Lyric Opera of Chicago

Lyric Lately

An Insider's Guide to IL TROVATORE

Lyric's production of Verdi's Il Trovatore runs October 27 through November 29. Here is your complete insider's guide with articles, photos, audio previews, and more.

 

Everyone has heard the Anvil Chorus, but Verdi's epic Il Trovatore (on stage October 27-November 29) is so much more than its signature choral piece. Learn more about Lyric's monumental production, conducted by Asher Fisch and originally conceived by director Sir David McVicar .

A cruel curse separates two brothers at birth. One is the privileged Count di Luna (Quinn Kelsey), and the other, the troubadour Manrico (Yonghoon Lee), is raised by the revenge-obsessed gypsy Azucena (Stephanie Blythe). Now bitter enemies, they clash over the love of the same woman, the beautiful Leonora (Amber Wagner). And that's just Act One! Kidnapping, imprisonment, mistaken identities, gypsies, poisonings, witches burning at the stake, star-crossed lovers, revenge—this opera has everything, including some of Verdi's most irresistible music. 

Click here to read the full plot synopsis, director's note, and more
in the complete Il Trovatore program book. 

Il Trovatore: The Two-Minute Summary

Stars Amber Wagner and Quinn Kelsey give you the thumbnail version of Il Trovatore's action-packed plot. 

 

"Patter Up!" with Amber Wagner & Quinn Kelsey

Get to know Lyric's Leonora and Count di Luna as they answer rapid-fire questions. Amber demonstrates her signature dance move, and Quinn sings a little Elvis!

 

  

Articles with insights from the cast and creative team

Experience the “vocal thunder” and “visceral grit” in Il Trovatore
"It seems like Lyric Opera can do no wrong this season"- or so says the Chicago Classical Review. Lyric's production of Verdi's epic Il Trovatore is another bonafide hit. Your fall is not complete without seeing this "blazing romantic drama" (Chicago Stage Standard). "Lyric's 'Il Trovatore' is grand opera at its finest," ravies Wynne Delacoma of the Chicago Sun-TimesREAD MORE

Trovatore Talk
You know what your favorite operatic moments are—now read what our principal artists from Il Trovatore have to say about their favorite moments of Verdi’s opera and what they love about Chicago. Get restaurant tips from Andrea Silvestrelli, find out Amber Wagner's favorite tourist spots, and try to guess what museum Yonghoon Lee will visit while he's in Chicago. READ MORE

Lyric Libations: Il Trovatore
Nothing says fall like Verdi's epic drama Il Trovatore. This opera truly has everything you could possibly ask for: a larger-than-life plot and blockbuster music to match. Get into the spirit with one of these delightful alcoholic concoctions. You'll be singing along to The Anvil Chorus while tipsy in no time.  
READ MORE

Stephanie Blythe on the Backstory of Il Trovatore: The Gypsy's PTSD
Stephanie Blythe's dishes on her II Trovatore character's backstory. "Azucena is someone who has seen something so truly horrifying that she never gets over it." READ MORE 

Il Trovatore: A Vocal Feast
Verdi fans have joked for decades that all you need for the composer’s Il Trovatore are the greatest voices in the world – but there’s actually some truth in that! And if you’ve got the right voices, then the feast offered by this opera is sumptuous indeed.  
READ MORE
 

Lyric’s Chorus delights in Il Trovatore and beyond
Il Trovatore is a choral feast and provides one of the biggest showpieces for the amazing Lyric Opera Chorus this season. Chorus Master Michael Black takes us through some of the many choral highlights in Verdi's masterpiece. READ MORE 

Opera 101: Inside tech week
 Opera secrets revealed! What happens at Lyric during the summer? Each mainstage opera has a week-long summer tech period. Lighting cues are set, sets are repaired, and everything is made ready for performances later in the season. Read on to for a day-by-day breakdown of the preparations for Verdi's Il Trovatore
READ MORE 

