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Critics love Lyric's “bold, provocative, hot-blooded” DON GIOVANNI

Lyric's Diamond Anniversary season has started off in style. Critics are raving about the new production of Mozart's Don Giovanni from renowned director Robert Falls of the Goodman Theatre, with Lyric's music director Sir Andrew Davis on the podium. Seductive and stunning, this is the can't-miss event of the fall season. Here are just a few reasons why.

Lyric's Diamond Anniversary season has started off in style. Critics are raving about the new production of Mozart's Don Giovanni from renowned director Robert Falls of the Goodman Theatre, with Lyric's music director Sir Andrew Davis on the podium. Seductive and stunning, this is the can't-miss event of the fall season. Here are just a few reasons why. 

Robert Falls's audacious staging 

"Falls' bold, provocative, hot-blooded new production of 'Don Giovanni' opened Lyric's 60th anniversary season Saturday night at the Civic Opera House, and it had the audience cheering for numerous reasons. … This 'Don Giovanni' is as nourishing to the eye as it is to the ear and mind." - John von Rhein, Chicago Tribune

"Director Robert Falls' fresh, boldly conceived staging infused new life into Mozart's dramma giocoso. " - Lawrence A. Johnson, Chicago Classical Review

"Falls’s fast-moving staging has an eye for the opera’s comedy and even more for its sexuality." - George Loomis, Financial Times

"Bob Falls has found a way to connect in a fresh way with a work we know and a work we love." - Andrew Patner, WFMT

"The production of Giovanni, which just opened at the Lyric Opera of Chicago, is a glorious triumph for Falls, and a spectacular opening to the Lyric's 60th season. Falls re-imagination of Don Giovanni has it all—passion, sex, heartbreak, murder, jealousy, and revenge. " - Betty Mohr, Le Bon Travel and Culture

"[Lyric's] cast and crew throw themselves into Falls' approach, and what results is an impressive theatrical and musically intensive brew that will have you laughing one minute while gasping with indignation the next." - Scott C. Morgan, Daily Herald 

"Moving the story of Don Juan from its seventeenth century origins to circa 1920s Spain proves to be a great decision by Falls. It manages to strip the production of stuffy periodicity while placing it into a time more familiar to the contemporary audience yet distant enough that the story’s messy morality seems plausible." - Brian Hieggelke, New City

"This new production proves that modern practice can combine with classic opera to create art of the highest order. This 'Don Giovanni' should not be missed." - M.L. Rantala, Hyde Park Herald

"Run, do not walk, to the Civic Opera House and catch this show." - Lawrence A. Johnson, Chicago Classical Review

The exceptional cast 

"A more appealing cast could hardly have been assembled for Mozart’s 'Don Giovanni' than the vocally resplendent, good-looking singers who inhabit the Lyric Opera of Chicago’s new production and season opener." - Lawrence B. Johnson, Chicago on the Aisle

"Polish baritone Mariusz Kwiecień is one of the world's best Don Giovannis, a trim, handsome bundle of raging testosterone. " - Wynne Delacoma, Chicago Sun-Times 

"The Polish baritone wielded his robust, burnished baritone with such elegant style and tonal beauty, it was easy to understand why all the women of Europe are dropping at his feet." - Lawrence A. Johnson, Chicago Classical Review

"Puerto Rican soprano Ana María Martínez is wonderfully fiery with a dusky sound as the revenge-bent Donna Elvira (she also clearly relishes her 'modern woman' role reconceptualization—even arriving via motorcycle)." - Scott C. Morgan, Daily Herald 

"It's a tribute to Kyle Ketelsen that he held his own with Kwiecień's Don, more than is usually the case. The bass-baritone delivered a nimble and witty Catalog Aria and firmly brought out the servant's seething resentment as well as the men's camaraderie with a natural conversational quality to their rapid-fire exchanges." - Lawrence A. Johnson, Chicago Classical Review

"I found [Marina Rebeka's] Donna Anna superb: The sound was creamy, voluminous and steady as a laser, with plenty of fiery temperament to match the dramatic thrust of her singing." - John von Rhein, Chicago Tribune

Andriana Chuchman "brought a charming yet vixenish quality to the good-girl flirt and sang her two arias with notably youthful spirit." - Lawrence A. Johnson, Chicago Classical Review

"...bass-baritone Michael Sumuel deftly captured Masetto's mix of jealous male and vulnerable lover." - Wynne Delacoma, Chicago Sun-Times

Antonio Poli's "ardent, tender arias shaped Don Ottavio, often a bland cipher, into the opera's sole voice of reason." - Wynne Delacoma, Chicago Sun-Times 

