Lyric Opera of Chicago

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Lyric Libations: IL TROVATORE

Nothing says fall like Verdi's epic drama Il Trovatore (on stage until November 29). This opera truly has everything you could possibly ask for: a larger-than-life plot and blockbuster music to match. Get into the spirit with one of these delightful concoctions. You'll be singing along to The Anvil Chorus while tipsy in no time.

Nothing says fall like Verdi's epic drama Il Trovatore (on stage until November 29). This opera truly has everything you could possibly ask for: a larger-than-life plot and blockbuster music to match. Get into the spirit with one of these delightful concoctions. You'll be singing along to The Anvil Chorus while tipsy in no time. 

The Troubadour 

Channel your inner Manrico with this blackberry and white rum concoction. Warning: This drink may cause civil strife and mistaken identities. It will not cause witches to be burned at the stake or babies switched at birth.

  • 6 fresh blackberries
  • fresh mint leaves
  • 1.5  ounces white rum
  • 1/2 cup cranberry juice

In a cup or shaker, mash 3 blackberries (just enough to get the juice) and mix with mint leaves. Add shot of rum and ice, then shake. Pour into wine goblet. Add cranberry juice and sugar (to taste). Put 3 blackberries on a bamboo pick, and lay bamboo pick across the top of the goblet. Garnish with mint sprigs. (Recipe from Smarty Had a Party)

The Gypsy's Curse 

This tangy, spicy drink has nothing on Azucena's life-long bitterness. It's the perfect way to quench your thirst for revenge without plotting to have your arch-nemesis kill his long-lost brother.

  • 1 orange wedge
  • 13 cranberries
  • Three 1-inch pieces crystallized ginger- 2 minced and 1 whole for garnish
  • 2 ounces Aperol
  • 1 ounce Lillet Blanc
  • Ice
  • 4 ounces hard cider
  • 4 dashes Cranberry-Anise Bitters or Peychaud's bitters

In a cocktail shaker, muddle the orange wedge with 10 of the cranberries and the minced ginger. Add the Aperol, Lillet Blanc, bitters and ice. Shake well. Double-strain the drink into an ice-filled Collins glass and top off with the hard cider. Garnish with the 3 remaining cranberries and the slice of ginger skewered on a toothpick. (Recipe from Food & Wine)

Count di Luna's Cider Punch 

This recipe can feed an entire army of soldiers while they are waiting for you to kidnap your beloved from a convent. The combination of hard cider, whiskey, and ginger beer will keep even the sleepiest minion awake on a dark, dark night.

  • 8 cups apple cider
  • 1 750 ml. bottle of dry hard cider
  • 3 12-ounce bottles of ginger beer 
  • 1 1/2 cups whiskey
  • Juice of one lemon 
  • Several dashes orange bitters
  • 1 orange sliced into rounds, for garnish
  • Cinnamon sticks, for garnish

Combine the ciders, ginger beer, whiskey, lemon juice, and bitters in a large punch bowl or pitcher. Stir to combine. Top with orange slices and cinnamon sticks. Ladle into ice-filled punch glasses. (Recipe from Saveur)

Leonora's Amberjack

In honor of Il Trovatore star Amber Wagner, the perfect drink for the lovelorn is this cocktail that mixes two fall flavors: apple and maple syrup. It's not quite as extreme as Leonora's method for getting out of a sticky situation, but drinking a few of these will quickly wash away all of your troubles. 

  • Ice
  • 1 ounce apple vodka
  • 1/2 ounce Macallan Amber (Scotch-based maple-flavored liqueur)
  • 1/2 ounce Calvados (apple brandy)
  • 1/2 ounce fresh lime juice
  • 1 1/2 ounces chilled apple lambic
  • 1 thin green apple slice

Fill a cocktail shaker with ice. Add the vodka, Macallan Amber, Calvados and lime juice; shake well. Strain into a chilled martini glass, stir in the lambic and garnish with the apple slice. (Recipe from Food & Wine)

Photo credits:

  • Lyric's 2014-15 season production of Il Trovatore (credit Michael Brosilow)

 

 

Experience the “vocal thunder” and “visceral grit” in IL TROVATORE

"It seems like Lyric Opera can do no wrong this season"  - or so says the Chicago Classical Review. Lyric's production of Verdi's epic  Il Trovatore  is another bonafide hit. Your fall is not complete without seeing this "blazing romantic drama" (Chicago Stage Standard), now at Lyric through November 29.

"It seems like Lyric Opera can do no wrong this season"- or so says the Chicago Classical Review. Lyric's production of Verdi's epic Il Trovatore is another bonafide hit. Your fall is not complete without seeing this "blazing romantic drama" (Chicago Stage Standard), now at Lyric through November 29.

