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See why TOSCA is “as pitch perfect as opera gets”

Lyric's Diamond Anniversary season continues with another acclaimed production; this time, critics are loving the new-to-Chicago production of Puccini's Tosca. It's on stage at Lyric until March 14. If you're not convinced yet, here are just a few reasons to see this dramatic, passionate blockbuster.

Lyric's Diamond Anniversary season continues with another acclaimed production; this time, critics are loving the new-to-Chicago production of Puccini's Tosca. It's on stage at Lyric until March 14. If you're not convinced yet, here are just a few reasons to see this dramatic, passionate blockbuster.

"Highly Recommended" - Chicago Sun-Times 

"…a mesmerizing night of music theater imaginatively staged, perceptively conducted and gloriously sung." - Chicago on the Aisle

"this Tosca is as pitch perfect as opera gets" - Le Bon Travel and Culture 

"…this production, staged by John Caird with sets and costumes by Bunny Christie, offers something more: a fresh approach to staging as evocative as the singing." - Chicago Sun-Times 

The Glorious Music

"Let me end by praising one of the great performances of the night: the orchestra's. Under Dmitri Jurowski's baton, this night saw the Lyric's house band find again and again an exquisite late 19th century sound, the winds and brass speaking gorgeously from within beds of strings." - Bachtrack 

" the Lyric's production features Puccini's glorious musical score that soars under the Lyric's exceptional orchestra led by Dmitri Jurowski in his Lyric debut. " - Le Bon Travel and Culture 

"Jurowski consistently and fetchingly underscores the opera's emotional surge, with deft shifts into sweet comedy and arching lyricism. Both the Lyric Opera Chorus, in the grand Te Deum that crowns Act I, and the Orchestra distinguish themselves with performances that bloom and soar." - Chicago on the Aisle  

The Electrifying Cast

Tatiana Serjan and Brian Jagde are "an inspired pairing: two wonderful acting singers with the extraordinary voices that make for opera legend." - Chicago Reader 

"Tatiana Serjan commanded the stage, tracing the arc of Tosca's journey from capricious, jealous diva to a woman driven to desperate action in a frantic effort to save the life of her lover." - Chicago on the Aisle 

"the Russian soprano showed she truly is the complete package as a singer and actress, with her Tosca as affecting and vulnerable as her Lady Macbeth was chilling and evil." - Chicago Classical Review 

"One could go a lifetime and not hear a finer “Vissi d’arte” in the theater than the one Serjan delivered Saturday night." - Chicago Classical Review 

"Making his Lyric debut, the American tenor [Brian Jagde] declares his love for Tosca in his opening aria, unleashing his supple, warm-toned tenor in a passionate outpouring that set the audience cheering." - Chicago Sun-Times 

 

Photo credits:

  • Tosca production photos credit Todd Rosenberg / Lyric Opera of Chicago

 

An Insider's Guide to THE PASSENGER

The Chicago premiere of Weinberg's The Passenger is on stage at Lyric from February 24 through March 15. Discover this poignant, gripping, and intimate 20th-century masterpiece, which portrays the story of the Holocaust from the perspectives of both victim and perpetrator, through interviews with the cast and creative team, audio previews, and more. 

The final opera of Lyric's 60th Anniversary season is the Chicago premiere of Mieczysław Weinberg's The Passenger, on stage from February 24 through March 15. This poignant and gripping 20th-century masterpiece portrays the story of the Holocaust from the perspectives of both victim and perpetrator, and was only recently rediscovered after more than 40 years of suppression.

In the early 1960s, Liese (Daveda Karanas) travels aboard an ocean liner bound for Brazil with her diplomat husband Walter (Brandon Jovanovich) while hiding a terrible secret: she was once an SS officer at Auschwitz. When she thinks she recognizes a fellow passenger as Marta (Amanda Majeski), one of her former inmates, she is forced to confront the truth about her past. The story moves back and forth from the ship to the camp, focusing on key events including Marta's reunion with her lover, Tadeusz (Joshua Hopkins), and Marta's friendships with Katya (Kelly Kaduce) and Bronka (Liuba Sokolova).

The Passenger is conducted by Sir Andrew Davis and directed by David Pountney, with set designs by the late Johan Engels, costumes by Marie-Jeanne Lecca, and lighting by Fabrice Kebour.

To supplement the mainstage performances of The Passenger, Lyric also presents "Memory and Reckoning," a confluence of activities that will add resonance and perspective to the themes and messages in Weinberg's opera through musical performances, a film screening, exploratory discussions, and the world premiere of The Property, a newly commissioned klezmer opera. Click here to learn more about these supplemental events, which run January through March.

Articles with insights from the cast and creative team:

Pathways to Discovery: Exploring The Passenger and The Property
Lyric's general director Anthony Freud discusses the importance of presenting The Passenger and "Memory and Reckoning" events in this article from Lyric Opera News: "As the son of a Holocaust survivor, Freud notes that he can 'be rather cynical about works of art that have been inspired by the Holocaust. However, The Passenger is different from most. It's not sentimental or simplistic or melodramatic. It's a complex, very moving, very human story.'" READ MORE  

In the Footsteps of Evil: Daveda Karanas visits Auschwitz
When Daveda Karanas appears in the Lyric premiere of The Passenger, she'll perform with a special perspective on the opera. Her portrayal of Liese—a former overseer of inmates at Auschwitz concentration camp during World War II—will be significantly influenced by the American mezzo-soprano's recent visit to Auschwitz itself. READ MORE

Backstage Look: Creating Hair and Makeup for The Passenger
Lyric's wigmaster Sarah Hatten, now entering her fourth season as the head of this crucial department, takes us inside the process for creating the hair and makeup for Weinberg’s The Passenger. With an opera based on historical events, the challenge is to make every aspect of the production look as realistic as possible. And as surprising as it might seem, recreating real life on stage is usually more difficult than creating whimsical or fantastic wigs and makeup. READ MORE

The Passenger Audio Preview

Music director Sir Andrew Davis shares the synopsis and excerpts from Weinberg's The Passenger. Recordings used by permission of EMI Classics.

