lyric can bring a new-to-chicago work like Florencia en el Amazonas to our audiences, but it’s even more compelling when it’s being led by one of the world’s most highly respected directors, Francesca Zambello. She began her journey with Lyric back in 1999 and we are delighted to welcome her back to direct the first Spanish-language work to be presented as part of our mainstage opera season.

Missy Mazzoli, heralded as a “post-millennial Mozart” (Time Out New York), makes her Lyric debut this season. Mazzoli's compositional skills expand across mediums, as she writes opera, for television and film, and for her band, Victoire. Whether she's writing for a full orchestra or a string quartet, Mazzoli personifies her music with tonal and atonal sounds, replicating how humans interact in relationships.

The story of a glamorous diva on a life-changing journey down the Amazon River, the opera is inspired by the literary work of legendary author Gabriel García Márquez. Steeped in the beautiful style of magical realism, Florencia premiered 25 years ago in October 1996, and has become a favorite, with productions at more than a dozen opera companies in the U.S., as well as companies in Mexico and Europe.

Lyric live performances are back! Our company members could not be more excited to welcome audiences back to the Lyric Opera House. With new seats, proof of vaccination and face masks required, and health and safety at the forefront, what will your performance experience be like? We answer your questions here.

In the late 19th century, Italian opera took a step away from fantastical stories of gods and monsters to focus on real life. Ruggero Leoncavallo's Pagliacci is a perfect example of this style — dubbed "verismo", which translates to "realism" — as the opera is based on an actual crime from the composer's childhood.

Enrique Mazzola became Music Director of Lyric Opera of Chicago as of July 1, 2021. The Spanish-born, Italian-trained conductor is only the third person in Lyric’s 67-year history to serve in this capacity, following the tenures of Sir Andrew Davis and the late Bruno Bartoletti.

For an opera so steeped in foggy highlands that its source material is known to superstitious theater insiders as “the Scottish play,” Lyric Opera of Chicago tapped two proud Scotsmen, Sir David McVicar and John Macfarlane, to create a new production to spark the 2021/22 season — Lyric’s return to live mainstage performance after 18 months dark.

An enjoyable Q&A by John von Rhein with Enrique Mazzola on the elegant Italian opera style bel canto and Donizetti's The Elixir of Love.

Explore the director's perspective in The Elixir of Love. Daniel Slater discusses high expectations of the Lyric Opera Chorus, balancing moments of vulnerability and humor, and bringing the dynamic characters of Adina, Nemorino, Belcore, Dulcamara, and Giannetta to life.

Verdi called Shakespeare's Macbeth " one of mankind's greatest creations," and when the Italian composer added his musical genius to the story, it was the perfect recipe for a hit opera. If you're looking to get in the mood for this twisted Scottish tale, break out your bubbling cauldron and shake up a Shakespeare-inspired cocktail with these Macbeth Lyric Libations.

This Donizetti comedy has been an audience favorite around the world since its premiere in 1832. These are just a few reasons why this new-to-Chicago production is the perfect escape for right now.

For many years, the opening of the Lyric Opera of Chicago season has helped to usher in Chicago’s much-anticipated cultural season, and on Saturday, September 25, a thrilling reimagined gala celebration kept that tradition alive while infusing it with new creative energy.

Few new American operas have earned the acclaim received by Proving Up. “It seizes the imagination,” said San Francisco Classical Voice, and that opinion has been echoed around the country in the three years since Opera Omaha produced the world premiere.

Canadian baritone Joshua Hopkins is a man of many voices —master of Mozart, bel canto, French repertoire, and exceedingly challenging contemporary works. Effortlessly adapting his velvety instrument to the demands of every style he takes on, he invariably impresses not just with his voice and the terrific technique behind it, but also probing, thoughtful interpretations that mark him as one of today’s truly outstanding artists.

During a joyful afternoon at the Lyric Opera House in the fall of 2019, with red glasses on those present, Anthony Freud, Lyric's general director, president and CEO announced that Maestro Enrique Mazzola would be stepping into the role of music director starting with the 2021/22 Season. Now that he is preparing to take the podium for Verdi's Macbeth and Donizetti's The Elixir of Love in a new Lyric season — the first live performances in the Lyric Opera House in 19 months — we caught up with Maestro Mazzola to hear what he's been up to and how he's preparing.

If you're craving operatic drama in the comfort of your own home, then look no further! Leoncavallo's Pagliacci, an original Lyric film, is now available free of charge for virtual streaming. See a behind-the-scenes look at the filming of this production and reserve your tickets to the free digital stream.

As the first Ambassador of Vino Nobile di Montepulciano, Maestro Enrique Mazzola sees a close connection between music and wine production. This fall, he returns to the podium to conduct a star-studded production of Donizetti's The Elixir of Love. In anticipation of the musical feast, he has shared some of his favorite wine pairings for the beloved bel canto opera.

One of opera’s strongest, most independent, most adoring, and most desirable women — is the flamboyant diva Floria Tosca. Giacomo Puccini’s opera has attracted great sopranos for well over a century, because of its heroine, the thrilling music she sings, and her overpowering emotions.

If you want glorious singing from a lyric tenor, go to YouTube and listen to Charles Castronovo in the “Serenade” from The Student Prince. Some listeners today consider that famous operetta number sugary and sentimental, but in Castronovo’s performance it becomes sublimely romantic, and his voice effortlessly spans the song’s two octaves, encompassing an ideally ringing high B-flat at the end.

There’s no opera more sparkling than Gaetano Donizetti’s L’elisir d’amore (The Elixir of Love). One of the gems of bel canto comedy, it’s sheer delight from start to finish. Welcoming these characters back to the Lyric stage in the 2021/22 Season will be like greeting a group of lovable friends who light up the room and spread joy everywhere.

Lyric’s production of Mozart’s Die Zauberflöte (The Magic Flute) is playing November 3-27, so you could possibly be seeing it on a very cold night. We can guarantee that when you leave the theater, you’ll feel like the sun is shining — that’s how totally exhilarating a great performance of this opera can be.