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Lyric U: Baritones in opera

Have you tuned into Lyric U? Check out our new video library, which starts with an in-depth exploration of the baritone in opera with Sir Andrew Davis, Anthony Freud, and Renée Fleming. Plus, check out some video highlights of the greatest baritone arias on stage this season.

Have you tuned into Lyric U? It's Lyric's new resource for things opera, giving everyone an easy way to explore, discover, and engage. Whether you're new to the art form and looking for Opera 101 or an aficionado who wants to earn a PhD in Advanced Opera Studies, let Lyric U guide the way with this ever-expanding video library.

One of the new features on Lyric U is "From Soprano to Bass: Exploring Voice in Opera." Sir Andrew Davis, Renée Fleming, and Anthony Freud are your guides through the seven different categories of the human voice in this in-depth video series.

The first video in the series focuses on the baritone. This vocal range might be stuck in the middle of tenor and bass, but the baritone is definitely not a voice that can be easily overlooked. Some of the most famous roles in opera are portrayed by baritones-the ultimate bad boy in Mozart's Don Giovanni, the resourceful fixer Figaro in Rossini's The Barber of Seville, the king of the gods Wotan in Wagner's Ring cycle, and the great title roles in Verdi's Rigoletto, Falstaff, and Simon Boccanegra

 

Want to hear more? Below are video samples of some of the great baritone showcases that you can hear as part of Lyric's 2014-15 season.

Il Trovatore  - "Il balen del suo sorriso"

In Act 2 "The Gypsy" of Verdi's Il Trovatore, the villainous Count di Luna sings of his devotion to Leonora, who has decided to enter a convent because she believes her true love Manrico is dead. Though di Luna's song speaks to a beautiful love, he is actually plotting to kidnap her - thinking that the convent is the only obstacle to their happiness. Ryan Opera Center alum Quinn Kelsey takes on the role at Lyric from October 27 to November 29. 

 

(Dmitri Hvorostovsky, Metropolitan Opera, 2011)

Porgy and Bess  - "I Got Plenty O' Nuttin'"

This quintessential American opera has many timeless songs, including "Summertime" and "Bess, You Is My Woman Now, but one of Porgy's most famous arias is this ode to his simple life. Lyric favorite Eric Owens brings this iconic role to Chicago from November 17 to December 20. 

 

(Lawrence Winters, Columbia Masterworks recording, 1951)

Tosca - Te Deum

Scarpia, the police chief who is ruthlessly hunting the rebel artist Cavaradossi, sings of his lust and terrible plan to force Tosca into loving him, against the backdrop of a prayer. This season, two singers take on this villianous role: Evgeny Nikitin (Lyric debut, January 24 to February 5) and Mark Delavan (February 27 to March 14). 

 

(George Gagnidze, Metropolitan Opera, 2009)

Tannhäuser  - "O du mein holder Abendstern" (Song of the Evening Star)

This aria from Act 3 of Tannhäuser is in the pantheon of one of the most beautiful arias ever written, and is one of Wagner's most haunting melodies. Wolfram von Eschenbach loves the faithful and chaste Elisabeth, but she is in love with Tannhäuser; in this aria, he has a premonition of her death. Gerald Finley stars as Wolfram at Lyric from February 9 to March 6. 

 

(Peter Mattei, Staatsoper Berlin, 2014)

Don Giovanni  - "Deh vieni all finestra"

While posing as his right-hand man Leporello, Don Giovanni serenades the maid of his former conquest Donna Elvira with this lovely aria from Act Two. Mariusz Kwiecień stars in Lyric's hot-blooded new production through October 29. 

 

(Bryn Terfel, Metropolitan Opera, 2000)

Photo credits:

  • Top row: Quinn Kelsey (credit Dan Rest / Lyric Opera of Chicago); Evgeny Nikitin (credit Ken Howard / Metropolitan Opera)
  • Bottom row: Eric Owens in Porgy and Bess (credit Terrence McCarthy / San Francisco Opera); Mariusz Kwiecień stars as the title role in Don Giovanni (credit Todd Rosenberg / Lyric Opera of Chicago)

(Lyric Opera of Chicago does not own copyrights to any of the above videos.)

Inside the BEL CANTO working sessions

The week of July 7, the creative team for Lyric's world premiere opera Bel Canto  (opening in 2015!), gathered in Chicago for several days of intensive work on the project. Read on to get a glimpse of this work-in-progress.

The week of July 7, the creative team for Lyric's world premiere opera Bel Canto (opening in December 2015!), gathered in Chicago for several days of intensive work on the project. Composer Jimmy López, librettist Nilo Cruz, and director Kevin Newbury were on hand to listen to the completed portions of the score in a version for two pianos and vocals, conducted by Sir Andrew Davis.

