Lyric Opera of Chicago

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Our Diamond Anniversary season has all of the hits

There's something for everyone in Lyric's 2014/15 season, including some of opera's must recognizable music from Don Giovanni, Il Trovatore, Tosca, and more! Read on to see and  hear some of this season's hit tunes. 

There's something for everyone in Lyric's 2014/15 season, including some of opera's must recognizable tunes. You might know some of these selections outside of their operatic homes—come and see these famous songs as you only can see them at Lyric, with the grandest staging and finest musicians.

Don Giovanni 

On stage September 27 to October 29

The Champagne Aria

Mariusz Kwiecień performs the Champagne Aria from Don Giovanni in this video from the Royal Opera House, Covent Garden's 2014 production. The song is an ode to the fabulous party that the Don is planning, yet another occasion for him to add to his list of conquests. Kwiecień plays a Giovanni who has smoldering movie star charisma in Lyric's brand-new production from renowned stage director Robert Falls, which updates the setting to 1920s Spain.

 

 "La ci darem la mano"

This love duet between the duplicitous Don and the naïve Zerlina is one of the most well-known in the operatic repertoire. The odd couple of Luciano Pavarotti and Sheryl Crow have teamed up to perform it in concert! Once again is Mariusz Kwiecień, Lyric's Giovanni, with Mojca Erdmann as Zerlina.

 

(Metropolitan Opera, 2011)

Il Trovatore 

On stage October 27 to November 29

The Anvil Chorus

You've heard it in commercials and in films—now come see it on Lyric's stage! The Anvil Chorus from Verdi's Il Trovatore is one of the most famous tunes in opera. You're sure to be humming it for days after you see it in performance. Here is the incredible scene from director Sir David McVicar's epic production. 

 

(Metropolitan Opera, 2011)

Porgy and Bess 

On stage November 17  to December 20

"Summertime" and more…

Gershwin's Porgy and Bess is filled with an incredible number of songs that have made their way into the popular songbook, including "Summertime," "Bess, You Is My Woman Now," "I Got Plenty o' Nuttin," "It Ain't Necessarily So."  Here's a highlight reel of some of those amazing songs as performed at the San Francisco Opera in 2009 —and this is the very same production that will be right here at Lyric with Eric Owens as Porgy.

 

Tosca 

On stage January 24 to March 14

"Vissi d'arte"

Puccini's gut-wrenching story features a number of incredible musical moments, but none is quite so magical as "Vissi d'arte," Tosca's beautiful aria describing how she's lived for art and love, only to have fate turn against her. This season, you'll have two chances to hear this wonderful piece interpreted with Tatiana Serjan and Hui He both starring in the new-to-Lyric production.

The luminous Sondra Radvanovsky, who will take on the role of Anne Boleyn in Donizetti's Anna Bolena at Lyric later this year, brings this magnificent aria to life. 

 

(Metropolitan Opera, 2011)

Tannhäuser 

On stage February 9 to March 6

The Pilgrim's Chorus

The Pilgrim's Chorus in Act 3 of Tannhäuser is one of Wagner's most beautiful and majestic melodies. The simple melody starts quietly, as the singers are off stage, but grows until the full orchestra and chorus are at full volume. It has become a staple of concert choirs such as the Mormon Tabernacle Choir and was even one of the Wagner melodies quoted in the Bugs Bunny cartoon "What's Opera, Doc?"  We dare you not to be moved.

 

 

(Lyric Opera of Chicago does not own copyrights to any of the above videos.)

European superstars join Lyric's LA BOHÈME

"There's a lot of charisma on display," says Wynne Delacoma of Anna Netrebko and Joseph Calleja.  The friends and frequent collaborators join Lyric's second cast of La Bohème as Mimì and Rodolfo.  Read the rave reviews!

Netrebko and Calleja in La Boheme

"There's a lot of charisma on display," says Wynne Delacoma of Anna Netrebko and Joseph Calleja.  The friends and frequent collaborators join Lyric's second cast of La Bohème as Mimì and Rodolfo.  Read the rave reviews:

• "This was Netrebko's night.  The voice is without question extraordinary, the impact profound, the impression sincere.  she has a way of stretching melodic lines into lingering threads of delicacy, beyond what would seem probable or even technically possible, which is the diva's art, yet the Lyric Opera Orchestra under Emmanuel Villaume stayed with her all the way. You tell me which aspect of Netrebko is the most immediately striking – that voluptuous voice, the expressive singularity, the musical instinct, the acting clout, the stunning physical beauty and grace.  One could go on[.]" – Nancy Malitz, Chicago on the Aisle     

• "The Russian soprano truly is the complete package – a strikingly beautiful woman possessed of a rich creamy voice and an assured and credible actress to boot. Netrebko’s luminous rendering of 'Mi chiamano Mimì' was as intimate and affecting as it was beautifully sung, her 'Donde liete usci,' human and expressively nuanced. Dramatically, the soprano brought a vivid characterization to the gentle seamstress." – Lawrence A. Johnson, Chicago Classical Review   

• "[W]hat a pleasure to hear the role of the poet Rodolfo sung with such ardent tone and ease of production. Calleja has a notably vibrant tenor with a quick vibrato that lends excitement to his singing (recalling the great Giacomo Lauri-Volpi). His 'Che gelida manina' was real opera story-telling, done with an easy legato and clarion high C. (Calleja also inserted the spurious top C in 'O soave fanciulla' but with his kind of ringing high notes, who’s complaining?) Calleja was just as superb and insightful dramatically as his famous costar, entering fully into the high-jinks with his fellow Bohemians, and bringing understated acting and a credible human dimension to Rodolfo." – Lawrence A. Johnson, Chicago Classical Review  

• "It was wonderful to have Calleja back, especially in a part that's so congenial for him vocally and that he inhabits with such winning energy.  The tenorial sound he poured out on Saturday was gleaming, even and powerful, its quick vibrato apt for conveying Rodolfo's passionate and volatile nature....Calleja earned the torrent of applause he received on Saturday." – John von Rhein, Chicago Tribune  

The critics were enraptured, as were the audience members interviewed below: 

  
Photo: Dan Rest/Lyric Opera of Chicago.
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