Lyric Opera of Chicago

Lyric Lately

Experience the “vocal thunder” and “visceral grit” in IL TROVATORE

"It seems like Lyric Opera can do no wrong this season"  - or so says the Chicago Classical Review. Lyric's production of Verdi's epic  Il Trovatore  is another bonafide hit. Your fall is not complete without seeing this "blazing romantic drama" (Chicago Stage Standard), now at Lyric through November 29.

"It seems like Lyric Opera can do no wrong this season"- or so says the Chicago Classical Review. Lyric's production of Verdi's epic Il Trovatore is another bonafide hit. Your fall is not complete without seeing this "blazing romantic drama" (Chicago Stage Standard), now at Lyric through November 29.

"Lyric's 'Il Trovatore' is grand opera at its finest" - Wynne Delacoma, Chicago Sun-Times

"Lyric Opera delivers the vocal thunder in a dark and combustible 'Trovatore'" - Lawrence A. Johnson, Chicago Classical Review

"an effective amalgam of visual beauty and visceral grit" - Mark Thomas Ketterson, Chicago Tribune

 "This is a performance worth seeing, if only for the tremendous performances by each star in the ensemble. Whether this is your first opera or your 60th, the Lyric's Il Trovatore does not disappoint." - Tim Corpus, Chicago Stage Standard

The Can't-Miss Cast 

Yonghoon Lee as Manrico

" Tall, slim and handsome, Lee unleashed his agile tenor with youthful ardor." - Wynne Delacoma, Chicago Sun-Times

" the Korean tenor sang with imposing power and lyric sensitivity" - Lawrence A. Johnson, Chicago Classical Review

"he is like a reborn Golden Age tenor having returned to the opera stage." - William Burnett, Opera Warhorses

Quinn Kelsey as Count di Luna

"Kelsey has now fully graduated into the leading Verdi baritone roles he was clearly born to sing." - Mark Thomas Ketterson, Chicago Tribune

"the Ryan Center alum proved an explosive presence as Count di Luna" - Lawrence A. Johnson, Chicago Classical Review

"While singing his heartfelt aria about his love for Leonora, his performance shakes you to the point where, for a moment, you forget he is the bad guy." - Tim Corpus, Chicago Stage Standard  

Amber Wagner as Leonora

"Amber Wagner spun reams of gorgeous, creamy tone"  - Mark Thomas Ketterson, Chicago Tribune

"Amber Wagner brought the crowd to a roaring applause" - Tim Corpus, Chicago Stage Standard

"…she belongs in any list of the world's great Verdian sopranos" - William Burnett, Opera Warhorses

Stephanie Blythe as Azucena

Stephanie Blythe's "big, rich mezzo-soprano combined both ringing clarity and smoky depths as the tormented gypsy poured out her tale of sorrow and vengeance." - Wynne Delacoma, Chicago Sun-Times

"Stephanie Blythe's projection of the gypsy with a dark secret was melancholic but also full of rage" - Tim Corpus, Chicago Stage Standard

"Stephanie Blythe sang…with great feeling and a thunderous chest voice" - Mark Thomas Ketterson, Chicago Tribune

The Lyric Opera Orchestra and Chorus

"Conductor Asher Fisch drew a most satisfying account of the score from his players (not to mention those anvils!)." - Mark Thomas Ketterson, Chicago Tribune

"Even by their current elevated standard, Michael Black's chorus sang with tremendous strength and sonorous impact, with the soldier's choruses especially resounding."  - Lawrence A. Johsnon, Chicago Classical Review

"Soft-edged, plangent woodwinds underscored the opera's melancholy mood, and pulsing strings were a comforting presence its opera's quiet moments. But when the famous Anvil Chorus erupted, the dry ring of massive hammers on unforgiving metal was both thrilling and chilling." - Wynne DelacomaChicago Sun-Times

Photo credits

  • Lyric Opera of Chicago's production of Il Trovatore (credit Michael Brosilow)

 

Critics agree: “The operatic stars are in alignment” for CAPRICCIO

Lyric's production of Strauss's Capriccio is opera at its finest, with a wonderful cast led by Renée Fleming, a sophisticated 1920s setting, and unparalleled musicianship from conductor Sir Andrew Davis  and the Lyric Opera Orchestra. Read what the critics have to say about this "intelligent, tasteful, funny, serious" opera.

