The Factotum celebrates Black joy, merges influences, and widens our view of what opera can be. The co-creators who made this “everything” opera are Will Liverman and Rocket Jackson, two artists who grew up knowing each other at the Governor’s School for the Arts in Virginia when they were voice students studying opera and music in high school. While Liverman stayed with opera, Jackson moved into jazz, hip hop, and production to become DJ King Rico. Both got their early music exposure in the Black church, primarily through gospel. Given their musical fluency, it is not surprising that The Factotum comprises a wide range of musical styles — almost a little of everything from gospel, barbershop quartet, R&B, and jazz to funk, hip hop, and trap.

As opening night of the world premiere of The Factotum approaches, we had a chat with co-book writer, director, and dramaturg Rajendra Ramoon Maharaj. In this interview, read about his experience working with co-creators Will Liverman and DJ King Rico, the importance of connecting art and activism, his dreams for the opera’s legacy, and more!

The Brothers Grimm fairytale of two brave children lost in the forest is one of the most enchanting stories ever told. How much more wonderful it is when accompanied by Humperdinck’s music!