Lyric Opera of Chicago

Lyric Lately

An Insider's Guide to TANNHÄUSER

Wagner's magnificent Tannhäuser is an epic tale of sin and redemption that is truly a monumental experience. Learn more about this new-to-Chicago production conducted by Sir Andrew Davis, directed by Tim Albery, and starring Johan Botha with interviews, audio previews, and more.

 

Wagner's magnificent Tannhäuser is on stage at Lyric February 9 through March 6. In this tale of sin and redemption, a wandering musician (Johan Botha) is lured into the erotic realm of the goddess Venus (Michaela Schuster). When he grows tired of her sensual delights, he returns home to his saintly beloved Elisabeth (Amber Wagner). However, he soon learns that true forgiveness is not so easily won. 

Sir Andrew Davis conducts this monumental vocal, choral, and orchestral feast that also stars Gerald Finley as Wolfram and John Relyea as the Landgrave in a new-to-Chicago production from director Tim Albery, who makes his Lyric debut. 

Click here to read the full plot synopsis, director's note, and more
in the complete Tannhäuser program book
.

Articles with insights from the cast and creative team

Closing the Circle: Sir Andrew Davis conducts Tannhäuser
Musically, stylistically, dramatically, and intellectually, there's no greater challenge for an opera conductor than the works of Richard Wagner. Sir Andrew Davis knows this very well—he waited to take them on until he became Lyric's music director in 2000. "The prospect of doing the Wagner operas was one of the most exciting things about coming to Lyric," he recalls. Fourteen years into his tenure—after The Flying Dutchman, Parsifal, the Ring, Tristan und Isolde, Lohengrin, and Die Meistersinger von Nürnberg—only one of Wagner's mature operas was left to tackle: Tannhäuser, which returns to Lyric's stage this season for the first time since 1988-89, from February 9 through March 6. READ MORE

The reviews are in: Tannhäuser is “sexy and striking” with “powerhouse voices”
Wagner's Tannhäuser is a bucket-list opera, full of some of the composer's most dramatic and moving music, from the opening overture to the Pilgrim's Chorus. This opera has not been seen at Lyric since the 1988-89 season, and critics are calling this epic production (on stage through March 6) a must-see event. Chicago on the Aisle   gave it four (out of five stars), calling it "potent, sensual and yet strikingly unromanticized production." READ MORE

Opera 101: Behind the scenes of Tannhäuser with August Tye
Wagner's Tannhäuser, which runs through March 6 at Lyric, has been earning rave reviews, especially for its epic opening dance sequence. August Tye, Lyric's ballet mistress for more than 10 years, takes us through the process of creating this sensuous depiction of Venusburg from auditions to rehearsals to opening night. READ MORE 

Tannhäuser Tweets: Why fans love this opera
Lyric's new-to-Chicago production of Wagner's Tannhäuser is the talk of Chicago. Read these tweets and posts from attendees to see why this is a can't-miss event. Our fan Miriam Scott says it best: it's a "veritable Wagner music hit parade and it's not even that long. Don't miss it." READ MORE 

Chorus member Jeffrey Taylor on Tannhäuser
As a bass with the Lyric Opera Chorus since 1981, Jeffrey Taylor has experienced countless thrilling performances firsthand. He's enthusiastic about this season's biggest choral challenge, Wagner's Tannhäuser, and why Lyric audiences should be excited to experience this massive masterpiece, unheard here since 1988. READ MORE 

Who is your Tannhäuser Valentine?
Wagner's Tannhäuser runs February 9 through March 6 at Lyric, including a performance on February 14! The hero of the opera must choose between the sensual goddess Venus and his saintly beloved Elisabeth. Who is your Tannhäuser Valentine? Take this quiz and find out! READ MORE 


Lyric U: Sopranos—how high can you go?
Get to know the soprano voice type with Renée Fleming, Anthony Freud, and Sir Andrew Davis in this Lyric U voice series installment. Plus hear examples of great soprano arias from some of the operas still on deck for this season, including "Dich, teure Halle" from Tannhäuser. READ MORE

 

Lyric U: Baritones in opera
Have you tuned into Lyric U? Check out our new video library, which starts with an in-depth exploration of the baritone in opera with Sir Andrew Davis, Anthony Freud, and Renée Fleming. Plus, check out some video highlights of the greatest baritone arias on stage this season, including Wolfram's beautiful aria "O du mein holder Abendstern" (Song of the Evening Star) from Tannhäuser. READ MORE

 "Patter Up!" with Amber Wagner

Get to know the lighter side of Tannhäuser star and Ryan Opera Center alumna Amber Wagner, who also triumphed earlier this season in Verdi's Il Trovatore

 

Tannhäuser Audio Preview

Music director Sir Andrew Davis shares the synopsis and excerpts from Wagner's Tannhäuser. Recordings used by permission of EMI Classics.

