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“A game-changer for opera” – Audiences react to THE PASSENGER

See what audiences are saying about Weinberg's gripping opera, The Passenger. Suppressed for over 40 years, this opera is only now receiving the recognition it deserves through this magnificent and moving production on stage at Lyric through March 15. 

See what audiences are saying about Weinberg's gripping opera, The Passenger. Suppressed for over 40 years, this opera is only now receiving the recognition it deserves through this magnificent and moving production from director David Pountney with incredible set designs from the late Johan Engels. It is on stage only through March 15, so do not miss this opportunity to see this rarely performed modern masterpiece. 

Photo credits:

 

  • The Passenger at Lyric Opera of Chicago production photos credit Michael Brosilow and Robert Kusel

 

THE PASSENGER is “virtually flawless” and “profoundly moving”

The Midwest premiere of Weinberg's The Passenger is onstage at Lyric through March 15. The Chicago Tribune gives this production a perfect four stars and deems it "an experience in the theater that is not to be missed." Read more critical praise for this haunting and powerful opera.

 

The Midwest premiere of Weinberg's The Passenger  is onstage at Lyric through March 15. The Chicago Tribune  gives this production a perfect four stars and deems it "an experience in the theater that is not to be missed." Here is more critical praise for this haunting and powerful opera.

"A virtually flawless performance and [David] Pountney's definitive production justify the decision of Lyric general director Anthony Freud to bring 'The Passenger' to Chicago….If this is a harbinger of fresh directions at Freud's Lyric Opera, then bring them on, I say." - Chicago Tribune

"With a faultless large cast and striking and imaginative production, one can't imagine Weinberg's dark yet hopeful opera receiving stronger advocacy." - Chicago Classical Review

The Passenger is "a compelling opera that manages the nearly impossible task of shedding meaningful light on the horror of Auschwitz." - Chicago Sun-Times

"Pountney's staging sweeps us from present to past with the fluidity of film, using an ingenious unit set the late designer Johan Engels based on Medvedev's original concept." - Chicago Tribune

The Passenger "stunningly powerful" and a "tasteful testimony to the courage and heroism of the human spirit." - Chicago Critic

"stunning" -  Chicago on the Aisle

Sir Andrew Davis and the Lyric Opera Orchestra and Chorus 

Sir Andrew Davis "conducted with searing authority" - Chicago on the Aisle

"Davis harnesses the power and sensitivity of his instrumental forces to undergird the emotional trajectory of the work." - Chicago Tribune

"The crisp rhythmic definition and propulsive energy Davis brings to Weinberg's sometimes spiky, sometimes nostalgically jazzy orchestra reminds us he is as much a master of 20th century music as he is of Mozart and Strauss. He secures admirable work from the orchestra and the Michael Black-trained chorus, at the top of their game at the end of a demanding 60th anniversary season." - Chicago Tribune

"The level of scrupulous preparation was manifest in every bar, with Davis's acute balancing bringing out every quirky detail of the score from the haunting celesta tones to the sardonic xylophone writing." - Chicago Classical Review

The impressive cast 

"Lyric has assembled an impressive array of singers who managed to make every Auschwitz inmate and prison guard a vivid, individual character."  - Chicago Sun-Times

 "Amanda Majeski is already on a fast track to a major career, but as Marta, the former Ryan Opera Center member delivered a shattering, star-making performance. " - Chicago Classical Review

 "Her ringing soprano glistened like Waterford crystal, combining transparent fragility with soulful strength." - Chicago Sun-Times

Amanda Majeski's "singing is pure, shining and true.  She has done nothing finer at the company that launched her international career." - Chicago Tribune

"Mezzo-soprano Daveda Karanas, who last season sang Kundry in Wagner's Parsifal, is riveting as the panicked woman Liese" - Chicago on the Aisle

Karanas  "delivered a superbly rounded performance, singing with a big tone and proved credible as both the frightened wife and scarily sadistic Auschwitz guard." - Chicago Classical Review

"The soft edges of Karanas's rich mezzo-soprano conveyed Liese's terror, but her tone became appropriately commanding in her scenes as a manipulative SS guard. " - Chicago Sun-Times

"With his powerful heldentenor Brandon Jovanovich brought daunting vocal strength to the somewhat thankless role of Walter, Liese's diplomat husband." - Chicago Classical Review

"A fine singer with real acting chops, Jovanovich is convincing as a mostly good guy, with a propped-up image of himself that he is keen to defend." - Chicago on the Aisle

 "As Tadeusz, Marta's fiancé, Joshua Hopkins used his rich baritone to create a calm, moral center amid the madness of Auschwitz." -Chicago Sun-Times

"Notable among Marta's richly individualized community of barrack companions are soprano Kelly Kaduce as the tough-minded Russian freedom fighter Katya, who can't quite remember all the words to the old folk song her grandmother used to sing; dramatic soprano Nina Warren as a crazed older woman who's the only survivor from her group of arrivals, and mezzo-soprano Liuba Sokolova as determinedly faithful Bronka, who lights candles to God and insists He will not forget even the ones who have given themselves up utterly to the idea that they are forsaken." - Chicago on the Aisle

Photo credits:

  • The Passenger at Lyric Opera of Chicago production photos credit Michael Brosilow and Robert Kusel

An Insider's Guide to THE PASSENGER

The Chicago premiere of Weinberg's The Passenger is on stage at Lyric from February 24 through March 15. Discover this poignant, gripping, and intimate 20th-century masterpiece, which portrays the story of the Holocaust from the perspectives of both victim and perpetrator, through interviews with the cast and creative team, audio previews, and more. 