The Chicago Tribune raves four stars for Capriccio: "the operatic stars are in alignment ... in Lyric's loving revival." Lyric's production of Strauss's final masterpiece is truly opera at its finest, with a wonderful cast led by Renée Fleming, a sophisticated 1920s setting, and unparalleled musicianship from conductor Sir Andrew Davis and the Lyric Opera Orchestra. This sophisticated drawing room comedy is at once "intelligent, tasteful, funny, serious" (Andrew Patner, Chicago Sun-Times), but it's only at Lyric through October 28, so grab your seat today!

Here's what else the critics are saying:

"Highly recommended" - Andrew Patner, Chicago Sun-Times 

This production makes a "lush argument for shaking hands across waters, for the marriage of words and music." - Aaron Hunt, New City

Renée Fleming is "as witty and charming as she is beautiful" with "peaches-and-creamy tone and melting phrases." - John von Rhein, Chicago Tribune 

Renée Fleming is "radiant … One can't imagine any singer today better suited to the role of the Countess Madeleine " - Lawrence A. Johnson, Chicago Classical Review 

"In the famous final aria, Fleming spins the silver threads of lyricism that Strauss made his unique gift to the soprano repertoire." - Aaron Hunt, New City

Sir Andrew Davis leads "a veritable master class in Strauss conducting." - John von Rhein, Chicago Tribune 

"Andrew Davis, always a superb Strauss conductor, and the Lyric Orchestra ... have outdone themselves" - Andrew Patner, Chicago Sun-Times

"More than anyone else, this was Sir Andrew Davis's show. Few conductors can equal the Lyric Opera's music director in Strauss, and Davis's fluent, spirited yet light-footed account of this score was masterful, maintaining a fleet, conversational pace and rising seamlessly to the breakout lyrical moments." - Lawrence A. Johnson, Chicago Classical Review 

 "Fully inside the opera's conversational ebb and flow, Davis elicited exceptionally sensitive, refined playing from the Lyric Orchestra, beginning with the sublime sextet that opens the opera and continuing through the touching final pages." - John von Rhein, Chicago Tribune 

"Even by their standard, the playing of the Lyric Opera Orchestra was beyond reproach, with a refined quicksilver quality that suits this restless music." - Lawrence A. Johnson, Chicago Classical Review 

"Lyric has surrounded its starry soprano with a top-drawer supporting cast" - Lawrence A. Johnson, Chicago Classical Review 

"Anne Sofie von Otter brought a natural vocal ease and willowy presence to the glamorous actress Clairon." - Lawrence A. Johnson, Chicago Classical Review 

"…the splendid Swedish mezzo-soprano played Clairon with a flamboyant hauteur to match her over-the-top flapper outfits." - John von Rhein, Chicago Tribune 

"American tenor William Burden captured the self-confidence and musicality as the composer Flamand." - Andrew Patner, Chicago Sun-Times

"Audun Iversen made a most impressive company debut as Olivier. The Norwegian baritone displayed a warm and flexible voice and deftly balanced the comedy with sincerity" - Lawrence A. Johnson, Chicago Classical Review 

"Peter Rose was ideal casting for the cynical yet savvy impresario La Roche" - Lawrence A. Johnson, Chicago Classical Review 

Bo Skovhus "provided the funniest moments of the evening with the gauche dilettante's atrocious acting." - Lawrence A. Johnson, Chicago Classical Review 

Photo credits:

  • Capriccio production photos credit Todd Rosenberg / Lyric Opera of Chicago

Critics love Lyric's “bold, provocative, hot-blooded” DON GIOVANNI

Lyric's Diamond Anniversary season has started off in style. Critics are raving about the new production of Mozart's Don Giovanni from renowned director Robert Falls of the Goodman Theatre, with Lyric's music director Sir Andrew Davis on the podium. Seductive and stunning, this is the can't-miss event of the fall season. Here are just a few reasons why.

Lyric's Diamond Anniversary season has started off in style. Critics are raving about the new production of Mozart's Don Giovanni from renowned director Robert Falls of the Goodman Theatre, with Lyric's music director Sir Andrew Davis on the podium. Seductive and stunning, this is the can't-miss event of the fall season. Here are just a few reasons why. 