Subjects:

An Insider's Guide to TOSCA

Puccini's Tosca is opera at its finest, combining a heartbreaking story with achingly beautiful music that puts it on par with the composer's other beloved masterpieces Madama Butterfly and La Bohème. Learn more about this magnificent opera with interviews, audio previews, and more.

 

Puccini's Tosca  is opera at its finest, combining a heartbreaking story with achingly beautiful music that puts it on par with the composer's other beloved masterpieces Madama Butterfly and La Bohème. Learn more about this magnificent opera with interviews, audio previews, and more. 

Tosca, an impulsive opera star, is in love with a rebel artist—but he is hunted by a villainous police chief who will stop at nothing to capture his prey. What price is too high to save the man you love? For more than a hundred years, audiences have watched and listened spellbound as the cat-and-mouse game between diva Tosca and the devious Scarpia plays to its deadly conclusion. 

Lyric Opera presents two dynamic casts to bring this dramatic story to life. Tatiana Serjan (Tosca), Brian Jagde (Cavaradossi), and Evgeny Nikitin (Scarpia) portray this deadly love triangle from January 24 through February 5 and all make their Lyric debuts. Then from February 27 through March 14, Hui HeJorge de León (debut), and Mark Delavan take over the roles of lover, artist, and police chief. Dynamic young conductor Dmitri Jurowski makes his podium debut in this new Lyric coproduction from director John Caird, who dazzled with last season's Parsifal. 

Click here to read the full plot synopsis, director's note, and more
in the complete Tosca program book.

Articles with insights from the cast and creative team

Tosca through Scarpia's Eyes
Mark Delavan, who stars in Tosca as Scarpia for Lyric's second cast February 27 through March 14, gives some of his insights on this villainous character, one that he is able to reinvent each time he performs it. Delavan is certainly an expert, having performed this role more than 100 times around the world. READ MORE 


Opera 101: Q&A with Tosca Assistant Director Shawna Lucey
It takes a village to put together an opera, and one of the most important roles is the assistant director. Shawna Lucey, who is assistant director for Lyric's production of Puccini's Tosca (on stage now through March 14) gives a quick overview of her linchpin role as keeper of the "opera playbook." READ MORE 

See why TOSCA is “as pitch perfect as opera gets”
Lyric's Diamond Anniversary season continues with another acclaimed production; this time, critics are loving the new-to-Chicago production of Puccini's Tosca. It's on stage now through March 14, so act fast! If you're not convinced yet, here are just a few reasons to see this dramatic, passionate blockbuster. READ MORE


Tosca: A Lyric Photo History
Gobbi. Tebaldi. Bergonzi. Martins. Tucker. Pavarotti. Domingo. Scotto. Ramey. Morris. Voigt. These are just some of the amazing singers who have appeared in Puccini's Tosca  on stage at Lyric throughout the company's first 60 years. Learn more about the history of his magnificent opera at Lyric before seeing it on stage from January 24 to March 14. READ MORE

Lyric Libations: Tosca
Puccini's passionate tragedy is so intense that you will definitely need a drink afterwards to calm your nerves. And what better way to imbibe than with this set of four cocktails inspired by the opera? Channel your inner Tosca, Cavaradossi, and Scarpia—or learn how to make the potentially deadly concoction we like to call "Tosca's Kiss." READ MORE

A Tosca of Many Nations
There's no composer in opera more popular worldwide than Puccini, and it's not only in Italy that great Puccini interpreters are produced! Look, for example, at Lyric Opera's Tosca—the two trios of principals and the conductor together represent five different nations. READ MORE

On the Couch: Tosca
Opera divas are intense and dramatic—and perhaps in need of a bit of counseling, especially if you’re the tragic heroine of Puccini’s Tosca. Read notes from her therapist as he tackles Floria Tosca’s—FT for anonymity!—most persistent psychological traumas and provides an interesting alternate ending to the story. READ MORE


Lyric U: Sopranos – how high can you go?
Tosca contains one of the most beautiful and famous arias in the whole soprano repertoire: "Vissi d'arte." This glorious lament describes how the heroine Tosca has lived for art and love, only to have fate turn against her. Lyric's own Anthony Freud, Sir Andrew Davis, and Renée Fleming talk through what distinguishes the soprano voice in opera, with bonus video examples of other great soprano arias on stage at Lyric this season. READ MORE

