Lyric Opera of Chicago

Lyric Lately

Critics love Lyric's “bold, provocative, hot-blooded” DON GIOVANNI

Lyric's Diamond Anniversary season has started off in style. Critics are raving about the new production of Mozart's Don Giovanni from renowned director Robert Falls of the Goodman Theatre, with Lyric's music director Sir Andrew Davis on the podium. Seductive and stunning, this is the can't-miss event of the fall season. Here are just a few reasons why.

Lyric's Diamond Anniversary season has started off in style. Critics are raving about the new production of Mozart's Don Giovanni from renowned director Robert Falls of the Goodman Theatre, with Lyric's music director Sir Andrew Davis on the podium. Seductive and stunning, this is the can't-miss event of the fall season. Here are just a few reasons why. 

Robert Falls's audacious staging 

"Falls' bold, provocative, hot-blooded new production of 'Don Giovanni' opened Lyric's 60th anniversary season Saturday night at the Civic Opera House, and it had the audience cheering for numerous reasons. … This 'Don Giovanni' is as nourishing to the eye as it is to the ear and mind." - John von Rhein, Chicago Tribune

"Director Robert Falls' fresh, boldly conceived staging infused new life into Mozart's dramma giocoso. " - Lawrence A. Johnson, Chicago Classical Review

"Falls’s fast-moving staging has an eye for the opera’s comedy and even more for its sexuality." - George Loomis, Financial Times

"Bob Falls has found a way to connect in a fresh way with a work we know and a work we love." - Andrew Patner, WFMT

"The production of Giovanni, which just opened at the Lyric Opera of Chicago, is a glorious triumph for Falls, and a spectacular opening to the Lyric's 60th season. Falls re-imagination of Don Giovanni has it all—passion, sex, heartbreak, murder, jealousy, and revenge. " - Betty Mohr, Le Bon Travel and Culture

"[Lyric's] cast and crew throw themselves into Falls' approach, and what results is an impressive theatrical and musically intensive brew that will have you laughing one minute while gasping with indignation the next." - Scott C. Morgan, Daily Herald 

"Moving the story of Don Juan from its seventeenth century origins to circa 1920s Spain proves to be a great decision by Falls. It manages to strip the production of stuffy periodicity while placing it into a time more familiar to the contemporary audience yet distant enough that the story’s messy morality seems plausible." - Brian Hieggelke, New City

"This new production proves that modern practice can combine with classic opera to create art of the highest order. This 'Don Giovanni' should not be missed." - M.L. Rantala, Hyde Park Herald

"Run, do not walk, to the Civic Opera House and catch this show." - Lawrence A. Johnson, Chicago Classical Review

The exceptional cast 

"A more appealing cast could hardly have been assembled for Mozart’s 'Don Giovanni' than the vocally resplendent, good-looking singers who inhabit the Lyric Opera of Chicago’s new production and season opener." - Lawrence B. Johnson, Chicago on the Aisle

"Polish baritone Mariusz Kwiecień is one of the world's best Don Giovannis, a trim, handsome bundle of raging testosterone. " - Wynne Delacoma, Chicago Sun-Times 

"The Polish baritone wielded his robust, burnished baritone with such elegant style and tonal beauty, it was easy to understand why all the women of Europe are dropping at his feet." - Lawrence A. Johnson, Chicago Classical Review

"Puerto Rican soprano Ana María Martínez is wonderfully fiery with a dusky sound as the revenge-bent Donna Elvira (she also clearly relishes her 'modern woman' role reconceptualization—even arriving via motorcycle)." - Scott C. Morgan, Daily Herald 

"It's a tribute to Kyle Ketelsen that he held his own with Kwiecień's Don, more than is usually the case. The bass-baritone delivered a nimble and witty Catalog Aria and firmly brought out the servant's seething resentment as well as the men's camaraderie with a natural conversational quality to their rapid-fire exchanges." - Lawrence A. Johnson, Chicago Classical Review

"I found [Marina Rebeka's] Donna Anna superb: The sound was creamy, voluminous and steady as a laser, with plenty of fiery temperament to match the dramatic thrust of her singing." - John von Rhein, Chicago Tribune

Andriana Chuchman "brought a charming yet vixenish quality to the good-girl flirt and sang her two arias with notably youthful spirit." - Lawrence A. Johnson, Chicago Classical Review