Robert Falls's audacious staging 

"Falls' bold, provocative, hot-blooded new production of 'Don Giovanni' opened Lyric's 60th anniversary season Saturday night at the Civic Opera House, and it had the audience cheering for numerous reasons. … This 'Don Giovanni' is as nourishing to the eye as it is to the ear and mind." - John von Rhein, Chicago Tribune

"Director Robert Falls' fresh, boldly conceived staging infused new life into Mozart's dramma giocoso. " - Lawrence A. Johnson, Chicago Classical Review

"Falls’s fast-moving staging has an eye for the opera’s comedy and even more for its sexuality." - George Loomis, Financial Times

"Bob Falls has found a way to connect in a fresh way with a work we know and a work we love." - Andrew Patner, WFMT

"The production of Giovanni, which just opened at the Lyric Opera of Chicago, is a glorious triumph for Falls, and a spectacular opening to the Lyric's 60th season. Falls re-imagination of Don Giovanni has it all—passion, sex, heartbreak, murder, jealousy, and revenge. " - Betty Mohr, Le Bon Travel and Culture

"[Lyric's] cast and crew throw themselves into Falls' approach, and what results is an impressive theatrical and musically intensive brew that will have you laughing one minute while gasping with indignation the next." - Scott C. Morgan, Daily Herald 

"Moving the story of Don Juan from its seventeenth century origins to circa 1920s Spain proves to be a great decision by Falls. It manages to strip the production of stuffy periodicity while placing it into a time more familiar to the contemporary audience yet distant enough that the story’s messy morality seems plausible." - Brian Hieggelke, New City

"This new production proves that modern practice can combine with classic opera to create art of the highest order. This 'Don Giovanni' should not be missed." - M.L. Rantala, Hyde Park Herald

"Run, do not walk, to the Civic Opera House and catch this show." - Lawrence A. Johnson, Chicago Classical Review

The exceptional cast 

"A more appealing cast could hardly have been assembled for Mozart’s 'Don Giovanni' than the vocally resplendent, good-looking singers who inhabit the Lyric Opera of Chicago’s new production and season opener." - Lawrence B. Johnson, Chicago on the Aisle

"Polish baritone Mariusz Kwiecień is one of the world's best Don Giovannis, a trim, handsome bundle of raging testosterone. " - Wynne Delacoma, Chicago Sun-Times 

"The Polish baritone wielded his robust, burnished baritone with such elegant style and tonal beauty, it was easy to understand why all the women of Europe are dropping at his feet." - Lawrence A. Johnson, Chicago Classical Review

"Puerto Rican soprano Ana María Martínez is wonderfully fiery with a dusky sound as the revenge-bent Donna Elvira (she also clearly relishes her 'modern woman' role reconceptualization—even arriving via motorcycle)." - Scott C. Morgan, Daily Herald 

"It's a tribute to Kyle Ketelsen that he held his own with Kwiecień's Don, more than is usually the case. The bass-baritone delivered a nimble and witty Catalog Aria and firmly brought out the servant's seething resentment as well as the men's camaraderie with a natural conversational quality to their rapid-fire exchanges." - Lawrence A. Johnson, Chicago Classical Review

"I found [Marina Rebeka's] Donna Anna superb: The sound was creamy, voluminous and steady as a laser, with plenty of fiery temperament to match the dramatic thrust of her singing." - John von Rhein, Chicago Tribune

Andriana Chuchman "brought a charming yet vixenish quality to the good-girl flirt and sang her two arias with notably youthful spirit." - Lawrence A. Johnson, Chicago Classical Review

"...bass-baritone Michael Sumuel deftly captured Masetto's mix of jealous male and vulnerable lover." - Wynne Delacoma, Chicago Sun-Times

Antonio Poli's "ardent, tender arias shaped Don Ottavio, often a bland cipher, into the opera's sole voice of reason." - Wynne Delacoma, Chicago Sun-Times 

"Andrea Silvestrelli's Commendatore was towering in height and sonorous of voice" - Lawrence A. Johnson, Chicago Classical Review

