Lyric Opera of Chicago

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Jane Lynch—Double Emmy Nominee

Congratulations to Jane Lynch, who has received nominations in two categories for the 2014 Emmys. She is hosting Lyric's 60th Anniversary Concert on Saturday, November 1.

Congratulations to Jane Lynch, who received two nominations for the 2014 Emmy Awards: Outstanding Narrator for her work on Penguins: Waddle All the Way on the Discovery Channel and Outstanding Host for a Reality or Reality Competition Series as host of the always-hilarious Hollywood Game Night on NBC. These are her fifth and sixth nominations. She was an Emmy winner in 2010 for Outstanding Supporting Actress in a Comedy Series for her role as Sue Sylvester on Glee. This year's Emmys are on August 25, and we'll be hoping for a double win!

If you haven't heard the news, Lynch is hosting Lyric's star-studded 60th Anniversary Concert on Saturday, November 1. This one-night-only celebration features a Sir Andrew Davis leading the Lyric Opera Orchestra and Chorus, a host of incredible operatic talent—plus jazz legend Ramsey Lewis and comedy from The Second City.

Do you have your tickets? Don't delay—they are going fast! Lyric's own Renée Fleming is performing and has a special invitation just for you:

 

Photo credit

  • Jane Lynch on Hollywood Game Night (courtesy NBC.com)

60th Anniversary Sneak Peek: Jeanne Gang Concert Shell Taking Shape

The new Jeanne Gang-designed concert shell is taking shape! The shell will debut at Lyric's 60th Anniversary Concert on November 1, and work is now well underway on the logistics of building the structure, including choosing materials.

The new Jeanne Gang-designed concert shell is taking shape! The shell will debut at Lyric's 60th Anniversary Concert on November 1, and work is now well underway on the logistics of building the structure, including choosing materials. Pictured above are different wood species, cuts, and stains that Lyric and Studio Gang have been considering for the finished surface. To test how the shell would take to light on stage, a small section of the ceiling of the shell was built, to show how the area with the tightest curves would look.

The winner? Jeanne Gang selected rift cut white oak with a natural clear-coat stain. Rift cut wood is manufactured by milling perpendicular to the log's growth rings, producing a linear grain pattern with no flecking. Rift sawn lumber is the most dimensionally stable cut of lumber available and has a unique linear appearance; both qualities are important for the project's design and construction. 

Here's a look at what the finished product will look like (on the right) with a view of the Ardis Krainik Theatre on the left.

Learn more about Jeanne Gang and this exciting project  

And don't miss out on this one-night-only event that features Jane Lynch, Renée Fleming, Ramsey Lewis, Christine Goerke, Ana María Martínez, Eric Owens, The Second City, and more. Get your seats before they are gone!

Photo credits:

  • New concert shell in progress (credit Carrie Krol / Lyric Opera of Chicago)
  • A view of Lyric's Ardis Krainik Theatre with a rendering of the concert shell design. (Courtesy of Studio Gang Architects, Original Photography - Jon Miller, Hedrich Blessing)

IL TROVATORE: A Lyric Photo History

Gypsies! Curses! Brothers switched at birth! A love triangle! Tragic deaths! Verdi's Il Trovatore truly has everything. The opera was a huge popular success when it first premiered, and it today remains one of the top 20 operas performed around the world. Learn more about the history of this work at Lyric.

Gypsies! Curses! Brothers switched at birth! A love triangle! Tragic deaths! Verdi's Il Trovatore truly has everything. The opera was a hugely popular success when it premiered, and it today remains one of the 20 most popular operas performed around the world.

Before you come and see Yonghoon Lee, Amber Wagner, Stephanie Blythe, and Quinn Kelsey in Sir David McVicar's production later this season, take a look at some past productions of this great opera throughout Lyric's history.

1955 

Il Trovatore had its company premiere in 1955, the second season of Lyric Theatre of Chicago. This production was conducted by company co-founder Nicola Rescigno and featured an all-star cast that included tenor Jussi Björling. Maria Callas—who had just made her American debut in Chicago in 1954—was making her second of three appearances in the 1955 season as Leonora. Callas had appeared in three productions in Lyric's inaugural season. Her sixth and final opera appearance at Lyric also came in 1955 when she played Cio-Cio San in her only staged performances of Puccini's Madama Butterfly. In the photo below, she is greeting Metropolitan Opera general manager Rudolf Bing after one of her Trovatore performances.