 

The final opera of Lyric's 60th Anniversary season is the Chicago premiere of Mieczysław Weinberg's The Passenger, on stage from February 24 through March 15. This poignant and gripping 20th-century masterpiece portrays the story of the Holocaust from the perspectives of both victim and perpetrator, and was only recently rediscovered after more than 40 years of suppression.

In the early 1960s, Liese (Daveda Karanas) travels aboard an ocean liner bound for Brazil with her diplomat husband Walter (Brandon Jovanovich) while hiding a terrible secret: she was once an SS officer at Auschwitz. When she thinks she recognizes a fellow passenger as Marta (Amanda Majeski), one of her former inmates, she is forced to confront the truth about her past. The story moves back and forth from the ship to the camp, focusing on key events including Marta's reunion with her lover, Tadeusz (Joshua Hopkins), and Marta's friendships with Katya (Kelly Kaduce) and Bronka (Liuba Sokolova).

The Passenger is conducted by Sir Andrew Davis and directed by David Pountney, with set designs by the late Johan Engels, costumes by Marie-Jeanne Lecca, and lighting by Fabrice Kebour.

To supplement the mainstage performances of The Passenger, Lyric also presents "Memory and Reckoning," a confluence of activities that will add resonance and perspective to the themes and messages in Weinberg's opera through musical performances, a film screening, exploratory discussions, and the world premiere of The Property, a newly commissioned klezmer opera. Click here to learn more about these supplemental events, which run January through March.

Click here to read the plot synopsis, director's note, and more
in the complete program book for The Passenger.
 

Learn more about the world of The Passenger with this opera companion
 

Click here to learn more about The Property in the complete program book. 

Director David Pountney invites you to The Passenger

 

Articles with insights from the cast and creative team:

Pathways to Discovery: Exploring The Passenger and The Property
Lyric's general director Anthony Freud discusses the importance of presenting The Passenger and "Memory and Reckoning" events in this article from Lyric Opera News: "As the son of a Holocaust survivor, Freud notes that he can 'be rather cynical about works of art that have been inspired by the Holocaust. However, The Passenger is different from most. It's not sentimental or simplistic or melodramatic. It's a complex, very moving, very human story.'" READ MORE  

Zofia Posmysz and The Passenger: A Survivor's Story
7566. If you listen to the roll call of prisoners in Act One of The Passenger, you'll hear a series of numbers called over a loudspeaker (in German) by the overseer. 7566 is the number Zofia Posmysz was assigned in Auschwitz. At age 91, she still bears the tattoo on her left arm. In 1942, Posymsz, an 18-year-old student in Krakow, was accused of distributing flyers for the Polish resistance and arrested. She would spend the next three years of her life in Nazi concentration camps, first Auschwitz and later Auschwitz-Birkenau (an extermination camp in the Auschwitz network), where she worked as a bookkeeper in the kitchen. READ MORE   


In the Footsteps of Evil: Daveda Karanas visits Auschwitz
When Daveda Karanas appears in the Lyric premiere of The Passenger, she'll perform with a special perspective on the opera. Her portrayal of Liese&mdsah;a former overseer of inmates at Auschwitz concentration camp during World War II—will be significantly influenced by the American mezzo-soprano's recent visit to Auschwitz itself. READ MORE

Lyric Opera Orchestra Members on Weinberg and The Passenger
This season, Lyric Unlimited has teamed up with a number of cultural institutions for an incredible series of discussions, a film screening, the world premiere of a new klezmer opera, The Property, and chamber music performances featuring members of the Lyric Opera Orchestra. The chamber music concerts feature more of Weinberg's compelling and emotional music. We reached out to the members of the Lyric Opera Orchestra who are participating in these "Memory and Reckoning" concerts to gain insight on their experience with this music. READ MORE

Backstage Look: Creating Hair and Makeup for The Passenger
Lyric's wigmaster Sarah Hatten, now entering her fourth season as the head of this crucial department, takes us inside the process for creating the hair and makeup for Weinberg’s The Passenger. With an opera based on historical events, the challenge is to make every aspect of the production look as realistic as possible. And as surprising as it might seem, recreating real life on stage is usually more difficult than creating whimsical or fantastic wigs and makeup. READ MORE

Behind the Scenes of The Property
Lyric Unlimited has commissioned a new opera, The Property, to be presented in tandem with the Chicago premiere of Mieczsław Weinberg's The Passenger on the Lyric mainstage. A true fusion of opera and klezmer music, The Property brings Israeli author Rutu Modan's graphic novel to life in a captivating story about reclaiming the past, and finding your future. READ MORE

The Passenger Audio Preview

Music director Sir Andrew Davis shares the synopsis and excerpts from Weinberg's The Passenger. Recordings used by permission of EMI Classics and Peermusic Classical.