Lyric U: Baritones in opera
A survey of great baritone roles in opera would not be complete without Scarpia. His Te Deum provides one of the most powerful scenes in all of opera, as the villain sings of his lust and his horrific plan to force Tosca into loving him, all against the backdrop of a prayer. Looking for more great baritone showcases? This Lyric U post highlights some other notable scenes. READ MORE

Patter Up! with Brian Jagde

Tenor Brian Jagde makes his Lyric debut as Cavaradossi in the first cast of Tosca (January 24-February 5). Learn more about his favorite foods, his go-to karaoke song, and his adorable dog Cav. 

 

Tosca Audio Preview

Music director Sir Andrew Davis shares the synopsis and excerpts from Puccini's Tosca. Recordings used by permission of EMI Classics.

Lyric U: Sopranos – how high can you go?

Get to know the soprano voice type with Renée Fleming, Anthony Freud, and Sir Andrew Davis in our latest Lyric U voice series installment. Plus hear examples of great soprano arias from some of the operas still on deck for this season: Anna Bolena, Tosca, Porgy and Bess, and Tannhäuser.

The soprano voice is one of the most recognizable in opera, with many famous arias and indelible images (Brünnhilde in a Viking hat, anyone?) that are immediately recognizable.

But what exactly is a soprano? And what kind of roles does that voice usually portray in opera? In our latest Lyric U video, Lyric's own Anthony Freud, Sir Andrew Davis, and Renée Fleming discuss the soprano with a few key musical excerpts sprinkled throughout.

 

Looking for some outstanding soprano roles at Lyric?  Here are just a few of the great arias featured this season.

Anna Bolena - "Coppia iniqua"

Donizetti's bel canto gem tells the story of Henry VIII, Anne Boleyn, and Jane Seymour. Though it takes some historical license, all is forgiven when the singers' vocal fireworks are unleashed. Sondra Radanovsky takes on the role here at Lyric from December 6 through January 16. Here is Anna Netrebko performing "Coppia iniqua" from the Metropolitan Opera's 2011 production:

 

Tosca - "Vissi d'arte"

This season features one of the greatest soprano roles, the diva to end all divas: Tosca. Puccini's gut-wrenching story features a number of incredible musical moments, but none is quite so magical as "Vissi d'arte," Tosca's beautiful aria describing how she's lived for art and love, only to have fate turn against her. This season, you have two chances to hear this wonderful piece interpreted with Tatiana Serjan and Hui He both starring in the new-to-Lyric production from January 24 to March 14.

Here's Sondra Radvanovsky performing the aria in the Metropolitan Opera's production from 2011:

 

Porgy and Bess - "Summertime"

"Summertime" is arguably the most famous aria from Gershwin's Porgy and Bess—and it has become a popular tune outside the opera (here's ample evidence!). The great Kathleen Battle performs the opera's opening aria with the Montreal Symphony Orchestra, led by Charles Dutoit:

 

Tannhäuser - "Dich, teure Halle"

Ryan Opera Center alumna Amber Wagner does double-duty this season; in addition to portraying Leonora in Il Trovatore, she comes back in February for Richard Wagner's Tannhäuser, which features some of the composer's most majestic music. If you missed Amber Wagner performing this at Lyric's 60th Anniversary Concert,  here is a historic recording of the incomparable Birgit Nilsson performing Elisabeth's greeting, "Dich, teure Halle":

 

Il Trovatore - "Tacea la notte placida"

Verdi's Il Trovatore is filled with show-stopping numbers, including the Anvil Chorus, but the character of Leonora has a beautiful aria in Act 2 describing the first time she heard the serenade of the troubadour Manrico. Amber Wagner took on the role at Lyric in October and November, and here is Barbara Frittoli in a production from La Scala in 2001:

 

Photo credits:

  • Sondra Radvanovsky in Anna Bolena (credit Todd Rosenberg / Lyric Opera of Chicago)
  • Adina Aaron in Porgy and Bess (credit Todd Rosenberg / Lyric Opera of Chicago)
  • Tatiana Serjan (credit Todd Rosenberg)
  • Hui He (courtesy Zemsky/Green Artist Managment)
  • Amber Wagner at Lyric's 60th Anniversary Concert (credit Michael Brosilow / Lyric Opera of Chicago)
  • Amber Wagner in Verdi's Il Trovatore (credit Michael Brosilow / Lyric Opera of Chicago)

(Lyric Opera of Chicago does not own copyrights to any of the above videos.)

