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Our Diamond Anniversary season has all of the hits

There's something for everyone in Lyric's 2014/15 season, including some of opera's must recognizable music from Don Giovanni, Il Trovatore, Tosca, and more! Read on to see and  hear some of this season's hit tunes. 

There's something for everyone in Lyric's 2014/15 season, including some of opera's must recognizable tunes. You might know some of these selections outside of their operatic homes—come and see these famous songs as you only can see them at Lyric, with the grandest staging and finest musicians.

Don Giovanni 

On stage September 27 to October 29

The Champagne Aria

Mariusz Kwiecień performs the Champagne Aria from Don Giovanni in this video from the Royal Opera House, Covent Garden's 2014 production. The song is an ode to the fabulous party that the Don is planning, yet another occasion for him to add to his list of conquests. Kwiecień plays a Giovanni who has smoldering movie star charisma in Lyric's brand-new production from renowned stage director Robert Falls, which updates the setting to 1920s Spain.

 

 "La ci darem la mano"

This love duet between the duplicitous Don and the naïve Zerlina is one of the most well-known in the operatic repertoire. The odd couple of Luciano Pavarotti and Sheryl Crow have teamed up to perform it in concert! Once again is Mariusz Kwiecień, Lyric's Giovanni, with Mojca Erdmann as Zerlina.

 

(Metropolitan Opera, 2011)

Il Trovatore 

On stage October 27 to November 29

The Anvil Chorus

You've heard it in commercials and in films—now come see it on Lyric's stage! The Anvil Chorus from Verdi's Il Trovatore is one of the most famous tunes in opera. You're sure to be humming it for days after you see it in performance. Here is the incredible scene from director Sir David McVicar's epic production. 

 

(Metropolitan Opera, 2011)

Porgy and Bess 

On stage November 17  to December 20

"Summertime" and more…

Gershwin's Porgy and Bess is filled with an incredible number of songs that have made their way into the popular songbook, including "Summertime," "Bess, You Is My Woman Now," "I Got Plenty o' Nuttin," "It Ain't Necessarily So."  Here's a highlight reel of some of those amazing songs as performed at the San Francisco Opera in 2009 —and this is the very same production that will be right here at Lyric with Eric Owens as Porgy.

 

Tosca 

On stage January 24 to March 14

"Vissi d'arte"

Puccini's gut-wrenching story features a number of incredible musical moments, but none is quite so magical as "Vissi d'arte," Tosca's beautiful aria describing how she's lived for art and love, only to have fate turn against her. This season, you'll have two chances to hear this wonderful piece interpreted with Tatiana Serjan and Hui He both starring in the new-to-Lyric production.

The luminous Sondra Radvanovsky, who will take on the role of Anne Boleyn in Donizetti's Anna Bolena at Lyric later this year, brings this magnificent aria to life. 

 

(Metropolitan Opera, 2011)

Tannhäuser 

On stage February 9 to March 6

The Pilgrim's Chorus

The Pilgrim's Chorus in Act 3 of Tannhäuser is one of Wagner's most beautiful and majestic melodies. The simple melody starts quietly, as the singers are off stage, but grows until the full orchestra and chorus are at full volume. It has become a staple of concert choirs such as the Mormon Tabernacle Choir and was even one of the Wagner melodies quoted in the Bugs Bunny cartoon "What's Opera, Doc?"  We dare you not to be moved.

 

 

(Lyric Opera of Chicago does not own copyrights to any of the above videos.)

Opera 101: Inside tech week

Opera secrets revealed! What happens at Lyric during the summer? Each opera has a week-long summer tech. Read on to for a day-by-day breakdown of the preparations for Verdi's Il Trovatore.

Lyric's opera season doesn't officially start until Saturday, September 27, when the eagerly anticipated new production of Mozart's Don Giovanni opens the Diamond Anniversary season. However, the staff is already busy behind the scenes. For Lyric's technical department, the most intensive period is the eight weeks of tech—one week for each mainstage opera.

Here's a day-by-day breakdown of the tech week for Verdi's Il Trovatore. Wondering what exactly tech week is? It's the period of time where the sets are assembled so that the lighting and automation cues can be programmed. One of the key elements of Trovatore that dominates the preparations: the giant turntable that houses almost the entire set. It rotates to change scenes and transition between acts without a break in the action.