"...bass-baritone Michael Sumuel deftly captured Masetto's mix of jealous male and vulnerable lover." - Wynne Delacoma, Chicago Sun-Times

Antonio Poli's "ardent, tender arias shaped Don Ottavio, often a bland cipher, into the opera's sole voice of reason." - Wynne Delacoma, Chicago Sun-Times 

"Andrea Silvestrelli's Commendatore was towering in height and sonorous of voice" - Lawrence A. Johnson, Chicago Classical Review

 Sir Andrew Davis and the Lyric Opera Orchestra and Chorus 

"Lyric music director Sir Andrew Davis conducted the Lyric Orchestra with plenty of panache, bringing out the light and dark colors of Mozart's timeless score with buoyant style." - Scott C. Morgan, Daily Herald

"...conductor Andrew Davis’ eloquent and expressive musical direction was greatly to be savored, as was a precise and buoyant performance by the Lyric Opera Orchestra. Add to that the exuberant yet disciplined singing by the Lyric Chorus and the last element was in place for a musically rewarding night." - Lawrence B. Johnson, Chicago on the Aisle

"…music director Andrew Davis drew lithe, elegant, stylish playing from his fine orchestra that felt all of a piece with the Don's high-stakes games of seduction." - John von Rhein, Chicago Tribune

"the magnificence of the production should also be credited to Sir Andrew Davis, who at the helm of Lyric’s exceptional orchestra, gives his all to Mozart’s delicious score; [and] to Michael Black who brings out the best in Lyric’s chorus..." - Betty Mohr, Le Bon Travel and Culture

The fantastic sets and costumes 

"Walt Spangler's sets and Ana Kuzmanic's costumes persuasively and colourfully suggest urban Seville, including a handsome townhouse for the Commendatore, seen from the street, and a church interior dominated by a statue of Mary for the Sextet scene of Act 2." - George Loomis, Financial Times  

"Not only are the sets something to behold, but so too are the ravishing costumes by Ana Kuzmanic that evoke the carefree flamboyance of the Jazz Age." - Betty Mohr, Le Bon Travel and Culture

"The contributions of frequent Falls collaborators Ana Kuzmanic (costume design) and Walt Spangler (sets) deserve equal billing with the performers. The production lives in black and white and gray, but splashes of color – blood, flowers – transcend decoration and become metaphor for the proximity of sensuality and death herein." - Brian Hieggelke,New City

"Between designer Walt Spangler's fetching Spanish sets and Ana Kuzmanic's stylish 1920s costumes (a temporal relocation that Mozart surely would have adored), this 'Don Giovanni' has an integrated look and feel that not only works but also allows for doses of broad, updated humor." - Lawrence B. Johnson, Chicago on the Aisle

"Walt Spangler's scenic design is consistently imaginative, centered on a traditional balconied facade of a Spanish house as unit set with striking splashes of flowers and color." - Lawrence A. Johnson, Chicago Classical Review

"…in the ball scene, [Ana Kuzmanic's] lavishly stylized, brocade and velvet costumes for Donna Elvira, Donna Anna (Marina Rebeka) and Don Ottavio (Antonio Poli) clearly delineated the chasm between the aristocrats and the common folk, an important point for Mozart and his librettist Lorenzo Da Ponte. " - Wynne Delacoma, Chicago Sun-Times

The spectacular final scene 

"While everything about the opera soars, the climactic scene (which I won't spoil), in which Giovanni is sent to hell, is jaw-dropping stunning. This is the best Don Giovanni I have ever seen. Opera lovers will be talking about it for a long time." - Betty Mohr, Le Bon Travel and Culture

"There is a juicily melodramatic death scene for the Don whose surprising details I will not spoil by revealing." - John von Rhein, Chicago Tribune

Photo credits:

  • Don Giovanni photos credit Todd Rosenberg / Lyric Opera of Chicago

 

Sir Andrew’s Busy Summer

Lyric's eminent music director, Sir Andrew Davis, is back in Chicago preparing for our spectacular season-opening production of Don Giovanni. But where has he been all summer? Learn about his incredibly busy summer of globetrotting. 

Lyric's eminent music director, Sir Andrew Davis, is back in Chicago preparing for our spectacular season-opening production of Don Giovanni. He's been in town since late August to start preparations for Giovanni and to lead the annual Stars of Lyric Opera at Millennium Park on September 6. He ended last season with an acclaimed production of Mozart's La Clemenza di Tito on March 23—but where has he been in between Mozart operas? Perhaps it's better to ask, "Where hasn't he been?"