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An Insider's Guide to CAROUSEL

Rodgers and Hammerstein's Carousel at Lyric (on stage April 10 through May 3) is the most eagerly anticipated musical event of the spring season. Learn more about this new production and its outstanding cast and creative team through articles, video, and more. 

Rodgers and Hammerstein's Carousel at Lyric is the most eagerly anticipated musical event of the spring season. This brand-new production is helmed by eminent director/choreographer Rob Ashford and features the Lyric debuts of conductor David Chase (a New York favorite and longtime collaborator of Ashford's) and artist Paolo Ventura as set designer, plus costumes from Catherine Zuber, the acclaimed designer who has won multiple Tony Awards and who costumed Ashford's delightful Barber of Seville in Lyric's 2013-14 season. 

The behind-the-scenes talent is amazing, and the cast is astounding. Broadway favorite Steven Pasquale and two-time Tony nominee Laura Osnes star as carousel barker Billy Bigelow and his beloved Julie Jordan. International operatic star Denyce Graves, known for her fiery interpretations of the title role in Bizet's Carmen, takes on her first full-length musical theater role as Nettie Fowler. 

Carousel is on stage at Lyric from April 10 through May 3, and this page is your source for all of the behind-the-scenes info. 

 Articles with insights on the cast and creative team

Carousel Comes to Lyric
Director Rob Ashford talks about the creative process for Carousel in this article from Lyric Opera News. "Every new production of a musical or opera has a unique journey to the stage but some, like Lyric's Carousel, are especially unusual. Five years ago director-choreographer Rob Ashford saw an exhibition in New York, 'Winter Stories,' by Italian artist Paolo Ventura. 'Part of it was set around a carnival,' Ashford recalls. 'It was so moving and beautiful. I was so captivated by it, I said, 'If I ever do Carousel,  that is the person who must design it.'" READ MORE

Meet Steven Pasquale – Lyric’s Billy Bigelow
Billy Bigelow is one of the most demanding roles in musical theater. Lyric's leading man Steven Pasquale has a long list of credits on stage and screen. You might recognize him from his current role on the CBS hit The Good Wife —here are three of our favorite Steven Pasquale moments from past projects including Rescue Me and the Tony-nominated musical The Bridges of Madison County. READ MORE

Denyce Graves Breaks All the Rules
Superstar mezzo Denyce Graves returns to Lyric for the first time since 2005 to star in Lyric's new production of Carousel. Joining Broadway star Steven Pasquale's Billy Bigelow, Graves anchors the cast as Nettie Fowler, who acts as a mother hen to the New England waterfront community depicted by Rodgers and Hammerstein. READ MORE

From Broadway to Lyric: Exploring musical theater
Carousel marks Lyric's third production in its American Musical Theater Initiative, following 2012-13's Oklahoma! and last season's The Sound of Music. General director Anthony Freud talks about the genesis of this project and how it is changing the face of the company in this article from the Porgy and Bess program book. READ MORE

An Insider's Guide to TANNHÄUSER

Wagner's magnificent Tannhäuser is an epic tale of sin and redemption that is truly a monumental experience. Learn more about this new-to-Chicago production conducted by Sir Andrew Davis, directed by Tim Albery, and starring Johan Botha with interviews, audio previews, and more.

Wagner's magnificent Tannhäuser is on stage at Lyric February 9 through March 6. In this tale of sin and redemption, a wandering musician (Johan Botha) is lured into the erotic realm of the goddess Venus (Michaela Schuster). When he grows tired of her sensual delights, he returns home to his saintly beloved Elisabeth (Amber Wagner). However, he soon learns that true forgiveness is not so easily won. 

Sir Andrew Davis conducts this monumental vocal, choral, and orchestral feast that also stars Gerald Finley as Wolfram and John Relyea as the Landgrave in a new-to-Chicago production from director Tim Albery, who makes his Lyric debut. 

 "Patter Up!" with Amber Wagner

Get to know the lighter side of Tannhäuser star and Ryan Opera Center alumna Amber Wagner, who also triumphed earlier this season in Verdi's Il Trovatore

 

Articles with insights from the cast and creative team

Chorus member Jeffrey Taylor on Tannhäuser
As a bass with the Lyric Opera Chorus since 1981, Jeffrey Taylor has experienced countless thrilling performances firsthand. He's enthusiastic about this season's biggest choral challenge, Wagner's Tannhäuser, and why Lyric audiences should be excited to experience this massive masterpiece, unheard here since 1988. READ MORE  

Lyric U: Sopranos—how high can you go?
Get to know the soprano voice type with Renée Fleming, Anthony Freud, and Sir Andrew Davis in this Lyric U voice series installment. Plus hear examples of great soprano arias from some of the operas still on deck for this season, including "Dich, teure Halle" from Tannhäuser. READ MORE

 

Lyric U: Baritones in opera
Have you tuned into Lyric U? Check out our new video library, which starts with an in-depth exploration of the baritone in opera with Sir Andrew Davis, Anthony Freud, and Renée Fleming. Plus, check out some video highlights of the greatest baritone arias on stage this season, including Wolfram's beautiful aria "O du mein holder Abendstern" (Song of the Evening Star) from Tannhäuser. READ MORE

Tannhäuser Audio Preview

Music director Sir Andrew Davis shares the synopsis and excerpts from Wagner's Tannhäuser. Recordings used by permission of EMI Classics.

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