"Andrea Silvestrelli's Commendatore was towering in height and sonorous of voice" - Lawrence A. Johnson, Chicago Classical Review

 Sir Andrew Davis and the Lyric Opera Orchestra and Chorus 

"Lyric music director Sir Andrew Davis conducted the Lyric Orchestra with plenty of panache, bringing out the light and dark colors of Mozart's timeless score with buoyant style." - Scott C. Morgan, Daily Herald

"...conductor Andrew Davis’ eloquent and expressive musical direction was greatly to be savored, as was a precise and buoyant performance by the Lyric Opera Orchestra. Add to that the exuberant yet disciplined singing by the Lyric Chorus and the last element was in place for a musically rewarding night." - Lawrence B. Johnson, Chicago on the Aisle

"…music director Andrew Davis drew lithe, elegant, stylish playing from his fine orchestra that felt all of a piece with the Don's high-stakes games of seduction." - John von Rhein, Chicago Tribune

"the magnificence of the production should also be credited to Sir Andrew Davis, who at the helm of Lyric’s exceptional orchestra, gives his all to Mozart’s delicious score; [and] to Michael Black who brings out the best in Lyric’s chorus..." - Betty Mohr, Le Bon Travel and Culture

The fantastic sets and costumes 

"Walt Spangler's sets and Ana Kuzmanic's costumes persuasively and colourfully suggest urban Seville, including a handsome townhouse for the Commendatore, seen from the street, and a church interior dominated by a statue of Mary for the Sextet scene of Act 2." - George Loomis, Financial Times  

"Not only are the sets something to behold, but so too are the ravishing costumes by Ana Kuzmanic that evoke the carefree flamboyance of the Jazz Age." - Betty Mohr, Le Bon Travel and Culture

"The contributions of frequent Falls collaborators Ana Kuzmanic (costume design) and Walt Spangler (sets) deserve equal billing with the performers. The production lives in black and white and gray, but splashes of color – blood, flowers – transcend decoration and become metaphor for the proximity of sensuality and death herein." - Brian Hieggelke,New City

"Between designer Walt Spangler's fetching Spanish sets and Ana Kuzmanic's stylish 1920s costumes (a temporal relocation that Mozart surely would have adored), this 'Don Giovanni' has an integrated look and feel that not only works but also allows for doses of broad, updated humor." - Lawrence B. Johnson, Chicago on the Aisle

"Walt Spangler's scenic design is consistently imaginative, centered on a traditional balconied facade of a Spanish house as unit set with striking splashes of flowers and color." - Lawrence A. Johnson, Chicago Classical Review

"…in the ball scene, [Ana Kuzmanic's] lavishly stylized, brocade and velvet costumes for Donna Elvira, Donna Anna (Marina Rebeka) and Don Ottavio (Antonio Poli) clearly delineated the chasm between the aristocrats and the common folk, an important point for Mozart and his librettist Lorenzo Da Ponte. " - Wynne Delacoma, Chicago Sun-Times

The spectacular final scene 

"While everything about the opera soars, the climactic scene (which I won't spoil), in which Giovanni is sent to hell, is jaw-dropping stunning. This is the best Don Giovanni I have ever seen. Opera lovers will be talking about it for a long time." - Betty Mohr, Le Bon Travel and Culture

"There is a juicily melodramatic death scene for the Don whose surprising details I will not spoil by revealing." - John von Rhein, Chicago Tribune

Photo credits:

  • Don Giovanni photos credit Todd Rosenberg / Lyric Opera of Chicago

 

Sex, drugs, and rock 'n' roll: DON GIOVANNI design preview

Can't wait for opening night of Lyric's brand-new production of Don Giovanni on September 27? Here's a sneak peek at some of the production's design elements to whet your appetite.

Can't wait for opening night of Lyric's brand-new production of Don Giovanni on September 27? Here's a sneak peek at some of the production's design elements to whet your appetite. 

Director Robert Falls and his creative team have updated the setting to 1920s Spain. "Sex, drugs and rock 'n' roll. It never stops; the perfect opera in many ways," as Falls told Neil Steinberg of the Chicago Sun-Times.  

This updating of the opera's traditional setting (a first for Lyric!) gave set designer Walt Spangler a lot of room to play. Here's a look at the set and some of the period details that will be showcased on stage, including the motorcycle belonging to the fiery Donna Elvira. 

And here are some more casual close-ups of some of the production's props, snapped backstage during summer tech week. Pictured are some of the faux grapes that make up the onstage vineyard, the Commendatore's coffin, benches being stored backstage (these will be pews for the funeral scene), and some of the beautiful details on Don Giovanni's massive dinner table.

