Lyric Opera of Chicago

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Renée Fleming and Jonas Kaufmann – A Night to Remember!

Renée Fleming, Lyric's own creative consultant, joined forces with THE tenor of the moment Jonas Kaufmann for their very first duo recital, a historic event that showcased these two magnificent performers at the height of their artistry.

The Civic Opera House was filled with love for the 2014 Subscriber Appreciation Concert, which featured two stars coming together for a one-night-only event.

Renée Fleming, Lyric's own creative consultant, joined forces with THE tenor of the moment Jonas Kaufmann for their very first duo recital, an historic event that showcased these two magnificent performers at the height of their artistry. 

Accompanied by the Lyric Opera Orchestra, superbly led by Lyric Music Director Sir Andrew Davis, Kaufmann and Fleming performed to a sold-out crowd a program that showcased the music of love: duets and arias from Faust, La forza del destino, Manon, Otello, Carmen, and Werther, interspersed with expertly chosen instrumental interludes by Saint-Saëns, Verdi, and Sir Michael Tippett.

In addition to the announced program, the duo delighted the audience with two encores: the Waltz from The Merry Widow and "Marietta's Lied" from Korngold's Die tote Stadt. Fleming's two gorgeous gowns were designed by Vivienne Westwood with jewelry by Ann Ziff for Tamsen Z.

This was a homecoming of sorts for Kaufmann, who made his U.S. debut as Cassio in Lyric's production of Otello to open the 2001-02 season. And playing Desdemona? Fleming, of course!

The next time to see Fleming on stage at Lyric is in Strauss's Capriccio  in October 2014. Subscriptions are available now! Kaufmann's latest album, a recording of Schubert's Winterreise, is due out on April 1.

Photo credits: Todd Rosenberg / Lyric Opera of Chicago

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An Insider's Guide to RUSALKA

Video and audio previews, articles, and more at Lyric's Insider's Guide to Rusalka.

Below is your guide to Dvořák's hauntingly beautiful fairy tale Rusalka—including video previews, plot synposis, background articles and interviews, photo gallery, audio guides, and more. This new production and Lyric company premiere is on stage from Saturday, February 22 through Sunday, March 16. 

Ana María Martínez portrays Rusalka, a water nymph who has fallen in love with a human prince (Brandon Jovanovich). Although her father Vodník (Eric Owens) warns her that this may lead to disaster, she begs the witch Ježibaba (Jill Grove) to make her human. Her wish is granted, but the price is her voice. After Rusalka is transformed into a beautiful young woman, the prince grows frustrated with her silence and turns his attention to a foreign princess (Ekaterina Gubanova), a betrayal with tragic consequences. Read the full plot synopsis here.

 

Watch our video trailer (above) and a preview with general director Anthony Freud, music director Sir Andrew Davis (who is conducting this production), and creative consultant Renée Fleming (below).

 


Get to know Rusalka star Eric Owens in this "Patter Up!" video (below): 


Rusalka: Dvořák's darkly sensual fairytale
Learn more about Lyric's eagerly anticipated production of Rusalka, with insights from director Sir David McVicar, in this article. 

Interview with Rusalka star Ana María Martínez 
Ana María Martínez, a Lyric favorite, talks in detail about her character's journey.

Interview with Rusalka star Eric Owens
Eric Owens, who makes his role debut as Vodník in this production, talks about the great cast and what he likes to do when not on stage.

Rusalka and Her Journey
Read Lyric dramaturg Roger Pines's in-depth exploration of Rusalka.

A Conversation with Sir David McVicar
Rusalka's director gives an in-depth interview about how he created this exciting new production. 

 Rusalka

View a photo gallery of this stunning new production (click each image below to enlarge). 

RUSALKA Discovery Series

Water nymph Rusalka falls in love with a mortal and there are dire consequences in this sensual Czech fairytale. Ana María Martínez (Rusalka), Brandon Jovanovich (Prince), and conductor Sir Andrew Davis reveal the subtleties and intricacies of Dvořák’s best-known opera.