Il Trovatore: A Lyric Photo History
Il Trovatore was a hugely popular success when it premiered, and it today remains one of the 20 most-performed operas around the world. Before you come and see Yonghoon Lee, Amber Wagner, Stephanie Blythe, and Quinn Kelsey in Sir David McVicar's production later this season, take a look at some past productions of this great opera throughout Lyric's history, including Maria Callas as Leonora and Jussi Björling as Manrico. READ MORE

Catching up with Chorus Master Michael Black
In this Lyric Lately exclusive, read more about Michael Black's history with Il Trovatore and how he keeps busy during the summer months away from Lyric. READ MORE

 

Il Trovatore Audio Preview

Music director Sir Andrew Davis shares the synopsis and excerpts from Verdi's Il Trovatore. Recordings used by permission of EMI Classics.

An Insider's Guide to CAPRICCIO

Go inside Lyric's production of Strauss's  Capriccio (on stage October 6-28) with video and audio previews, articles, photos, and more. 

Capriccio, Richard Strauss's last opera, runs from October 6 through 28 at Lyric. Conducted by Sir Andrew Davis and starring Lyric's creative consultant Renée Fleming in one of her signature roles, this sophisticated opera takes you inside the ultimate dinner party. Countess Madeleine (Fleming) is torn between two men—one a poet and the other a musician. Meanwhile, her brother is out to seduce a famous actress. Will he succeed? And who will she choose? Capriccio also stars Anne Sofie von Otter (Clairon), Bo Skovhus (Count), William Burden (Flamand), Audun Iversen (Olivier), and Peter Rose (La Roche).

Video preview with Renée Fleming

 

Articles with insights from the cast and creative team

Critics agree: “The operatic stars are in alignment” for Capriccio
Lyric's production of Strauss's Capriccio is opera at its finest, with a wonderful cast led by Renée Fleming, a sophisticated 1920s setting, and unparalleled musicianship from conductor Sir Andrew Davis  and the Lyric Opera Orchestra. Here's what the critics have to say about this "intelligent, tasteful, funny, serious" production. READ MORE

A closer look: Big screen magnification for Capriccio
Richard Strauss’s Capriccio is an opera for an ensemble of fabulous singing actors; the detailed give-and-take between the performers is always a joy to watch. So that this aspect of the production can be more thoroughly appreciated by those in seats located at a fair distance from the stage, Lyric is installing IMAG (the audio-visual acronym for “image modification”) screens in the first balcony and upper balcony for October 9, 15, 22, and 28. READ MORE

Capturing Capriccio's magic on screen
Strauss's Capriccio (on stage Oct. 6-28) is an intimate and sophisticated opera that takes place at a party at a gorgeous estate. Four presentations will feature live high-definition video broadcast to four screens placed in the balconies. How does the opera go from stage to screen? Matt Hoffman from HMS Media explains the basics of live production. READ MORE

A superstar cast for Strauss’s Capriccio
From October 6 through 28, creative consultant Renée Fleming once again graces the stage at Lyric singing one of her greatest roles. But the rest of the cast that surrounds her is no less exciting. Lyric’s production features five outstanding singers who will shine as the other characters in this remarkable “Conversation Piece for Music.” READ MORE

Strauss is for Her: Renée Fleming relishes the master’s final opera, Capriccio
Countess Madeleine in Capriccio is beautiful, elegant, highly intelligent, irresistibly charming, and soaring forth in some of Richard Strauss's most heavenly music. In other words, the role is a natural for Renée Fleming, as Lyric audiences will see and hear when Capriccio returns for the first time in 20 years. READ MORE

 

Capriccio Audio Preview

Music director Sir Andrew Davis shares the synopsis and excerpts from Strauss's Capriccio. Recordings used by permission of EMI Classics.

An Insider's Guide to DON GIOVANNI

Lyric's 60th season opens with a new production of Mozart's Don Giovanni. Here is your complete insider's guide with video, articles, photos, and more.

 

Lyric opens its Diamond Anniversary season with a spectacular new production of Mozart's Don Giovanni. Directed by Robert Falls and conducted by Sir Andrew Davis, the classic story of the charismatic and dangerous seducer is updated to the 1920s. Here is your inside look at the amazing cast, design, and history that are informing Lyric's bold new take.