But the sets are only half of the fun. Here are some of the fabulous 1920s-inspired looks that innovative costume designer Ana Kuzmanic has created for the characters.

(Top row: Designs for Don Giovanni, Donna Elvira, and Donna Anna;
Bottom row: Designs for Leporello, Zerlina, and Don Ottavio)

Craving more? Get the inside scoop from the design team in this video:

 

Photo credits:

  • Don Giovanni set photos credit Todd Rosenberg / Lyric Opera of Chicago
  • Don Giovanni summer tech photos credit Carrie Krol / Lyric Opera of Chicago
  • Don Giovanni design sketches credit Ana Kuzmanic

Our Diamond Anniversary season has all of the hits

There's something for everyone in Lyric's 2014/15 season, including some of opera's must recognizable music from Don Giovanni, Il Trovatore, Tosca, and more! Read on to see and  hear some of this season's hit tunes. 

There's something for everyone in Lyric's 2014/15 season, including some of opera's must recognizable tunes. You might know some of these selections outside of their operatic homes—come and see these famous songs as you only can see them at Lyric, with the grandest staging and finest musicians.

Don Giovanni 

On stage September 27 to October 29

The Champagne Aria

Mariusz Kwiecień performs the Champagne Aria from Don Giovanni in this video from the Royal Opera House, Covent Garden's 2014 production. The song is an ode to the fabulous party that the Don is planning, yet another occasion for him to add to his list of conquests. Kwiecień plays a Giovanni who has smoldering movie star charisma in Lyric's brand-new production from renowned stage director Robert Falls, which updates the setting to 1920s Spain.

 

 "La ci darem la mano"

This love duet between the duplicitous Don and the naïve Zerlina is one of the most well-known in the operatic repertoire. The odd couple of Luciano Pavarotti and Sheryl Crow have teamed up to perform it in concert! Once again is Mariusz Kwiecień, Lyric's Giovanni, with Mojca Erdmann as Zerlina.

 

(Metropolitan Opera, 2011)

Il Trovatore 

On stage October 27 to November 29

The Anvil Chorus

You've heard it in commercials and in films—now come see it on Lyric's stage! The Anvil Chorus from Verdi's Il Trovatore is one of the most famous tunes in opera. You're sure to be humming it for days after you see it in performance. Here is the incredible scene from director Sir David McVicar's epic production. 

 

(Metropolitan Opera, 2011)

Porgy and Bess 

On stage November 17  to December 20

"Summertime" and more…

Gershwin's Porgy and Bess is filled with an incredible number of songs that have made their way into the popular songbook, including "Summertime," "Bess, You Is My Woman Now," "I Got Plenty o' Nuttin," "It Ain't Necessarily So."  Here's a highlight reel of some of those amazing songs as performed at the San Francisco Opera in 2009 —and this is the very same production that will be right here at Lyric with Eric Owens as Porgy.

 

Tosca 

On stage January 24 to March 14

"Vissi d'arte"

Puccini's gut-wrenching story features a number of incredible musical moments, but none is quite so magical as "Vissi d'arte," Tosca's beautiful aria describing how she's lived for art and love, only to have fate turn against her. This season, you'll have two chances to hear this wonderful piece interpreted with Tatiana Serjan and Hui He both starring in the new-to-Lyric production.

The luminous Sondra Radvanovsky, who will take on the role of Anne Boleyn in Donizetti's Anna Bolena at Lyric later this year, brings this magnificent aria to life. 

 

(Metropolitan Opera, 2011)

Tannhäuser 

On stage February 9 to March 6

The Pilgrim's Chorus

The Pilgrim's Chorus in Act 3 of Tannhäuser is one of Wagner's most beautiful and majestic melodies. The simple melody starts quietly, as the singers are off stage, but grows until the full orchestra and chorus are at full volume. It has become a staple of concert choirs such as the Mormon Tabernacle Choir and was even one of the Wagner melodies quoted in the Bugs Bunny cartoon "What's Opera, Doc?"  We dare you not to be moved.

 

 

(Lyric Opera of Chicago does not own copyrights to any of the above videos.)

An Insider's Guide to DON GIOVANNI

Lyric's 60th season opens with a new production of Mozart's Don Giovanni. Here is your complete insider's guide with video, articles, photos, and more.

 

Lyric opens its Diamond Anniversary season with a spectacular new production of Mozart's Don Giovanni. Directed by Robert Falls and conducted by Sir Andrew Davis, the classic story of the charismatic and dangerous seducer is updated to the 1920s. Here is your inside look at the amazing cast, design, and history that are informing Lyric's bold new take.