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Ryan Opera Center’s Talented Alums!

Lyric's own Ryan Opera Center  has a long roster of incredibly talented alumni. Here's what some of the singers affiliated with Lyric's prestigious training program have been up to this past season and where you can see them next season in Chicago and beyond!

The Ryan Opera Center's annual Rising Stars in Concert celebration is coming up this Saturday, March 29. It's not too late to donate $75 to Lyric and receive two complimentary tickets to this showcase of opera's future superstars.

The Ryan Opera Center has a long roster of incredibly talented alumni. Lyric's production of Mozart's La Clemenza di Tito, which closed out the 2013-14 season, is just one example. ALL of the cast members had connections to the Ryan Opera Center. Matthew Polenzani (Tito), Amanda Majeski (Vitellia), Christian van Horn (Publio), and Cecelia Hall (Annio) are all alumni of the program, and Emily Birsan (Servilia) is a current member. And Joyce DiDonato (Sesto) was just inducted as an honorary Ryan Opera Center member in a short ceremony after the Clemenza dress rehearsal.  

Here's what some of the other singers affiliated with Lyric's prestigious training program have been up to this past season and where you can see them next season in Chicago and beyond!

Elizabeth Futral 
(Ryan Opera Center member from 1989 to 1991) 

Past season   Highlights of Elizabeth's busy 2013-14 season include her role debut as Desiree Armfeldt in Houston Grand Opera's production of Sondheim's A Little Night Music , a role debut as Zdenka in Minnesota Opera's production of Strauss's Arabella, and a performance of one of her signature roles, Lucia di Lammermoor, for Portland Opera.

Coming soon! — Catch Elizabeth as Elsa Schraeder in Lyric's upcoming all-new production of Rodgers and Hammerstein's The Sound of Music  opening on April 25 right here at the beautiful Civic Opera House.   

Andriana Chuchman
(Ryan Opera Center member from 2007 to 2010)
 

Past season — Andriana had an amazing 2013-14 season. Already slated to debut with the Metropolitan Opera in February 2014 in The Enchanted Island, her debut came a month earlier as Adina in L'Elisir d'Amore when Anna Netrebko was ill for opening night. Andriana stepped in and wowed the New York critics!  

Coming soon! — Andriana is part of the amazing cast that makes up Lyric's new production of Mozart's Don Giovanni  that opens the 2014-15 season, with Robert Falls directing and Sir Andrew Davis conducting. She will also appear with Vancouver Opera in Sondheim's Sweeney Todd in April 2015.

Quinn Kelsey
(Ryan Opera Center member from 2003 to 2006)
 

Past season — Quinn made his role debut as Germont in Lyric's new production of Verdi's La Traviata in October 2013. He also performed the title role in Verdi's Rigoletto for English National Opera and in I vespri siciliani at Oper Frankfurt.

Coming soon! — Catch him at Lyric as Count di Luna in Verdi's Il Trovatore in October 2014. He will also perform as Marcello in the Metropolitan Opera's La Bohème in September 2014.  

Amber Wagner
(Ryan Opera Center member from 2007 to 2010)
 

Past season — In addition to welcoming her first child in summer 2013, Amber performed Verdi's Requiem with Sir Andrew Davis and the Melbourne Symphony in September 2013 and made her Washington National Opera debut in Verdi's La Forza del Destino in October 2013.

Coming soon! — Like Quinn Kelsey, Amber comes home to Lyric next season in Il Trovatore  as Leonora from October 27 to November 29. Then she's back just a few months later, starring in Tannhäuser  as Elisabeth from February 9 to March 6, 2015.

Amanda Majeski 
(Ryan Opera Center member from 2009 to 2011) 

Past season — Amanda was part of the dream cast of La Clemenza di Tito  that wrapped up Lyric's 2013-14 season. She also made her role debut as Donna Elvira in Mozart's Don Giovanni at Opera Philadelphia, as well as making her Carnegie Hall solo recital debut at Weill Recital Hall. 

Coming soon! — This Gurnee native will be back in her hometown to conclude another Lyric season. This time, she stars as Marta in Weinberg's The Passenger  from February 24 to March 15, 2015. She will also make her Metropolitan Opera debut as Countess Almaviva in the Met's new production of Mozart's The Marriage of Figaro in December 2014. 

Photo credits: Elizabeth Futral (credit Karli Cadel), Andriana Chuchman (credit Chia Messina), Quinn Kelsey (credit Dan Rest), Amanda Majeski (credit Dario Acosta).

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