In the span of a few short months, he's traveled from Chicago to Boston to London to New York to Toronto to Leipzig to Bergen to Manchester to Berlin back to Bergen to Melbourne back to Chicago back to London back to Melbourne to Edinburgh back to London back to Edinburgh to Amsterdam to Ulrichshusen to Copenhagen to Chicago! 3 continents, 14 cities, 34 performances, 2 recordings—all in 59 days…with a few precious moments in the middle for vacation.

Here are just three concert highlights from his incredible summer.

First Night of the Proms 

On July 18, Sir Andrew had the distinct honor of conducting the First Night of the BBC Proms. Davis was a familiar face on the podium in the 1990s as the former chief conductor of the BBC Symphony Orchestra, so this season marked a triumphant return. The Proms are the largest classical music festival in the world, and the evening was a showcase for Sir Andrew and the BBC Symphony Orchestra and Chorus, and the National Chorus of Wales. They performed Elgar's biblical oratorio The Kingdom with soloists Erin Wall (a Ryan Opera Center alumna!), Catherine Wyn-Rogers, Andrew Staples, and Christopher Purves

This was only the second time that this piece had been performed at the BBC Proms in its entirety (the first time also had Sir Andrew on the podium), and the result was magnificent. Here is just some of the praise from critics:

 "Once again balancing sumptuousness and transparency, he drew vivid playing from the orchestra, from the silvery violins down to the lowest depths of the Albert Hall organ, which was sometimes a big beast but often quiet enough merely to disturb the sweltering air in the hall." - Erica Jeal, The Guardian

"Andrew Davis made sure Elgar's amazingly colourful orchestration was touched in with a delicate chiaroscuro…. It would be easy to indulge the swirling harps and slithering chromatic basses, but by keeping the whole thing on a tight rein Davis ensured the integrity of the whole was preserved." Ivan Hewitt, The Telegraph

Melbourne Symphony Orchestra Tour

In addition to his role here at Lyric, Sir Andrew is also Chief Conductor of the Melbourne Symphony Orchestra, a position he took on in 2013. This summer, he conducted a number of concerts in Melbourne, but he also lead the orchestra on an incredible European tour. Stops included the Edinburgh International Festival, the Concertgebouw in Amsterdam, the Mecklenburg-Vorpommern Festival at Ulrichshusen in Germany, and the Tivoli Concert Hall in Copenhagen. Here's a short preview of their appearance from the Edinburgh Festival:

 

In addition to these prestigious festivals, the tour opened with the orchestra's BBC Proms debut on August 19  at Royal Albert Hall in London. As John Allison pointed out in his interview with Sir Andrew in The Telegraph, "No orchestra making its  Proms debut could wish for a better guide to that institution's rituals than Sir Andrew Davis, one of the most familiar faces in recent Proms history and a particular favourite of Last Night  audiences."

Read more about this tour at MSO's Backstage Blog from reporter Michael Shmith.

The Dream of Gerontius in Berlin 

As if the BBC Proms and a triumphant tour weren't enough, Sir Andrew found time to pop over to Germany to lead another great Elgar composition, The Dream of Gerontius, at the  Deutsches Symphonie-Orchester Berlin on June 1. Joining them were the combined choruses of the Rundfunkchor Berlin and RIAS Kammerchor and featured soloists Sarah Connolly, Brindley Sherratt, and Jeffrey Lloyd-Roberts.

 

The piece, which describes a dying man of faith reflecting on his life, is widely considered Elgar's greatest choral work-one that cemented his reputation as a great composer—and is a great favorite of Sir Andrew's. This performance in Berlin was part of what could be called a "summer of Elgar" for Sir Andrew. He also performed The Dream of Gerontius with the the BBC Symphony Orchestra, with whom he also performed The Kingdom (at the Proms) and The Apostles, thus performing all three of Elgar's oratorios in the span of just a few months!

But wait...there's more!

In addition to these highlights, Sir Andrew led concerts with the New York Philharmonic, Toronto Symphony Orchestra, Leipzig Gewandhaus Orchestra, Bergen Philharmonic, and found time for recording sessions with the BBC Philharmonic and Bergen Philharmonic. Plus, he even managed to come back to Chicago for the working sessions for Bel Canto, the world premiere opera that is part of Lyric's 2015-16 season.