(A look at ll Trovatore in performance)

Wednesday, July 23 and Thursday, July 24

The trucks carrying the sets for Il Trovatore arrived at Lyric for unloading.  As one of the largest shows being presented this year, it took two full days to unload. The sets for Porgy and Bess were still on Lyric's stage at the time, finishing up their tech week touches while Trovatore was delivered.

Friday, July 25

The Porgy and Bess set was dismantled starting at 8 a.m. It took the stage crew most of the day on Friday (and even part of the day Saturday!) to completely take apart and pack up Porgy.

(The scenery handling area backstage is always busy during tech.)

Saturday, July 26

As soon as the crew finished taking down Porgy, assembly of the Trovatore sets began. During any tech week, the crew first tackles anything that needs to be flown in (meaning items that will need to come in from above during the performance), while the stage is completely empty. For Trovatore, this includes the Goya-inspired show drop curtain that greets audience members when they arrive and the wraparound cyclorama—the half-cylinder show backdrop that is raised when not in use. There is also a gate and part of a wall that are brought in during part of the show—an impressive technical feat.

(These items need to fly! Clockwise from upper left: The Goya-inspired show curtain; the cyclorama from the stage looking up and from the top of the fly space, looking down.)

Sunday, July 27

The show deck was assembled. Very few operas actually take place on Lyric's real stage floor. A show either has a floor (any covering 0 to 2" in height) or a deck (anything over 2"). Because Trovatore's sets are on a rotating turntable, the show has a 12" deck so that the motorized elements can fit underneath. The deck for Trovatore is divided into pieces that are 6 ft x 6 ft and then assembled to cover most of the stage. Once the deck is built, the rest of the show's elements (walls, rocks, gates, etc.) are put into place. 

(One blueprint of the show's deck and a look at the turntable's motor on stage.)

Monday, July 28

Monday was completely devoted to lighting. The lighting crew comes in and figures out the various lights that need to be focused on stage.

Tuesday, July 29; Wednesday, July 30; and Thursday, July 31

Once the set was completely assembled. work began in earnest. The lighting cues and automation cues were written and programmed. The set was checked for improvements, with detailed notes on what needs to be repaired or retouched for when it is actually back on stage.

(On set repairs in progress)

Friday, August 1

Goodbye Trovatore, hello Tannhäuser. The sets were completely dismantled to make room for the next opera, and the cycle starts again. 

Where does it all go?

 After tech week,Il Trovatore's sets were divided up for storage. Some pieces are still here at Lyric in the cavernous space underneath the theater. Other pieces of the set were loaded into trucks and taken to Lyric's storage yard on the south side. Some portions of what went offsite were set aside in rehearsal trucks so that they can come back for the start of rehearsals and be assembled in Room 200, Lyric's main rehearsal space. The rest will come back about a week before onstage rehearsals begin.

Photo credits:

  • Il Trovatore production still credit Dan Rest / Lyric Opera of Chicago
  • Il Trovatore show curtain photo credit Robert Kusel / Lyric Opera of Chicago
  • Backstage photos by Carrie Krol / Lyric Opera of Chicago

An Insider's Guide to IL TROVATORE

Lyric's production of Verdi's Il Trovatore runs October 27 through November 29. Here is your complete insider's guide with articles, photos, audio previews, and more.

Everyone has heard the Anvil Chorus, but Verdi's epic Il Trovatore (on stage October 27-November 29) is so much more than its signature choral piece. Learn more about Lyric's monumental production, originally conceived by director Sir David McVicar and conducted by Asher Fisch.

A cruel curse separates two brothers at birth. One is the privileged Count di Luna (Quinn Kelsey), and the other, the troubadour Manrico (Yonghoon Lee), is raised by the revenge-obsessed gypsy Azucena (Stephanie Blythe). Now bitter enemies, they clash over the love of the same woman, the beautiful Leonora (Amber Wagner). And that's just Act One! Kidnapping, imprisonment, mistaken identities, gypsies, poisonings, witches burning at the stake, star-crossed lovers, revenge—this opera has everything, including some of Verdi's most irresistible music. 