Don Juan—selfish, arrogant, dangerous. With a list of conquests longer than a phonebook, Don Giovanni (Mariusz Kwiecień) travels the world, seducing thousands of willing (and unwilling) women with the help of his wingman Leporello (Kyle Ketelsen). But when lust turns to murder, three of his victims—Donna Anna (Marina Rebeka), Donna Elvira (Ana María Martínez), and Zerlina (Andriana Chuchman)—join forces for revenge. One of the greatest operas ever written, this darkly comic tale of seduction and punishment is Mozart’s masterpiece.

Click here to read the full plot synopsis, director's note, and more
in the complete Don Giovanni program book.

Star Mariusz Kwiecień talks about this iconic role

 

Stage director Robert Falls discusses the new production

 

Behind-the-Scenes at Don Giovanni Costume Fittings

 

Meet the Don Giovanni Design Team

 

Andrea Silvestrelli Becomes the Commendatore

 

Articles with insights from the cast and creative team

Critics love Lyric's “bold, provocative, hot-blooded” Don Giovanni
Lyric's Diamond Anniversary season has started off in style. Critics are raving about the new production of Mozart's Don Giovanni from renowned director Robert Falls of the Goodman Theatre, with Lyric's music director Sir Andrew Davis on the podium. Seductive and stunning, this is the can't-miss event of the fall season. Here are just a few reasons why. READ MORE 

Lyric Libations: Don Giovanni
Lyric's new production of Don Giovanni is so passionate that you need a cocktail just to relax after the show. Channel your favorite character with these beverages inspired by Mozart's masterpiece, including the Don Juan, the Commendatore's Corpse Reviver, Donna Anna's Vendetta, and Seething Jealousy. READ MORE
 

Don Giovanni Breaks Bad: A Conversation with Robert Falls
Known for his visionary and challenging productions as artistic director of the Goodman Theatre, Robert Falls returns to Lyric with Don Giovanni. In this interview, Falls takes us inside the process for reinventing this operatic masterpiece. READ MORE 

Designing Don Giovanni
Opera’s irresistible bad-boy seducer, Don Giovanni, is getting a whole different look at Lyric this fall. In the new production staged by Robert Falls, the Don will suavely work his wiles like a star of the silver screen, circa 1920s—but in living color. READ MORE

Magic from a master: Don Giovanni lighting design
Duane Schuler
 is a magician. Well, he's actually a lighting designer, but what he creates is absolutely magic, pure and simple. Give Duane any era of history, any kind of setting, and any time of day or night that an opera requires, and he can make it reality onstage. READ MORE
 

Ana María Martínez Dishes…
Donna Elvira, the woman scorned by Don Giovanni, holds a special place in the heart of Ana María Martínez, who has a lot to say about her fierce character. “She is a woman ahead of her time, very independent in her thinking, her approach to what she wants, her determination, her clarity,” says the soprano.READ MORE

Rolling with the Don: A wild ride with Mozart's most fascinating character
An in-depth Q&A with barihunk Mariusz Kwiecień, the native of Krakow, Poland, who is starring as the legendary womanizer on stage here at Lyric. READ MORE

Giovanni's Ladies
When Lyric opens the 2014-15 season with Mozart's Don Giovanni, the female roles will be sung by an extraordinary trio of sopranos—Andriana Chuchman, Ana María Martínez, and Marina Rebeka—each beautiful to behold and dazzling to hear. READ MORE

On the Couch: Don Giovanni
He’s opera’s most notorious bad boy—seducing women across the globe and leaving not just broken hearts, but also broken homes in his wake. Here’s a peek at the psyche of this fascinating character from the point of view of his therapist.  
READ MORE

Don Giovanni: A Lyric Photo History
Did you know that Don Giovanni actually was the very first production presented by what would become Lyric Opera of Chicago in 1954? Here's a look at how this monumental opera has evolved over the years. READ MORE

The Enduring Influence of Don Giovanni
Mozart's Don Giovanni, which opens Lyric's 2014-15 season on September 27, has a long history and an even longer legacy. Based on the Don Juan legends that date back to the early 1600s, about 150 years before Mozart's opera premiered, the opera has become an enduring cultural touchstone, perhaps because of its intoxicating mix of comedy, tragedy, and the supernatural. READ MORE

 

Don Giovanni Audio Preview

Music director Sir Andrew Davis shares the synopsis and excerpts from Mozart's masterpiece. Recordings used by permission of EMI Classics.