Lyric U: Baritones in opera

Have you tuned into Lyric U? Check out our new video library, which starts with an in-depth exploration of the baritone in opera with Sir Andrew Davis, Anthony Freud, and Renée Fleming. Plus, check out some video highlights of the greatest baritone arias on stage this season.

Have you tuned in to Lyric U? It's Lyric's new resource for things opera, giving everyone an easy way to explore, discover, and engage. Whether you're new to the art form and looking for Opera 101 or an aficionado who wants to earn a PhD in Advanced Opera Studies, let Lyric U guide the way with this ever-expanding video library.

One of the new features on Lyric U is "From Soprano to Bass: Exploring Voice in Opera." Sir Andrew Davis, Renée Fleming, and Anthony Freud are your guides through the seven different categories of the human voice in this in-depth video series.

The first video in the series focuses on the baritone. This vocal range might be stuck in the middle of tenor and bass, but the baritone is definitely not a voice that can be easily overlooked. Some of the most famous roles in opera are portrayed by baritones-the ultimate bad boy in Mozart's Don Giovanni, the resourceful fixer Figaro in Rossini's The Barber of Seville, the king of the gods Wotan in Wagner's Ring cycle, and the great title roles in Verdi's Rigoletto, Falstaff, and Simon Boccanegra

 

Want to hear more? Below are video samples of some of the great baritone showcases that you can hear as part of Lyric's 2014-15 season.

Il Trovatore  - "Il balen del suo sorriso"

In Act 2 "The Gypsy" of Verdi's Il Trovatore, the villainous Count di Luna sings of his devotion to Leonora, who has decided to enter a convent because she believes her true love Manrico is dead. Though di Luna's song speaks to a beautiful love, he is actually plotting to kidnap her - thinking that the convent is the only obstacle to their happiness. Ryan Opera Center alum Quinn Kelsey takes on the role at Lyric from October 27 to November 29. 

 

(Dmitri Hvorostovsky, Metropolitan Opera, 2011)

Porgy and Bess  - "I Got Plenty O' Nuttin'"

This quintessential American opera has many timeless songs, including "Summertime" and "Bess, You Is My Woman Now, but one of Porgy's most famous arias is this ode to his simple life. Lyric favorite Eric Owens brings this iconic role to Chicago from November 17 to December 20. 

 

(Lawrence Winters, Columbia Masterworks recording, 1951)

Tosca - Te Deum

Scarpia, the police chief who is ruthlessly hunting the rebel artist Cavaradossi, sings of his lust and terrible plan to force Tosca into loving him, against the backdrop of a prayer. This season, two singers take on this villianous role: Evgeny Nikitin (Lyric debut, January 24 to February 5) and Mark Delavan (February 27 to March 14). 

 

(George Gagnidze, Metropolitan Opera, 2009)

Tannhäuser  - "O du mein holder Abendstern" (Song of the Evening Star)

This aria from Act 3 of Tannhäuser is in the pantheon of one of the most beautiful arias ever written, and is one of Wagner's most haunting melodies. Wolfram von Eschenbach loves the faithful and chaste Elisabeth, but she is in love with Tannhäuser; in this aria, he has a premonition of her death. Gerald Finley stars as Wolfram at Lyric from February 9 to March 6. 

 

(Peter Mattei, Staatsoper Berlin, 2014)

Don Giovanni  - "Deh vieni all finestra"

While posing as his right-hand man Leporello, Don Giovanni serenades the maid of his former conquest Donna Elvira with this lovely aria from Act Two. Mariusz Kwiecień stars in Lyric's hot-blooded new production through October 29. 

 

(Bryn Terfel, Metropolitan Opera, 2000)

Photo credits:

  • Top row: Quinn Kelsey (credit Dan Rest / Lyric Opera of Chicago); Evgeny Nikitin (credit Ken Howard / Metropolitan Opera)
  • Bottom row: Eric Owens in Porgy and Bess (credit Terrence McCarthy / San Francisco Opera); Mariusz Kwiecień stars as the title role in Don Giovanni (credit Todd Rosenberg / Lyric Opera of Chicago)

(Lyric Opera of Chicago does not own copyrights to any of the above videos.)

Select an image to pin

    << March 2015 >>
    Sun Mon Tue Wed Thu Fri Sat
    1 2 3 4 5 6 7
    8 9 10 11 12 13 14
    15 16 17 18 19 20 21
    22 23 24 25 26 27 28
    29 30 31        

    Subjects

    Tags