Praised by The New York Times as “mellow-voiced and charismatic” and identified as a baritone to watch by Opera News, Will Liverman is quickly gaining a reputation for his compelling performances, while making significant debuts at opera houses across the country.
Future engagements include his reprisal of the role of Dizzy Gillespie in Charlie Parker’s Yardbird with English National Opera as part of ENO’s new partnership with the Hackney Empire, with Lyric Opera of Chicago for its Lyric Unlimited initiative, and with Madison Opera, after originating the role at Opera Philadelphia in 2015, and performing the role on tour at the Apollo Theater. Will also makes debuts with Seattle Opera as Raimbaud in Le Comte Ory, in his home state with Virginia Opera as Figaro in Il barbiere di Siviglia, and with the Las Vegas Philharmonic as the baritone soloist in Brahms’ German Requiem, and with Dallas Opera.
Recent performance highlights have included the roles of Figaro in Il barbiere di Siviglia at Madison Opera and Utah Opera, Tarquinius in The Rape of Lucretia and Beaumarchais in The Ghosts of Versailles at Wolf Trap Opera, Andrew Hanley in the world premiere of Kevin Puts’ The Manchurian Candidate at Minnesota Opera, Sam in The Pirates of Penzance at Atlanta Opera, the Husband in Les mamelles de Tirésias with the Civic Orchestra of Chicago, the Protestant Minister in Menotti’s The Last Savage with Santa Fe Opera, and Mr. Noye in Noye’s Fludde as a guest artist at his alma mater, Wheaton College.
Expanding into the concert repertoire, he recently performed with the Civic Orchestra of Chicago in Mozart’s Mass in C Minor, in Orff’s Carmina Burana and Handel’s Messiah as a guest artist at the University of Chicago, and in Beethoven’s Missa solemnis with the South Dakota Symphony. Mr. Liverman made his Alice Tully Hall debut with the New York Festival of Song, collaborating with Steven Blier on a program entitled “Road Trip.”