 Sir Andrew Davis and the Lyric Opera Orchestra and Chorus 

"Lyric music director Sir Andrew Davis conducted the Lyric Orchestra with plenty of panache, bringing out the light and dark colors of Mozart's timeless score with buoyant style." - Scott C. Morgan, Daily Herald

"...conductor Andrew Davis’ eloquent and expressive musical direction was greatly to be savored, as was a precise and buoyant performance by the Lyric Opera Orchestra. Add to that the exuberant yet disciplined singing by the Lyric Chorus and the last element was in place for a musically rewarding night." - Lawrence B. Johnson, Chicago on the Aisle

"…music director Andrew Davis drew lithe, elegant, stylish playing from his fine orchestra that felt all of a piece with the Don's high-stakes games of seduction." - John von Rhein, Chicago Tribune

"the magnificence of the production should also be credited to Sir Andrew Davis, who at the helm of Lyric’s exceptional orchestra, gives his all to Mozart’s delicious score; [and] to Michael Black who brings out the best in Lyric’s chorus..." - Betty Mohr, Le Bon Travel and Culture

The fantastic sets and costumes 

"Walt Spangler's sets and Ana Kuzmanic's costumes persuasively and colourfully suggest urban Seville, including a handsome townhouse for the Commendatore, seen from the street, and a church interior dominated by a statue of Mary for the Sextet scene of Act 2." - George Loomis, Financial Times  

"Not only are the sets something to behold, but so too are the ravishing costumes by Ana Kuzmanic that evoke the carefree flamboyance of the Jazz Age." - Betty Mohr, Le Bon Travel and Culture

"The contributions of frequent Falls collaborators Ana Kuzmanic (costume design) and Walt Spangler (sets) deserve equal billing with the performers. The production lives in black and white and gray, but splashes of color – blood, flowers – transcend decoration and become metaphor for the proximity of sensuality and death herein." - Brian Hieggelke,New City

"Between designer Walt Spangler's fetching Spanish sets and Ana Kuzmanic's stylish 1920s costumes (a temporal relocation that Mozart surely would have adored), this 'Don Giovanni' has an integrated look and feel that not only works but also allows for doses of broad, updated humor." - Lawrence B. Johnson, Chicago on the Aisle

"Walt Spangler's scenic design is consistently imaginative, centered on a traditional balconied facade of a Spanish house as unit set with striking splashes of flowers and color." - Lawrence A. Johnson, Chicago Classical Review

"…in the ball scene, [Ana Kuzmanic's] lavishly stylized, brocade and velvet costumes for Donna Elvira, Donna Anna (Marina Rebeka) and Don Ottavio (Antonio Poli) clearly delineated the chasm between the aristocrats and the common folk, an important point for Mozart and his librettist Lorenzo Da Ponte. " - Wynne Delacoma, Chicago Sun-Times

The spectacular final scene 

"While everything about the opera soars, the climactic scene (which I won't spoil), in which Giovanni is sent to hell, is jaw-dropping stunning. This is the best Don Giovanni I have ever seen. Opera lovers will be talking about it for a long time." - Betty Mohr, Le Bon Travel and Culture

"There is a juicily melodramatic death scene for the Don whose surprising details I will not spoil by revealing." - John von Rhein, Chicago Tribune

Photo credits:

  • Don Giovanni photos credit Todd Rosenberg / Lyric Opera of Chicago

 

Have you heard? THE SOUND OF MUSIC is a hit!

The reviews are in…and they are spectacular! Critics are raving about Lyric's new production of  The Sound of Music. Here's a sampling of what they are saying about the fantastic cast, lavish sets, and gorgeous music.

