Lyric Opera of Chicago

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Experience the “vocal thunder” and “visceral grit” in IL TROVATORE

"It seems like Lyric Opera can do no wrong this season"  - or so says the Chicago Classical Review. Lyric's production of Verdi's epic  Il Trovatore  is another bonafide hit. Your fall is not complete without seeing this "blazing romantic drama" (Chicago Stage Standard), now at Lyric through November 29.

"It seems like Lyric Opera can do no wrong this season"- or so says the Chicago Classical Review. Lyric's production of Verdi's epic Il Trovatore is another bonafide hit. Your fall is not complete without seeing this "blazing romantic drama" (Chicago Stage Standard), now at Lyric through November 29.

"Lyric's 'Il Trovatore' is grand opera at its finest" - Wynne Delacoma, Chicago Sun-Times

"Lyric Opera delivers the vocal thunder in a dark and combustible 'Trovatore'" - Lawrence A. Johnson, Chicago Classical Review

"an effective amalgam of visual beauty and visceral grit" - Mark Thomas Ketterson, Chicago Tribune

 "This is a performance worth seeing, if only for the tremendous performances by each star in the ensemble. Whether this is your first opera or your 60th, the Lyric's Il Trovatore does not disappoint." - Tim Corpus, Chicago Stage Standard

The Can't-Miss Cast 

Yonghoon Lee as Manrico

" Tall, slim and handsome, Lee unleashed his agile tenor with youthful ardor." - Wynne Delacoma, Chicago Sun-Times

" the Korean tenor sang with imposing power and lyric sensitivity" - Lawrence A. Johnson, Chicago Classical Review

"he is like a reborn Golden Age tenor having returned to the opera stage." - William Burnett, Opera Warhorses

Quinn Kelsey as Count di Luna

"Kelsey has now fully graduated into the leading Verdi baritone roles he was clearly born to sing." - Mark Thomas Ketterson, Chicago Tribune

"the Ryan Center alum proved an explosive presence as Count di Luna" - Lawrence A. Johnson, Chicago Classical Review

"While singing his heartfelt aria about his love for Leonora, his performance shakes you to the point where, for a moment, you forget he is the bad guy." - Tim Corpus, Chicago Stage Standard  

Amber Wagner as Leonora

"Amber Wagner spun reams of gorgeous, creamy tone"  - Mark Thomas Ketterson, Chicago Tribune

"Amber Wagner brought the crowd to a roaring applause" - Tim Corpus, Chicago Stage Standard

"…she belongs in any list of the world's great Verdian sopranos" - William Burnett, Opera Warhorses

Stephanie Blythe as Azucena

Stephanie Blythe's "big, rich mezzo-soprano combined both ringing clarity and smoky depths as the tormented gypsy poured out her tale of sorrow and vengeance." - Wynne Delacoma, Chicago Sun-Times

"Stephanie Blythe's projection of the gypsy with a dark secret was melancholic but also full of rage" - Tim Corpus, Chicago Stage Standard

"Stephanie Blythe sang…with great feeling and a thunderous chest voice" - Mark Thomas Ketterson, Chicago Tribune

The Lyric Opera Orchestra and Chorus

"Conductor Asher Fisch drew a most satisfying account of the score from his players (not to mention those anvils!)." - Mark Thomas Ketterson, Chicago Tribune

"Even by their current elevated standard, Michael Black's chorus sang with tremendous strength and sonorous impact, with the soldier's choruses especially resounding."  - Lawrence A. Johsnon, Chicago Classical Review

"Soft-edged, plangent woodwinds underscored the opera's melancholy mood, and pulsing strings were a comforting presence its opera's quiet moments. But when the famous Anvil Chorus erupted, the dry ring of massive hammers on unforgiving metal was both thrilling and chilling." - Wynne DelacomaChicago Sun-Times

Photo credits

  • Lyric Opera of Chicago's production of Il Trovatore (credit Michael Brosilow)

 

Your guide to an operatic Halloween

No need to go as a superhero or your favorite president for Halloween this year - opera is full of larger-than-life characters, from Azucena to the Commendatore, that will make you the talk of your costume party.

No need to go as a superhero or your favorite president for Halloween this year - opera is full of larger-than-life characters, from Azucena to the Commendatore, that will make you the talk of your costume party. 

Azucena from Il Trovatore

 
The revenge-obsessed gypsy 

 
Costume: Think of it as peasant-chic. A colorful bohemian blouse and skirt with beaded necklace. Bed head is encouraged!

Must-have accessory: Convince some friends to join in the fun and sing the Anvil Chorus wherever you go. Or just carry around a knife to lend that authentic touch.

Optional: Make it a night to remember by orchestrating the demise of your adopted son, who is actually the brother of your sworn enemy.

Henry VIII from Anna Bolena

 
The lustful king

Costume: An ermine robe is the only way to go, plus the latest in 16th century fashion: doublet, jerkin, and hose.

Must-have accessory: Crown and scepter.

Optional: Have a second date lined up for later in the night just in case you have to move on to plan B...for Boleyn. 