Articles with insights from the cast and creative team

Il Trovatore: A Vocal Feast
Verdi fans have joked for decades that all you need for the composer’s Il Trovatore are the greatest voices in the world – but there’s actually some truth in that! And if you’ve got the right voices, then the feast offered by this opera is sumptuous indeed.  
READ MORE

Lyric’s Chorus delights in Il Trovatore and beyond
Il Trovatore is a choral feast and provides one of the biggest showpieces for the amazing Lyric Opera Chorus this season. Chorus Master Michael Black takes us through some of the many choral highlights in Verdi's masterpiece. READ MORE

Opera 101: Inside tech week
 Opera secrets revealed! What happens at Lyric during the summer? Each mainstage opera has a week-long summer tech period. Lighting cues are set, sets are repaired, and everything is made ready for performances later in the season. Read on to for a day-by-day breakdown of the preparations for Verdi's Il TrovatoreREAD MORE 

Il Trovatore: A Lyric Photo History
Il Trovatore was a hugely popular success when it premiered, and it today remains one of the 20 most-performed operas around the world. Before you come and see Yonghoon Lee, Amber Wagner, Stephanie Blythe, and Quinn Kelsey in Sir David McVicar's production later this season, take a look at some past productions of this great opera throughout Lyric's history, including Maria Callas as Leonora and Jussi Björling as Manrico. READ MORE

Catching up with Chorus Master Michael Black
In this Lyric Lately exclusive, read more about Michael Black's history with Il Trovatore and how he keeps busy during the summer months away from Lyric. READ MORE

"Patter Up!" with Quinn Kelsey

Get to know Lyric's future Count di Luna as he answers rapid fire questions and sings a little Elvis!

 

 

Il Trovatore Audio Preview

Music director Sir Andrew Davis shares the synopsis and excerpts from Verdi's Il Trovatore. Recordings used by permission of EMI Classics.

Catching up with Chorus Master Michael Black

Even more Michael Black! Lyric's chorus master was featured in the August edition of Lyric Notes, and here is some bonus info from that interview.

In our August edition of Lyric Notes, Lyric's Chorus Master Michael Black takes us through some of the choral highlights of the 2014-15 season, including Lyric's mainstage production of Verdi's Il Trovatore and the two very special Chorus showcases at Chicago's Fourth Presbyterian Church on September 12 and Evanston's Alice Millar Chapel on November 22.

Here are some tidbits that we couldn't fit into the article, including his history with the opera, why he loves Sir David McVicar's productions, and what this Aussie has been doing over his Lyric vacation.

Il Trovatore is one of the standards of the operatic repertoire—what is your history with the piece?

I've prepared Trovatore perhaps five or six times on two different productions at Opera Australia. The first production was a delightful Elijah Moshinsky production and, a few years earlier, premiered with Dame Joan Sutherland as Leonore. Coincidentally when I first worked on the piece the conductor was Dame Joan's husband Richard Bonynge. I have also had the dubious distinction of being one of two anvil players at every performance of Trovatore I have been involved in. [Black will stay behind the scenes in Lyric's production. Watch for some talented supernumeraries to provide the signature anvil clash!]

Reading about Sir David McVicar's production of Trovatore, one of the advantages of moving the action to the early 1800s is that the gypsies in the Anvil Chorus are actually forging weapons.  How do you prepare the Chorus for this iconic scene?

Fortunately, as with all amazing directors, Sir David uses actors to give the illusion that the chorus is moving and performing strenuous moves. He lets the chorus sing! They just have to keep out of the way of the anvils!

How have you been keeping busy this summer? Can you let us in on some of your travels and the musical projects that keep you busy in the off-season?

I arrived back in Sydney the day of my son Liam's 18th birthday, and then took off to thaw out after the incredibly cold Chicago winter by relaxing by a pool in Bali with my Kindle catching up on some reading whilst getting some sun. Apart from the Bali trip I was in Sydney the entire time where I was lucky enough to do a short stint as répétiteur [rehearsal pianist and coach] on a terrific Harry Kupfer production of Otello at the Sydney Opera House. It was a treat listening to my old chorus from a distance and having absolutely no responsibility for them!

Photo credits:

  • Michael Black poses with Lyric Opera Chorus members backstage during various productions from last season: Otello, Madama Butterfly, and Parsifal. (Photos courtesy Michael Black.)

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