1956 & 1958 

Though there are no pictures of Lyric's 1956 production of Il Trovatore, it was notable in that it was the American debut of Bruno Bartoletti, Lyric's future artistic director and principal conductor. Replacing his mentor, Tullio Serafin, Bartoletti would win rave reviews and the admiration of Carol Fox, who would later appoint him co-artistic director with Pino Donati. 

The 1958 production was conducted by Lee Schaenen and featured Ettore Bastianini and Jussi Björling returning as di Luna and Manrico, with Elinor Ross as Leonora and the great Giulietta Simionato as Azucena.

Pictured below (clockwise from top left): Jussi Björling, Anna-Lisa Björling, and Ettore Bastianini read backstage; Leonora (Ross) and Manrico (Björling); Azucena (Simionato) confronts di Luna (Bastianini) as Leonora (Ross) lies dead.  

1964 

This new-to-Lyric production was imported from the Metropolitan Opera in New York, where it had been performed a few years earlier. Lyric's stage director was Christopher West and the set and costumes were created by the design group Motley, whose sketches are below. 

Grace Bumbry portrayed Azucena, with Franco Corelli as Manrico (one of his signature roles), along with Ilva Ligabue (Leonora), and  Mario Zanasi (di Luna) completing the leading quartet. Bruno Bartoletti returned to conduct in his first season as co-artistic director.

Pictured above (clockwise from left): Azucena (Bumbry) and Manrico (Corelli); Manrico (Corelli) and Leonora (Ligabue); and di Luna (Zanasi) and Leonora (Ligabue).

This production is also notable for featuring in Count di Luna's army some supernumeraries from Chicago's Kelvyn Park High School, including a young Mike Gross. He would, of course, later go on to achieve huge success as Steven Keaton in Family Ties.

1987-88 

After more than a 20-year absence from Lyric's stage, ll Trovatore would return in a new production from director Sonja Frisell (designed by Nicola Benois) with Bruno Bartoletti on the podium. Pictured below (clockwise from top left) are Giuliano Ciannella as Manrico and Shirley Verrett as Azucena; a view of the set;  Leo Nucci as Count di Luna; and Anna Tomowa-Sintow as Leonora.

1993-94 

This was a revival of Frisell's production, last seen in 1987-88 (this time with conductor Richard Buckley), but these performances of Il Trovatore were notable for featuring the new Verdi critical edition that had just been released by the University of Chicago Press. Dolora Zajick portrayed Azucena—one of her most acclaimed roles—with Chris Merritt (Manrico), Paolo Gavanelli (di Luna), and Lyubov Kazarnovskaya (Leonora).

Pictured above (clockwise from top left): Manrico (Merritt) and Azucena (Zajick); Azucena (Zajick) confronts di Luna (Gavanelli); Leonora (Kazarnovskaya) and Manrico (Merritt); and Leonora (Kazarnovskaya), Manrico (Merritt), and di Luna (Gavanelli). 

2006-07 

A decade after its last Lyric performance, Sir David McVicar updated the action to Spain in the early 1800s, during the Peninsular Wars. The sets, designed by Charles Edwards, were inspired by the paintings of Goya and are grounded by an impenetrable castle wall. Due to the change in period, the gypsies actually have something to do during the Anvil Chorus—they are making weapons for the revolution!

Dolora Zajick reprised her 1993-94 role as Azucena, with Walter Fraccaro as Manrico, Sondra Radvanovsky as Leonora, and Mark Delavan as Count di Luna. This production is also notable because it would be Bruno Bartoletti's second-to-last appearance on Lyric's podium. He would return to open the 2007-08 season with La Traviata, his final Lyric appearance.

Pictured above (clockwise from top left): Azucena (Zajick); the Anvil Chorus scene; Manrico (Fraccaro) and Leonora (Radvanovsky); di Luna (Delavan) and Manrico (Fraccaro) duel in front of Leonora (Radvanovsky).

 Photo credits:

  • 1955 - photo courtesy Lyric Opera of Chicago Archives
  • 1958 - Björling/Bastianini backstage photo courtesy Chicago Daily News; production photos credit Nancy Sorensen.
  • 1964 - photos credit David H. Fishman; super photo courtesy Michael Gross
  • 1987-88 - photos credit Tony Romano
  • 1993-94 - photos credit Dan Rest
  • 2006-07 - photos credit Dan Rest, except Anvil Chorus (credit Robert Kusel). 

DON GIOVANNI: A Lyric Photo History

Did you know that Don Giovanni actually was Lyric Opera of Chicago's (then called the Lyric Theatre of Chicago) very first production in 1954? Here's a look at how this monumental opera has evolved throughout Lyric's history.  