 Floria Tosca from Tosca


The ultimate diva

Costume: A diva never leaves the house in anything less than her best gown. Hair and jewelry should be over-the-top. Think bling!

Must-have accessory: A handsome painter who calls you his muse.

Optional: A willingness to take a big leap in the name of love

Venus from Tannhäuser

The goddess of love

Costume: A seductive goddess gown will help lure men into your realm.

Must-have accessory: A giant bed always helps when you're encouraging people to give in to the pleasures of the flesh.

Optional: To truly mimic the pleasure of Venusburg, surround yourself with a coterie of attractive ballet dancers at your Halloween bacchanal.

Manrico from Il Trovatore


The warrior-troubadour and devoted son

Costume: A puffy shirt, tight pants, and leather boots are your preferred look.

Must-have accessories: A lute to serenade your beloved and a sword to fight your enemies.

Optional: An ongoing feud with your arch-nemesis, who also happens to be your brother.

Donna Elvira from Don Giovanni

 
The independent lady

Costume: Think 1920s chic…pants, pin-curled hair, and a take-no-prisoners attitude. Donna Elvira would probably love hanging out with a young Amelia Earhart.

Must-have accessory: Motorcycle

Optional: If you can recreate the Picasso dress from Lyric's new production, go nuts!!!

The Commendatore from Don Giovanni


The murdered father / escort to the underworld

Costume: Channel your inner statue - paint any suit or military outfit green and gray and be sure to cover your face and hair in a ghost-like sheen.

Must-have accessory: Bring your own pedestal, for better lurking in a cemetery.  

Optional: We're not saying that you have to condemn someone to hell, but it's nice to know you have the power.

Photo credits

  • Stephanie Blythe in Lyric's production of Il Trovatore; credit Michael Brosilow / Lyric Opera of Chicago
  • Kyle Ketelsen as Henry VIII in Anna Bolena; credit Michal Daniel / Minnesota Opera
  • Doina Dimitriu (left) and Violeta Urmana at Lyric; credit Dan Rest / Lyric Opera of Chicago
  • Michaela Schuster in 

    Tannhäuser; credit 

     Clive Barda / Royal Opera House
  • Yonghoon Lee in Il Trovatore at Lyric; credit Michael Brosilow / Lyric Opera of Chicago
  • Ana María Martínez in Don Giovanni at Lyric; credit Todd Rosenberg / Lyric Opera of Chicago

  • Andrea Silvestrelli 

    Don Giovanni at Lyric; credit Todd Rosenberg / Lyric Opera of Chicago

 

Lyric U: Baritones in opera

Have you tuned into Lyric U? Check out our new video library, which starts with an in-depth exploration of the baritone in opera with Sir Andrew Davis, Anthony Freud, and Renée Fleming. Plus, check out some video highlights of the greatest baritone arias on stage this season.

Have you tuned into Lyric U? It's Lyric's new resource for things opera, giving everyone an easy way to explore, discover, and engage. Whether you're new to the art form and looking for Opera 101 or an aficionado who wants to earn a PhD in Advanced Opera Studies, let Lyric U guide the way with this ever-expanding video library.

One of the new features on Lyric U is "From Soprano to Bass: Exploring Voice in Opera." Sir Andrew Davis, Renée Fleming, and Anthony Freud are your guides through the seven different categories of the human voice in this in-depth video series.

The first video in the series focuses on the baritone. This vocal range might be stuck in the middle of tenor and bass, but the baritone is definitely not a voice that can be easily overlooked. Some of the most famous roles in opera are portrayed by baritones-the ultimate bad boy in Mozart's Don Giovanni, the resourceful fixer Figaro in Rossini's The Barber of Seville, the king of the gods Wotan in Wagner's Ring cycle, and the great title roles in Verdi's Rigoletto, Falstaff, and Simon Boccanegra

 

Want to hear more? Below are video samples of some of the great baritone showcases that you can hear as part of Lyric's 2014-15 season.

Il Trovatore  - "Il balen del suo sorriso"

In Act 2 "The Gypsy" of Verdi's Il Trovatore, the villainous Count di Luna sings of his devotion to Leonora, who has decided to enter a convent because she believes her true love Manrico is dead. Though di Luna's song speaks to a beautiful love, he is actually plotting to kidnap her - thinking that the convent is the only obstacle to their happiness. Ryan Opera Center alum Quinn Kelsey takes on the role at Lyric from October 27 to November 29. 

 

(Dmitri Hvorostovsky, Metropolitan Opera, 2011)

Porgy and Bess  - "I Got Plenty O' Nuttin'"

This quintessential American opera has many timeless songs, including "Summertime" and "Bess, You Is My Woman Now, but one of Porgy's most famous arias is this ode to his simple life. Lyric favorite Eric Owens brings this iconic role to Chicago from November 17 to December 20. 

 

(Lawrence Winters, Columbia Masterworks recording, 1951)

Tosca - Te Deum

Scarpia, the police chief who is ruthlessly hunting the rebel artist Cavaradossi, sings of his lust and terrible plan to force Tosca into loving him, against the backdrop of a prayer. This season, two singers take on this villianous role: Evgeny Nikitin (Lyric debut, January 24 to February 5) and Mark Delavan (February 27 to March 14). 