Don Juan—selfish, arrogant, dangerous. With a list of conquests longer than a phonebook, Don Giovanni (Mariusz Kwiecień) travels the world, seducing thousands of willing (and unwilling) women with the help of his wingman Leporello (Kyle Ketelsen). But when lust turns to murder, three of his victims—Donna Anna (Marina Rebeka), Donna Elvira (Ana María Martínez), and Zerlina (Andriana Chuchman)—join forces for revenge. One of the greatest operas ever written, this darkly comic tale of seduction and punishment is Mozart’s masterpiece.

Click here to read the full plot synopsis, director's note, and more
in the complete Don Giovanni program book.

Star Mariusz Kwiecień talks about this iconic role

 

Stage director Robert Falls discusses the new production

 

Behind-the-Scenes at Don Giovanni Costume Fittings

 

Meet the Don Giovanni Design Team

 

Andrea Silvestrelli Becomes the Commendatore

 

Articles with insights from the cast and creative team

Critics love Lyric's “bold, provocative, hot-blooded” Don Giovanni
Lyric's Diamond Anniversary season has started off in style. Critics are raving about the new production of Mozart's Don Giovanni from renowned director Robert Falls of the Goodman Theatre, with Lyric's music director Sir Andrew Davis on the podium. Seductive and stunning, this is the can't-miss event of the fall season. Here are just a few reasons why. READ MORE 

Lyric Libations: Don Giovanni
Lyric's new production of Don Giovanni is so passionate that you need a cocktail just to relax after the show. Channel your favorite character with these beverages inspired by Mozart's masterpiece, including the Don Juan, the Commendatore's Corpse Reviver, Donna Anna's Vendetta, and Seething Jealousy. READ MORE
 

Don Giovanni Breaks Bad: A Conversation with Robert Falls
Known for his visionary and challenging productions as artistic director of the Goodman Theatre, Robert Falls returns to Lyric with Don Giovanni. In this interview, Falls takes us inside the process for reinventing this operatic masterpiece. READ MORE 

Designing Don Giovanni
Opera’s irresistible bad-boy seducer, Don Giovanni, is getting a whole different look at Lyric this fall. In the new production staged by Robert Falls, the Don will suavely work his wiles like a star of the silver screen, circa 1920s—but in living color. READ MORE

Magic from a master: Don Giovanni lighting design
Duane Schuler
 is a magician. Well, he's actually a lighting designer, but what he creates is absolutely magic, pure and simple. Give Duane any era of history, any kind of setting, and any time of day or night that an opera requires, and he can make it reality onstage. READ MORE
 

Ana María Martínez Dishes…
Donna Elvira, the woman scorned by Don Giovanni, holds a special place in the heart of Ana María Martínez, who has a lot to say about her fierce character. “She is a woman ahead of her time, very independent in her thinking, her approach to what she wants, her determination, her clarity,” says the soprano.READ MORE

Rolling with the Don: A wild ride with Mozart's most fascinating character
An in-depth Q&A with barihunk Mariusz Kwiecień, the native of Krakow, Poland, who is starring as the legendary womanizer on stage here at Lyric. READ MORE

Giovanni's Ladies
When Lyric opens the 2014-15 season with Mozart's Don Giovanni, the female roles will be sung by an extraordinary trio of sopranos—Andriana Chuchman, Ana María Martínez, and Marina Rebeka—each beautiful to behold and dazzling to hear. READ MORE

On the Couch: Don Giovanni
He’s opera’s most notorious bad boy—seducing women across the globe and leaving not just broken hearts, but also broken homes in his wake. Here’s a peek at the psyche of this fascinating character from the point of view of his therapist.  
READ MORE

Don Giovanni: A Lyric Photo History
Did you know that Don Giovanni actually was the very first production presented by what would become Lyric Opera of Chicago in 1954? Here's a look at how this monumental opera has evolved over the years. READ MORE

The Enduring Influence of Don Giovanni
Mozart's Don Giovanni, which opens Lyric's 2014-15 season on September 27, has a long history and an even longer legacy. Based on the Don Juan legends that date back to the early 1600s, about 150 years before Mozart's opera premiered, the opera has become an enduring cultural touchstone, perhaps because of its intoxicating mix of comedy, tragedy, and the supernatural. READ MORE

 

Don Giovanni Audio Preview

Music director Sir Andrew Davis shares the synopsis and excerpts from Mozart's masterpiece. Recordings used by permission of EMI Classics.

 

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