Lyric's Diamond Anniversary season opens up in grand style on September 27 with a brand-new production of Mozart's Don Giovanni from the always-innovative directorial mind of Robert Falls, artistic director of Goodman Theatre. 

Did you know that Don Giovanni actually was Lyric Opera of Chicago's very first production in 1954? Here's a look at how this monumental opera has evolved over the years at Lyric. And what's in store for this year? Subscribe now to reserve your seat!

1954 

Lyric Theatre of Chicago's first season opens with Nicola Rossi-Lemeni and Eleanor Steber starring as Don Giovanni and Donna Anna in a production directed by William Wymetal and conducted by company co-founder Nicola Rescigno. Below is an ad proof from the Chicago Daily News and a costume photo of Nicola Rossi-Lemeni in character. Lyric would mount this same production with Rossi-Lemeni again in the title role in 1959, this time with Georg Solti (before he was music director of the Chicago Symphony Orchestra) as conductor.

1961 & 1964 

In 1961, Lyric presented a new production of the opera from director Wolfgang Weber with Peter Maag as conductor.  Eberhard Waechter starred as Don Giovanni.  Pictured below (top left) are Walter Berry as Leporello and Lisa Della Casa as Donna Elvira. The company revived the production in 1964, this time with Nicolai Ghiaurov in the title role. Shown from this production are Ghiaurnov and Nicoletta Panni as Zerlina (top right) and a wide view of the stage during Act 2, when the Commendatore (Bruno Marangoni) confronts Giovanni.

1969 

The multitalented Tito Gobbi both starred as the Don and directed this production, which featured sets and costumes by the legendary designer Peter J. Hall. In this photo, Don Giovanni (Gobbi) seduces Zerlina (Judith Raskin).

Donna Anna (Claire Watson), Don Ottavio (Alfredo Kraus), and Donna Elvira (Ilva Ligabue) in disguise during the party at Don Giovanni's house.

1980, 1988-89, & 1995-96 

In 1980, Lyric mounted a new-to-Lyric production (originally from the Salzburg Festival) by Jean-Pierre Ponnelle, one of the most celebrated directors and set designers in opera. Ponnelle wore many hats for this production as well, both directing and designing sets and costumes, characterized by their somber tone and death-haunted imagery.

The production proved to be so popular that it was revived twice: first with Samuel Ramey in the title role in the 1988-89 season, and then with James Morris as Don Giovanni and an up-and-coming Bryn Terfel as Leporello. Morris was appearing as Wotan in that same season as part of Lyric's first-ever Ring cycle.

Shown above (clockwise starting from top right) are Richard Stilwell as Don Giovanni and Stafford Dean as Leporello in the 1980 presentation; Samuel Ramey as the Don in 1988-89; Richard Stilwell's Don surrounded by his ladies of the night in 1980; Donna Elvira (Carol Vaness), Zerlina (Susanne Mentzer), Masetto (Roberto Scaltriti), Leporello (Terfel), Don Ottavio (Frank Lopardo), and Donna Anna (Luba Organasova) gesture towards the deceased Giovanni (James Morris) in 1988-89); and Leporello and Giovanni sing together (l-r Bryn Terfel and James Morris).

2004-05 

For Lyric's 50th anniversary season, Bryn Terfel returned—this time as Don Giovanni! This new Lyric Opera production from director Peter Stein featured Susan Graham in a role debut as Donna Elvira, Karita Mattila as Donna Anna (with recent Ryan Opera Center graduate Erin Wall filling in for an ill Mattila on opening night), Ildebrando D'Arcangelo as Leporello, and even a young Kyle Ketelsen as Masetto. Christoph Eschenbach made his podium debut, with Sir Andrew Davis stepping in for a few performances.  

(Clockwise from top left) - Graham as Donna Elvira; Leporello (D'Arcangelo) and Giovanni (Terfel) in the cemetery; Giovanni (Terfel) attempts to seduce Zerlina (Isabel Bayrakdarian); Leporello (D'Arcangelo), Masetto (Ketelsen), Zerlina (Bayrakdarian), Don Ottavio (Kurt Streit), Donna Anna (Mattila), and Donna Elvira (Graham) confront Giovanni (Terfel).

Photo credits:

  • 1954 - courtesy Lyric Opera of Chicago archives
  • 1961 - credit Nancy Sorenson
  • 1964 & 1969 - credit David H. Fishman
  • 1980, 1988-89 - credit Tony Romero
  • 1995-96 and 2004-05 - credit Dan Rest

 

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