 

Inside the BEL CANTO working sessions

The week of July 7, the creative team for Lyric's world premiere opera Bel Canto  (opening in 2015!), gathered in Chicago for several days of intensive work on the project. Read on to get a glimpse of this work-in-progress.

The week of July 7, the creative team for Lyric's world premiere opera Bel Canto (opening in December 2015!), gathered in Chicago for several days of intensive work on the project. Composer Jimmy López, librettist Nilo Cruz, and director Kevin Newbury were on hand to listen to the completed portions of the score in a version for two pianos and vocals, conducted by Sir Andrew Davis.

This was the first time that any members of the team had heard the music sung. Almost the entire Ryan Opera Center ensemble participated in these working sessions, taking on not only the main roles but doubling the minor characters plus chorus parts as well.

The days of work culminated with a reading of four scenes (two from Act One and two from Act Two) that have been completed. The session was opened up to a small group of journalists and sponsors and was followed by a Q&A with the creative team and Lyric's general Director Anthony Freud.

Here are just a few of the fascinating details that were revealed:

  • A polyglot opera! The opera will be performed in seven languages: English, Spanish, French, German, Russian, Japanese, and Quechua—one of the indigenous languages of Peru, where the opera is set. Sir Andrew Davis noted that this could be the first opera to use Quechua!
  • Reinvention, not adaptation. Nilo Cruz talked about how he's not simply adapting the novel, but making something completely different. Anthony Freud added that the aim for the project is to make Bel Canto stand on its own terms as an opera, rather than just reproduce the book as a play set to music. 
  • Ann Patchett's positive reaction. Anthony Freud shared that author Ann Patchett, who was initially afraid to read the libretto when it was sent to her, has declared it even more beautiful than her original novel.
  • Bel Canto is the new black? Director Kevin Newbury says that the story is really about creating a community within captivity, and how he is excited to show the small private moments that can happen in the middle of a very public space. He drew a comparison to the hit TV show Orange is the New Black, which gives characters' background within the larger story of life in prison.
  • It will be crowdedon stage, at least! During the real-life captivity, all of the hostages were made to stay in the same space, which means that all cast members will be on stage together for virtually the entire opera.

Learn more about Bel Canto from the creative team:

 

Photo credits:

  • Bel Canto libretto (credit Todd Rosenberg / Lyric Opera of Chicago)
  • The Bel Canto creative team: librettist Nilo Cruz, composer Jimmy López, and director Kevin Newbury (credit Andrew Cioffi / Lyric Opera of Chicago)
  • Ryan Opera Center members are conducted by Sir Andrew Davis during the workshop (credit Todd Rosenberg / Lyric Opera of Chicago). For the workshop, Ryan Opera Center members Hlengiwe Mkhwanazi, J’nai Bridges, Jonathan Johnson, Bradley Smoak, Jesse Donner, and Anthony Clark Evans sang principal roles. Laura Wilde, Julie Anne Miller, John Irvin, Will Liverman, and Richard Ollarsaba sang multiple roles. Ensemble member Maureen Zoltek and Ryan Opera Center Music Director Craig Terry were pianists. 
  • Anthony Freud and Sir Andrew Davis during the discussion (credit Todd Rosenberg / Lyric Opera of Chicago)
Subjects:

Select an image to pin

    << December 2014 >>
    Sun Mon Tue Wed Thu Fri Sat
      1 2 3 4 5 6
    7 8 9 10 11 12 13
    14 15 16 17 18 19 20
    21 22 23 24 25 26 27
    28 29 30 31      

    Subjects

    Tags