Photo credits:

  • Top L: Sir Andrew Davis puts on his shoes before a concert on the Melbourne Symphony Orchestra tour.  Courtesy Melbourne Symphony Orchestra.
  • Top R: Sir Andrew leads the First Night of the Proms. Courtesy BBC.
  • Bottom: Melbourne Symphony Orchestra rehearses at Royal Albert Hall for the BBC Proms. Courtesy Melbourne Symphony Orchestra.

(Lyric Opera of Chicago does not own copyrights to any of the above videos.)

The “Stars” are aligning September 6

Can't wait for this year's free Stars of Lyric Opera at Millennium Park concert? Here are a few tips and tricks to make this evening of opera enjoyable. Be there early on Saturday, September 6 to hold your place on the lawn before concert time of 7:30pm.

Can't wait for this year's free Stars of Lyric Opera at Millennium Park concert? It's the official kickoff to Lyric's Diamond Anniversary Season and part of Millennium Park's 10th Anniversary Summer Celebration, so this is the perfect night to hear opera under the stars. Here are a few tips and tricks to make this evening memorable. 

Arrive fashionably early

We recommend coming downtown early on Saturday, September 6 to hold your perfect place on the lawn before concert time of 7:30pm. This year there will be pre-concert entertainment provided by members of the United States Air Force Band of Mid-America between 6:45 and 7:10pm. If you're looking for a seat in the pavilion, it opens up at 6pm—and they go fast!

Don't forget your phone 

This year, you'll be able to follow along with all of the English translations at lyricoperalive.org. There will be titles in real time, a link to the entire program to peruse at your leisure, and even a contest to win tickets for next season. And of course you'll need your phone to take that perfect selfie so you can show off your perfect "night at the opera under the stars" pic on social media! Use #LyricStars to connect with fellow opera lovers. No matter how you use it, your mobile is a must-have this year.

A good picnic is essential 

Whether you're making everything from scratch or picking up nibbles from Mariano's, Jewel, Whole Foods, Trader Joe's, or even ordering a picnic from Pastoral, it always pays off to come early and bring a wonderful spread for friends.

Love is in the air 

During last year's concert, there was a wedding proposal on the lawn (evidence below)! An evening of opera under the stars is the ideal setting to show your special someone you care.

Babies love opera 

Bring your kids! Millennium Park is a great way to get children of all ages to listen to opera with plenty of park to enjoy.

Costumes are encouraged 

Here's an enthusiastic audience member sporting his best Brünnhilde headgear. You can hit up Lyric's Costume Sale earlier in the day to get some fabulous threads to show off at the evening's concert. September 6 from 9 a.m. to 6 p.m. at the Civic Opera House—be there or be square!

And the music will be amazing 

This year's program features some of the stars from the upcoming season, including the incredible cast of the season-opening Don Giovanni and singers from the  Ryan Opera Center. Lyric's music director Sir Andrew Davis leads the Lyric Opera Orchestra and Chorus in all of their musical splendor. 

Looking for a preview? Here are just some of the selections you will hear on September 6.

"Te Deum" Finale from Tosca (Metropolitan Opera, 2010)

 

Wagner's Tannhäuser Overture (Christian Thielemann conducts the Munich Philharmonic)

 

"Patria oppressa" from Verdi's Macbeth (Gran Teatre del Liceu, 2005)

 

Photos credit Robert Kusel / Lyric Opera of Chicago. 

(Lyric Opera of Chicago does not own copyrights to any of the above videos.)

An Insider's Guide to PORGY AND BESS

Everything you need to know about Lyric's upcoming production of Gershwin's Porgy and Bess (on stage November 17-December 20): video and audio previews, articles, photos, and more.

 

"Summertime, and the livin' is easy …" With iconic songs that have become jazz and pop standards, Porgy and Bess (on stage from November 17-December 20) is filled with some of George Gershwin's most beloved music. See the iconic American opera in this sumptuous production that brings the colorful characters of Catfish Row to life. Eric Owens stars as Porgy, the good man with a heart of gold who would do anything for the troubled Bess (Adina Aaron). But, when tempted by a former love and her drug addiction, can she remain true to him?