This was the first time that any members of the team had heard the music sung. Almost the entire Ryan Opera Center ensemble participated in these working sessions, taking on not only the main roles but doubling the minor characters plus chorus parts as well.

The days of work culminated with a reading of four scenes (two from Act One and two from Act Two) that have been completed. The session was opened up to a small group of journalists and sponsors and was followed by a Q&A with the creative team and Lyric's general Director Anthony Freud.

Here are just a few of the fascinating details that were revealed:

  • A polyglot opera! The opera will be performed in seven languages: English, Spanish, French, German, Russian, Japanese, and Quechua—one of the indigenous languages of Peru, where the opera is set. Sir Andrew Davis noted that this could be the first opera to use Quechua!
  • Reinvention, not adaptation. Nilo Cruz talked about how he's not simply adapting the novel, but making something completely different. Anthony Freud added that the aim for the project is to make Bel Canto stand on its own terms as an opera, rather than just reproduce the book as a play set to music. 
  • Ann Patchett's positive reaction. Anthony Freud shared that author Ann Patchett, who was initially afraid to read the libretto when it was sent to her, has declared it even more beautiful than her original novel.
  • Bel Canto is the new black? Director Kevin Newbury says that the story is really about creating a community within captivity, and how he is excited to show the small private moments that can happen in the middle of a very public space. He drew a comparison to the hit TV show Orange is the New Black, which gives characters' background within the larger story of life in prison.
  • It will be crowdedon stage, at least! During the real-life captivity, all of the hostages were made to stay in the same space, which means that all cast members will be on stage together for virtually the entire opera.

Learn more about Bel Canto from the creative team:

 

Photo credits:

  • Bel Canto libretto (credit Todd Rosenberg / Lyric Opera of Chicago)
  • The Bel Canto creative team: librettist Nilo Cruz, composer Jimmy López, and director Kevin Newbury (credit Andrew Cioffi / Lyric Opera of Chicago)
  • Ryan Opera Center members are conducted by Sir Andrew Davis during the workshop (credit Todd Rosenberg / Lyric Opera of Chicago). For the workshop, Ryan Opera Center members Hlengiwe Mkhwanazi, J’nai Bridges, Jonathan Johnson, Bradley Smoak, Jesse Donner, and Anthony Clark Evans sang principal roles. Laura Wilde, Julie Anne Miller, John Irvin, Will Liverman, and Richard Ollarsaba sang multiple roles. Ensemble member Maureen Zoltek and Ryan Opera Center Music Director Craig Terry were pianists. 
  • Anthony Freud and Sir Andrew Davis during the discussion (credit Todd Rosenberg / Lyric Opera of Chicago)
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Lyric Unlimited 2015 Highlights

2015 is going to be a busy year for Lyric Unlimited, which is presenting three world premieres and a brand-new family performance! Read more about these great new projects, which include a klezmer opera and a zoo opera!

2015 is going to be a busy year for Lyric Unlimited, which is presenting three world premieres and a brand-new family performance! Lyric General Director Anthony Freud and Lyric Unlimited Director Cayenne Harris take you through these exciting new projects:

 

Adapted from the acclaimed graphic novel by Rutu Modan, The Property tells the story of Regina Segal and her granddaughter Mica, who travel to modern Warsaw to try to regain family property lost during World War II. As their journey unfolds, Regina is forced to confront painful truths about her past, while Mica realizes their reasons for coming might not be all that they seemed. 

This world-premiere opera is being composed by Wlad Marhulets and will be in the klezmer style. Stephanie Fleischmann and Eric Einhorn have adapted the novel and will act as librettist and director, respectively.

The Property will be presented in partnership with the Reva and David Logan Center for the Arts at the University of Chicago and will be performed at that venue and at Skokie's North Shore Center for the Performing Arts. Tickets go on sale on July 1!

Let's all go to the zoo! In August 2015, Lyric Unlimited presents world premiere of a new children's opera, Second Nature, at the beautiful and historic Lincoln Park Zoo. Second Nature is set in the not-so-distant future, when the environment has deteriorated and humans have decided it's safer to live in zoo-like habitats that protect them from the outside world. Encouraged by the other animal inhabitants, two young children dare to explore the world outside the walls to see if there is still something worth saving. 

American composer Matthew Aucoin is both composer and librettist, and Matthew Ozawa directs. This new presentation is recommended for families with children ages 8 to 12. And best of all, it's free and open to the public!

But wait - there's more!! 

 

Preview performances for the highly anticipated mariachi opera El Pasado Nunca Se Termina have been added at Benito Juaréz Community Academy in Chicago’s Pilsen neighborhood and Waukegan's historic Genesee Theatre. Tickets for these previews are available July 1. Seats for the world-premiere performances right here at Lyric are available now!