The reviews are in…and they are spectacular! Critics are raving about Lyric's new production of The Sound of Music. Here's a sampling of what they are saying:

The larger-than-life production

"The Lyric Opera of Chicago finds a sweet Alpine spot with director Marc Bruni's admirably lively new production of 'The Sound of Music,' a lavish yet accessible and family-oriented affair that features…gorgeous picture-book design from Michael Yeargan…" - Chris Jones, Chicago Tribune

"Lyric’s extraordinary production, elegantly directed by Marc Bruni, takes all the great qualities of the show to present a grand scale, stunning production the likes of which we haven’t seen in a long time." - Betty Mohr, Le Bon Travel and Culture 

The Sound of Music "make[s] full use of the Civic Opera House's grand stage, from towering tableaus of the abbey to the irresistible moment when all seven of the von Trapp children ride onstage on matching but custom-sized bicycles—talk about commitment to a production aesthetic." - Kris Vire, Time Out Chicago

"Lyric Opera of Chicago's 'The Sound of Music' is every bit the grand production you'd expect from one of the country's leading opera companies." - Barbara Vitello, Daily Herald

The beloved story

"It's remarkable how such a well-known story can still generate chuckles and gasps, even upon the umpteenth viewing" - Elizabeth Diffin, Chicago Parent 

The fantastic cast

"I can't recall a revival so perfectly cast." - Roy Leonard, Chicago Now

"…pert-yet-powerful [Jenn] Gambatese…makes this role her own. She has a broad smile that matches her captivating performance that leaves the heart warmed and the spirited lifted with her every song note." - Phil Potempa, Northwest Indiana Times

"…tying it together, providing that intangible element allowing this 'Music' to really sing, is Gambatese’s brilliant portrayal of Maria." - Barry Reszel, Make It Better

"Billy Zane…has just the right tone for the stern Captain whose militaristic demeanor melts away when he realizes that Maria has brought back music into his life" - Roy Leonard, Chicago Now

"…the seven von Trapp children—pros beyond their years—are the production's greatest delight…" - Deanna Isaacs, Chicago Reader

"Beautifully majestic…Christine Brewer as the Mother Abbess. Her operatic 'Climb Ev'ry Mountain' will bring tears to your eyes." - Dean Richards, WGN-TV

Elizabeth Futral "moved with the studied grace of one who is accustomed to having all eyes on her in the room.…This soprano is also a bitingly clever actor, one who knows how to fling a casual aside to the back of the house." - Nancy Malitz, Chicago on the Aisle

Edward Hibbert "is superb as character man/comic relief/realist/impresario Max Detweiler, showing he is a true pro in every sense of the word." - Paul W. Thompson, Broadway World

"Betsy Farrar is a lovely, believable Liesl … 'Sixteen Going on Seventeen' [is] beautifully sung and danced with a charming Zach Sorrow as Rolf, thankfully avoiding the angry young man syndrome found in most portrayals" - Colin Douglas, Chicago Theatre Review

The beautiful music

"…Richard Rodgers himself couldn't imagine a more ideal way of hearing his score…" - Kris Vire, Time Out Chicago

"The Lyric Orchestra, under the masterful conductor Rob Fisher, does justice to Richard Rodgers fabulous score." - Tom Williams, Chicago Critic

"…probably the best chorus of Nonnberg nuns the world has ever heard" - Paul W. Thompson, Broadway World

Don't miss it!

"The sound of perfection...best stage show we've had in Chicago in years." - Dean Richards, WGN-TV

"In the Lyric Opera’s capable hands, The Sound of Music has retained its appeal for audiences of all ages. The hills are alive, indeed." - Elizabeth Diffin, Chicago Parent 

"…fans of the film and stage show—especially those introducing their children to it—will find it faithful, beautiful, and bigger than they're ever likely to see it again." - Deanna Isaacs, Chicago Reader

"Who knew that the Lyric would do more than just revive the musical but give it the definitive production that the stage show has always deserved." - Michael J. Roberts, Showbiz Chicago

 "This production is absolutely wonderful." - Andrew Patner, WFMT

Photo credit: 

  • Maria and the von Trapp children perform "The Lonely Goatherd" in The Sound of Music. Top row: Isabelle Roberts, Julia Schweizer, Brady Tutton. Middle row: KyLee Hennes, Jenn Gambatese, Nicole Scimeca. Bottom: Michael Harp. (credit Todd Rosenberg / Lyric Opera of Chicago)

 

Select an image to pin

    << October 2014 >>
    Sun Mon Tue Wed Thu Fri Sat
          1 2 3 4
    5 6 7 8 9 10 11
    12 13 14 15 16 17 18
    19 20 21 22 23 24 25
    26 27 28 29 30 31  

    Subjects

    Tags