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Sir David McVicar speaks about RUSALKA

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Rusalka Audio Preview

Recordings used by permission of EMI Classics.

 

Rusalka Commentary

Rusalka
by Antonín Dvořák

© 2013/14 Lyric Opera Commentaries 

Original sound recordings of musical excerpts used by permission of SUPRAPHON. All rights reserved. Post-production services provided by Mark Travis, Producer.

 

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Renée Fleming conquers the world 111.5 million people at a time

It seems the whole world is talking about Lyric creative consultant Renée Fleming performing at the Super Bowl on February 2. Here are some highlights of all the buzz.

It seems the whole world is talking about Lyric creative consultant Renée Fleming performing at the Super Bowl on February 2—in fact, there was so much chatter in the media and across the internet that it would take days to read it all!

This year's Super Bowl was watched by a record-setting audience of 111.5 million people, and Renée's rendition received universal acclaim. The audience was floored by her performance, with USA Today saying she "absolutely nailed" the National Anthem and  calling for "a rule that playoff anthems only be performed by classically trained musicians."

Relive the magic!

 

News coverage highlights:

Reaction from the Twitterverse:

 

 

And here was the social media impact from Lyric's corner of the world:

SuperBowlStats

FlemingSuperBowl

Photo credit: Todd Rosenberg Photography

An Insider's Guide to THE BARBER OF SEVILLE

Video and audio previews, articles, and more at Lyric's Insider's Guide to The Barber of Seville.

Below is your complete guide to all things Barber. Lyric Opera of Chicago's brand-new production of The Barber of Seville  runs February 1-28. 

 

Watch Lyric's official video trailer for The Barber of Seville  (above). 

The barber Figaro (Nathan Gunn) is the ultimate fixer, running around solving everyone's problems and boasting about it, "Figaro, Figaro, Figaro!" He involves himself in a love triangle, helping Count Almaviva (Alek Shrader) woo the beautiful Rosina (Isabel Leonard) away from her old lecherous guardian Dr. Bartolo, who keeps her under lock and key. All hell breaks loose not once but twice—first, when Almaviva disguises himself as a drunken soldier, and then when he presents himself as a replacement for Rosina's supposedly indisposed music teacher, Don Basilio. Find out who gets the girl in this delightful farce! Read the complete plot synopsis.

 

Watch "Patter Up!" with Isabel Leonard, who makes her Lyric debut as Rosina (above).


 


Watch a preview with general director Anthony Freud, music director Sir Andrew Davis, and creative consultant Renée Fleming (above).

                       

Figaro pays a visit to Dr. Opera (above). 

Rossini's Biggest Hit
By Jack Zimmerman
According to opera lore, Gioachino Rossini liked to compose in bed. Occasionally he’d drop a sheet of completed manuscript on the floor, and rather than throw back the covers and get up to retrieve it, he’d simply compose a new page. The composing-in-bed story sounds farfetched, until you listen to Rossini’s music. Just a few bars of Il barbiere di Siviglia are all it takes to realize that music simply poured out of the man. READ MORE

A Conversation with Director Rob Ashford
By Roger Pines
This production marks your eagerly awaited operatic debut. Have you been going to opera most of your life, or are you a new convert?
When I was in college in Pittsburgh, I danced in the corps de ballet at Pittsburgh Opera – that was my first taste of it. Then, when I moved to New York, one of my first jobs was dancing at the Met for a year. My first show there was Hal Prince’s production of Faust. I feel as if my operatic education happened in the Met canteen, sitting with other dancers and seeing everyone in costume – that was where I felt I began to learn. READ MORE

Learn more about Rossini as a foodie and Rossini's music in pop culture

The Barber of Seville Discovery Series

Jack-of-all-trades barber gets into the thick of things with a starry-eyed young couple and a lecherous old uncle. Alek Shrader (Almaviva), Isabel Leonard (Rosina), and conductor Michele Mariotti talk about Rossini’s comedic gift to us all.

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The Barber of Seville Audio Preview

Recordings used by permission of EMI Classics.

 

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