 

(George Gagnidze, Metropolitan Opera, 2009)

Tannhäuser  - "O du mein holder Abendstern" (Song of the Evening Star)

This aria from Act 3 of Tannhäuser is in the pantheon of one of the most beautiful arias ever written, and is one of Wagner's most haunting melodies. Wolfram von Eschenbach loves the faithful and chaste Elisabeth, but she is in love with Tannhäuser; in this aria, he has a premonition of her death. Gerald Finley stars as Wolfram at Lyric from February 9 to March 6. 

 

(Peter Mattei, Staatsoper Berlin, 2014)

Don Giovanni  - "Deh vieni all finestra"

While posing as his right-hand man Leporello, Don Giovanni serenades the maid of his former conquest Donna Elvira with this lovely aria from Act Two. Mariusz Kwiecień stars in Lyric's hot-blooded new production through October 29. 

 

(Bryn Terfel, Metropolitan Opera, 2000)

Photo credits:

  • Top row: Quinn Kelsey (credit Dan Rest / Lyric Opera of Chicago); Evgeny Nikitin (credit Ken Howard / Metropolitan Opera)
  • Bottom row: Eric Owens in Porgy and Bess (credit Terrence McCarthy / San Francisco Opera); Mariusz Kwiecień stars as the title role in Don Giovanni (credit Todd Rosenberg / Lyric Opera of Chicago)

(Lyric Opera of Chicago does not own copyrights to any of the above videos.)

Our Diamond Anniversary season has all of the hits

There's something for everyone in Lyric's 2014/15 season, including some of opera's must recognizable music from Don Giovanni, Il Trovatore, Tosca, and more! Read on to see and  hear some of this season's hit tunes. 

There's something for everyone in Lyric's 2014/15 season, including some of opera's must recognizable tunes. You might know some of these selections outside of their operatic homes—come and see these famous songs as you only can see them at Lyric, with the grandest staging and finest musicians.

Don Giovanni 

On stage September 27 to October 29

The Champagne Aria

Mariusz Kwiecień performs the Champagne Aria from Don Giovanni in this video from the Royal Opera House, Covent Garden's 2014 production. The song is an ode to the fabulous party that the Don is planning, yet another occasion for him to add to his list of conquests. Kwiecień plays a Giovanni who has smoldering movie star charisma in Lyric's brand-new production from renowned stage director Robert Falls, which updates the setting to 1920s Spain.

 

 "La ci darem la mano"

This love duet between the duplicitous Don and the naïve Zerlina is one of the most well-known in the operatic repertoire. The odd couple of Luciano Pavarotti and Sheryl Crow have teamed up to perform it in concert! Once again is Mariusz Kwiecień, Lyric's Giovanni, with Mojca Erdmann as Zerlina.

 

(Metropolitan Opera, 2011)

Il Trovatore 

On stage October 27 to November 29

The Anvil Chorus

You've heard it in commercials and in films—now come see it on Lyric's stage! The Anvil Chorus from Verdi's Il Trovatore is one of the most famous tunes in opera. You're sure to be humming it for days after you see it in performance. Here is the incredible scene from director Sir David McVicar's epic production. 

 

(Metropolitan Opera, 2011)

Porgy and Bess 

On stage November 17  to December 20

"Summertime" and more…

Gershwin's Porgy and Bess is filled with an incredible number of songs that have made their way into the popular songbook, including "Summertime," "Bess, You Is My Woman Now," "I Got Plenty o' Nuttin," "It Ain't Necessarily So."  Here's a highlight reel of some of those amazing songs as performed at the San Francisco Opera in 2009 —and this is the very same production that will be right here at Lyric with Eric Owens as Porgy.

 

Tosca 

On stage January 24 to March 14

"Vissi d'arte"

Puccini's gut-wrenching story features a number of incredible musical moments, but none is quite so magical as "Vissi d'arte," Tosca's beautiful aria describing how she's lived for art and love, only to have fate turn against her. This season, you'll have two chances to hear this wonderful piece interpreted with Tatiana Serjan and Hui He both starring in the new-to-Lyric production.

The luminous Sondra Radvanovsky, who will take on the role of Anne Boleyn in Donizetti's Anna Bolena at Lyric later this year, brings this magnificent aria to life. 

 

(Metropolitan Opera, 2011)

Tannhäuser 

On stage February 9 to March 6

The Pilgrim's Chorus

The Pilgrim's Chorus in Act 3 of Tannhäuser is one of Wagner's most beautiful and majestic melodies. The simple melody starts quietly, as the singers are off stage, but grows until the full orchestra and chorus are at full volume. It has become a staple of concert choirs such as the Mormon Tabernacle Choir and was even one of the Wagner melodies quoted in the Bugs Bunny cartoon "What's Opera, Doc?"  We dare you not to be moved.

 

 

(Lyric Opera of Chicago does not own copyrights to any of the above videos.)

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