And tickets for The Magic Victrola  are available right now, so save your seats today for this all-new family concert with music from Mozart's The Magic Flute, Bizet's Carmen, and other beloved operatic masterworks.   

Performance Calendar 

The Magic Victrola

lyricopera.org/victrola
With music by Mozart, Bizet, and others
David Kersnar and Jacqueline Russell, writers
Featuring members of the Ryan Opera Center and the Lyric Opera Orchestra

Civic Opera House
20 N. Wacker Dr., Chicago
Saturday, January 17, 2015, 3 p.m.
Tickets: $10-$40

The Property

lyricopera.org/property
Based on the graphic novel by Rutu Modan
Adapted by Eric Einhorn and Stephanie Fleischmann
Wlad Marhulets, composer
Stephanie Fleischmann, librettist
Eric Einhorn, director
Featuring members of Maxwell Street Klezmer Band

World-Premiere Performances
Reva and David Logan Center for the Arts
915 E. 60th St., Chicago
Wednesday, February 25, 2015, 7:30 p.m.
Thursday, February 26, 2015, 7:30 p.m.
Friday, February 27, 2015, 1 p.m.
Tickets start at $20 (on sale July 1)

The North Shore Center for the Performing Arts
9501 Skokie Blvd., Skokie
Wednesday, March 4, 2015, 7:30 p.m.
Thursday, March 5, 2015, 7:30 p.m.
Tickets start at $20 (on sale July 1)

El Pasado Nunca Se Termina

lyricopera.org/pasado
Jose "Pepe" Martínez, composer
Leonard Foglia, librettist and director

 

Preview Performances
Benito Juárez Community Academy
1450 W. Cermak Rd., Chicago
Friday, March 13, 2015, 7:30 p.m.
Saturday, March 14, 2015, 2 p.m.
Saturday, March 14, 2015, 7:30 p.m.
Sunday, March 15, 2015, 2 p.m.
Tickets: $10 (on sale July 1)

Genesee Theatre
203 N. Genesee St., Waukegan
Sunday, March 22, 2015, 2 p.m.
Tickets: $10-$25 (on sale July 1)

World-Premiere Performances
Civic Opera House
20 N. Wacker Dr., Chicago
Saturday, March 28, 2015, 7:30 p.m.
Sunday, March 29, 2015, 2 p.m.
Tickets: $25-$125

Second Nature

lyricopera.org/secondnature
Matthew Aucoin, composer and librettist
Matthew Ozawa, director

 

World-Premiere Performances
Café Brauer at Lincoln Park Zoo
2021 N. Stockton Dr., Chicago
Wednesday, August 19, 2015
Thursday, August 20, 2015
Performances times to be announced.
Free admission.

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Opera 101: How to plan a season

At Lyric, each opera season has eight different productions. So how do you choose just eight from the whole history of opera, plus new operas that are being written each year? Lyric's General Director Anthony Freud and Music Director Sir Andrew Davis take you through the basics of planning a season, which is part science and part subjectivity. 

At Lyric, each opera season has just eight different productions. So how do you choose just eight from the whole history of opera, plus new operas that are being written each year?

In the video below, Lyric's General Director Anthony Freud and Music Director Sir Andrew Davis take you through the basics of planning a season. The process is somewhat like putting together an elaborate puzzle, but one that they both enjoy very much!

The main factors they consider are:

  • Variety - Making sure that the opera season represents the wealth of musical styles (Baroque, Classical, Romantic, or Modern) plus a breadth of dramatic possibilities (comedy, tragedy, fantasy, etc.) and languages (French, Italian, German, Russian, etc.)
  • Passion - Freud and Davis also seek to program operas and productions that they both are truly excited about presenting to the public.
  • Longevity - Lyric is celebrating its 60th anniversary in the 2014/15 season, so it's imperative to take a look at what has been programmed within the last 10 years and what will be programmed in the years to come!

 

What's your fantasy opera season? Tell us on Facebook or Twitter with #dreamseason. Or email us with your picks and any other questions you want to see answered at opera101@lyricopera.org!

Photo credits:

  • Mariusz Kwiecien as Don Giovanni (credit Ken Howard / Metropolitan Opera)
  • Renée Fleming in Capriccio (credit Ken Howard / Metropolitan Opera)
  • Stephanie Blythe in Il Trovatore (credit Terrence McCarthy / San Francisco Opera)
  • A scene from Tosca (credit Robert Millard / LA Opera)
  • Michaela Schuster as Venus in Tannhäuser (credit Clive Barda / Royal Opera House / Arena Pal)
  • Eric Owens as Porgy in Porgy and Bess with cast members (credit Terrence McCarthy / San Francisco Opera)
  • Sondra Radvanovsky as Anna Bolena (credit Cade Martin / Washington National Opera)
  • A scene from The Passenger (credit Karl Forster)

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