Lyric Lately

Conductor Karen Kamensek has worked in many of the world’s top opera houses including The Metropolitan Opera, San Francisco Opera, English National Opera, and more. This season, she returns to her native Chicago to make her much-anticipated Lyric debut in Mozart’s The Magic Flute.

Soprano Ana María Martínez on her relationship with Daniel Catán, the music of FLORENCIA EN EL AMAZONAS, her favorite moments in the opera, and more.

Read about the inspiration behind Catán's FLORENCIA EN EL AMAZONAS and the lasting legacy of this Spanish-language opera in this insightful interview with Andrea Puente Catán (musician, opera professional, and widow of late composer Daniel Catán).

With more than fourteen roles to date, it’s always a joy to welcome back a familiar face to the Lyric stage. Bass Raymond Aceto has captivated Chicago audiences with his rich tone and impressive range since his company debut in the 1997/98 Season as The Voice of Neptune in Mozart’s Idomeneo.

Whether you're mixing up drinks with your favorite feather-brained sidekick or falling in love at first sight with a beautiful Prince or Princess, these creative cocktails can only add to the magic of Mozart's music.

Although Melbourne-born director Barrie Kosky has been involved in theater and opera professionally for over 30 years, he didn’t direct The Magic Flute until 2012 when he began as Komische Oper Berlin’s new intendant and artistic director. When the Komische Oper programmed The Magic Flute as part of Kosky’s inaugural season, he realized that he needed to find a method with which to present the work that would delight audiences while resonating with his artistic vision.

It’s always exciting when Lyric can bring a new-to-chicago work like Florencia en el Amazonas to our audiences, but it’s even more compelling when it’s being led by one of the world’s most highly respected directors, Francesca Zambello. She began her journey with Lyric back in 1999 and we are delighted to welcome her back to direct the first Spanish-language work to be presented as part of our mainstage opera season.

Missy Mazzoli, heralded as a “post-millennial Mozart” (Time Out New York), makes her Lyric debut this season. Mazzoli's compositional skills expand across mediums, as she writes opera, for television and film, and for her band, Victoire. Whether she's writing for a full orchestra or a string quartet, Mazzoli personifies her music with tonal and atonal sounds, replicating how humans interact in relationships.

The story of a glamorous diva on a life-changing journey down the Amazon River, the opera is inspired by the literary work of legendary author Gabriel García Márquez. Steeped in the beautiful style of magical realism, Florencia premiered 25 years ago in October 1996, and has become a favorite, with productions at more than a dozen opera companies in the U.S., as well as companies in Mexico and Europe.

In the late 19th century, Italian opera took a step away from fantastical stories of gods and monsters to focus on real life. Ruggero Leoncavallo's Pagliacci is a perfect example of this style — dubbed "verismo", which translates to "realism" — as the opera is based on an actual crime from the composer's childhood.

Enrique Mazzola became Music Director of Lyric Opera of Chicago as of July 1, 2021. The Spanish-born, Italian-trained conductor is only the third person in Lyric’s 67-year history to serve in this capacity, following the tenures of Sir Andrew Davis and the late Bruno Bartoletti.

For an opera so steeped in foggy highlands that its source material is known to superstitious theater insiders as “the Scottish play,” Lyric Opera of Chicago tapped two proud Scotsmen, Sir David McVicar and John Macfarlane, to create a new production to spark the 2021/22 season — Lyric’s return to live mainstage performance after 18 months dark.

An enjoyable Q&A by John von Rhein with Enrique Mazzola on the elegant Italian opera style bel canto and Donizetti's The Elixir of Love.

Explore the director's perspective in The Elixir of Love. Daniel Slater discusses high expectations of the Lyric Opera Chorus, balancing moments of vulnerability and humor, and bringing the dynamic characters of Adina, Nemorino, Belcore, Dulcamara, and Giannetta to life.

Lyric live performances are back! Our company members could not be more excited to welcome audiences back to the Lyric Opera House. With new seats, proof of vaccination and face masks required, and health and safety at the forefront, what will your performance experience be like? We answer your questions here.

Verdi called Shakespeare's Macbeth " one of mankind's greatest creations," and when the Italian composer added his musical genius to the story, it was the perfect recipe for a hit opera. If you're looking to get in the mood for this twisted Scottish tale, break out your bubbling cauldron and shake up a Shakespeare-inspired cocktail with these Macbeth Lyric Libations.

This Donizetti comedy has been an audience favorite around the world since its premiere in 1832. These are just a few reasons why this new-to-Chicago production is the perfect escape for right now.

For many years, the opening of the Lyric Opera of Chicago season has helped to usher in Chicago’s much-anticipated cultural season, and on Saturday, September 25, a thrilling reimagined gala celebration kept that tradition alive while infusing it with new creative energy.

Few new American operas have earned the acclaim received by Proving Up. “It seizes the imagination,” said San Francisco Classical Voice, and that opinion has been echoed around the country in the three years since Opera Omaha produced the world premiere.

Canadian baritone Joshua Hopkins is a man of many voices —master of Mozart, bel canto, French repertoire, and exceedingly challenging contemporary works. Effortlessly adapting his velvety instrument to the demands of every style he takes on, he invariably impresses not just with his voice and the terrific technique behind it, but also probing, thoughtful interpretations that mark him as one of today’s truly outstanding artists.

During a joyful afternoon at the Lyric Opera House in the fall of 2019, with red glasses on those present, Anthony Freud, Lyric's general director, president and CEO announced that Maestro Enrique Mazzola would be stepping into the role of music director starting with the 2021/22 Season. Now that he is preparing to take the podium for Verdi's Macbeth and Donizetti's The Elixir of Love in a new Lyric season — the first live performances in the Lyric Opera House in 19 months — we caught up with Maestro Mazzola to hear what he's been up to and how he's preparing.

If you're craving operatic drama in the comfort of your own home, then look no further! Leoncavallo's Pagliacci, an original Lyric film, is now available free of charge for virtual streaming. See a behind-the-scenes look at the filming of this production and reserve your tickets to the free digital stream.

As the first Ambassador of Vino Nobile di Montepulciano, Maestro Enrique Mazzola sees a close connection between music and wine production. This fall, he returns to the podium to conduct a star-studded production of Donizetti's The Elixir of Love. In anticipation of the musical feast, he has shared some of his favorite wine pairings for the beloved bel canto opera.

One of opera’s strongest, most independent, most adoring, and most desirable women — is the flamboyant diva Floria Tosca. Giacomo Puccini’s opera has attracted great sopranos for well over a century, because of its heroine, the thrilling music she sings, and her overpowering emotions.

If you want glorious singing from a lyric tenor, go to YouTube and listen to Charles Castronovo in the “Serenade” from The Student Prince. Some listeners today consider that famous operetta number sugary and sentimental, but in Castronovo’s performance it becomes sublimely romantic, and his voice effortlessly spans the song’s two octaves, encompassing an ideally ringing high B-flat at the end.

There’s no opera more sparkling than Gaetano Donizetti’s L’elisir d’amore (The Elixir of Love). One of the gems of bel canto comedy, it’s sheer delight from start to finish. Welcoming these characters back to the Lyric stage in the 2021/22 Season will be like greeting a group of lovable friends who light up the room and spread joy everywhere.

Lyric’s production of Mozart’s Die Zauberflöte (The Magic Flute) is playing November 3-27, so you could possibly be seeing it on a very cold night. We can guarantee that when you leave the theater, you’ll feel like the sun is shining — that’s how totally exhilarating a great performance of this opera can be.