Porgy and Bess also stars Jermaine Smith (Sportin' Life), Eric Greene (Crown), and Hlengiwe Mkhwanazi (Clara). The production is conducted by Ward Stare and directed by Francesca Zambello.

Click here to read the full plot synopsis, director's note, and more
in the complete Porgy and Bess program book. 

 

Video features on the production and cast

 

 

 

Articles with insights from the cast and creative team

Don’t miss “the sheer theatrical pizzazz” of Porgy and Bess 
Critics love Lyric's production of The Gershwins' masterpiece. This is the can't-miss production of this holiday season, an opera of both "glory and grit" (Chicago Tribune). The Chicago Classical Review raves, "Lyric Opera has plenty of something with a moving, vocally resplendent 'Porgy and Bess'." And Chicago Critic's Tom Williams says, "I can't think of a finer, more universally appealing work to introduce people to the majesty of opera." READ MORE

Behind the scenes with assistant conductor Matthew Piatt
The extraordinary Matthew Piatt is in his sixth season at Lyric in the role of assistant conductor.  For Lyric's current production of Porgy and Bess he has been one of two pianists, which means he does everything from playing for rehearsals to fine-tuning diction to help with musical preparation for the show—including being able to do a little bit of singing himself! Learn more about how he and Lyric's other backstage heroes work closely with the conductor and singers to get it right for every performance. READ MORE


Chuck Coyl on putting the fight into Porgy and Bess
There's much more to Porgy and Bess than its famously beautiful and evocative music. As fight director for Lyric's revival of the all-American Gershwins' opera, Chuck Coyl ensures that explosively violent moments in the story of Catfish Row look authentic to the audience and feel authentic to the performers - while making sure that nobody gets hurt and everyone keeps singing. READ MORE

 

The Incomparable Eric Owens: Lyric's future Porgy and Wotan is a king onstage and off
Porgy and Bess star Eric Owens was the cover story of the Fall 2014 issue of Lyric Opera News. In this profile, he talks about preparing for Porgy and his role as a Lyric Unlimited Community Ambassador. READ MORE

 



Joy in Singing: Hlengiwe Mkhwanazi debuts at Lyric in Porgy and Bess
First-year Ryan Opera Center member Hlengiwe Mkhwanazi makes her Lyric debut as Clara in Porgy and Bess. The character sings what is arguably the opera's most famous aria, "Summertime."  
READ MORE

Chorister Profile: Kenneth Nichols
Bass-baritone Kenneth Nichols has been a member of the Lyric Opera Chorus for 13 years. We caught up with Nichols this summer in between performances in the chorus of San Francisco Opera's Show Boat,  (a co-production with Lyric Opera, Houston Grand Opera and Washington National Opera), to talk about his experiences as a singer and his thoughts on Lyric's upcoming production of Porgy and Bess. READ MORE

You can never get enough “Summertime”

 "Summertime" has moved beyond the world of opera to become one of the most beloved songs in American music. It's been covered more than 25,000 times...and still counting! This post on our blog Lyric Lately gathered some of the most beautiful and unexpected covers of the song from artists like Miles Davis, The Doors, and Sting.  
READ MORE

Porgy and Bess: The hits just keep on coming

Whether your first love is opera, jazz, American folk songs, or musical theater, you'll find that melodies abound this November and December when Lyric Opera produces The Gershwins' Porgy and Bess. READ MORE

On the Couch: Porgy and Bess

The complicated love story of Porgy and Bess resonates down through the generations. Here’s a fictional peek inside the marriage counseling sessions of one of their great-granddaughters. READ MORE 

Opera 101: One-hit wonders
Porgy and Bess was Gershwin's only opera, which puts him in the small but distinguished category of composers that only wrote one opera that became a major hit. Also on the list? Beethoven and Dvořák, among others. READ MORE 

Get to know Porgy and Bess star Eric Owens

 

  

Porgy and Bess Audio Preview

Music director Sir Andrew Davis shares the synopsis and excerpts from Gershwin's Porgy and Bess. Recordings used by permission of EMI Classics.

Select an image to pin

    << December 2014 >>
    Sun Mon Tue Wed Thu Fri Sat
      1 2 3 4 5 6
    7 8 9 10 11 12 13
    14 15 16 17 18 19 20
    21 22 23 24 25 26 27
    28 29 30 31      

    Subjects

    Tags