"Lyric's 'Il Trovatore' is grand opera at its finest" - Wynne Delacoma, Chicago Sun-Times

"Lyric Opera delivers the vocal thunder in a dark and combustible 'Trovatore'" - Lawrence A. Johnson, Chicago Classical Review

"an effective amalgam of visual beauty and visceral grit" - Mark Thomas Ketterson, Chicago Tribune

 "This is a performance worth seeing, if only for the tremendous performances by each star in the ensemble. Whether this is your first opera or your 60th, the Lyric's Il Trovatore does not disappoint." - Tim Corpus, Chicago Stage Standard

"I've experienced the delirious pleasure of Il Trovatore many times before, but never get tired of it—especially when the intoxicating masterpiece is mounted with Lyric's magnificent attention to detail and flair for exceptional dramatization." - Betty Mohr, Le Bon Travel and Culture

The Can't-Miss Cast 

Yonghoon Lee as Manrico

" Tall, slim and handsome, Lee unleashed his agile tenor with youthful ardor." - Wynne Delacoma, Chicago Sun-Times

" the Korean tenor sang with imposing power and lyric sensitivity" - Lawrence A. Johnson, Chicago Classical Review

"he is like a reborn Golden Age tenor having returned to the opera stage." - William Burnett, Opera Warhorses

Quinn Kelsey as Count di Luna

"Kelsey has now fully graduated into the leading Verdi baritone roles he was clearly born to sing." - Mark Thomas Ketterson, Chicago Tribune

"the Ryan Center alum proved an explosive presence as Count di Luna" - Lawrence A. Johnson, Chicago Classical Review

"While singing his heartfelt aria about his love for Leonora, his performance shakes you to the point where, for a moment, you forget he is the bad guy." - Tim Corpus, Chicago Stage Standard  

Amber Wagner as Leonora

"It was clear from the first time Lyric put her on a Chicago stage that Wagner has that rarity, a voice that's not just excellent but—in its power and unique timbre—actually thrilling over most of its range. That voice, like a searchlight in a room full of candles, is magnificently on display in Lyric Opera's current production of Giuseppe Verdi's Il Trovatore." - Deanna Isaacs, Chicago Reader

"Amber Wagner spun reams of gorgeous, creamy tone"  - Mark Thomas Ketterson, Chicago Tribune

"Amber Wagner brought the crowd to a roaring applause" - Tim Corpus, Chicago Stage Standard

"…she belongs in any list of the world's great Verdian sopranos" - William Burnett, Opera Warhorses

Stephanie Blythe as Azucena

Stephanie Blythe's "big, rich mezzo-soprano combined both ringing clarity and smoky depths as the tormented gypsy poured out her tale of sorrow and vengeance." - Wynne Delacoma, Chicago Sun-Times

"As Azucena, Stephanie Blythe comes through with a delicious mezzo-soprano that reverberates with her tale of woe and desire for revenge." - Betty Mohr, Le Bon Travel and Culture

"No singer can sing everything, with just one caveat: Stephanie Blythe. Her characterization of the gypsy Azucena was appropriately gripping, and I’m certain she could have been heard in the theater at any vocal level she desired from the comfort of her dressing room." - Aaron Hunt, New City

The Lyric Opera Orchestra and Chorus

"Conductor Asher Fisch drew a most satisfying account of the score from his players (not to mention those anvils!)." - Mark Thomas Ketterson, Chicago Tribune

"Even by their current elevated standard, Michael Black's chorus sang with tremendous strength and sonorous impact, with the soldier's choruses especially resounding."  - Lawrence A. Johsnon, Chicago Classical Review

"Soft-edged, plangent woodwinds underscored the opera's melancholy mood, and pulsing strings were a comforting presence its opera's quiet moments. But when the famous Anvil Chorus erupted, the dry ring of massive hammers on unforgiving metal was both thrilling and chilling." - Wynne DelacomaChicago Sun-Times

Photo credits

  • Lyric Opera of Chicago's production of Il Trovatore (credit Michael Brosilow)

 

Ryan Opera Center’s Talented Alums!

Lyric's own Ryan Opera Center  has a long roster of incredibly talented alumni. Here's what some of the singers affiliated with Lyric's prestigious training program have been up to this past season and where you can see them next season in Chicago and beyond!

The Ryan Opera Center's annual Rising Stars in Concert celebration is coming up this Saturday, March 29. It's not too late to donate $75 to Lyric and receive two complimentary tickets to this showcase of opera's future superstars.

The Ryan Opera Center has a long roster of incredibly talented alumni. Lyric's production of Mozart's La Clemenza di Tito, which closed out the 2013-14 season, is just one example. ALL of the cast members had connections to the Ryan Opera Center. Matthew Polenzani (Tito), Amanda Majeski (Vitellia), Christian van Horn (Publio), and Cecelia Hall (Annio) are all alumni of the program, and Emily Birsan (Servilia) is a current member. And Joyce DiDonato (Sesto) was just inducted as an honorary Ryan Opera Center member in a short ceremony after the Clemenza dress rehearsal.  

Here's what some of the other singers affiliated with Lyric's prestigious training program have been up to this past season and where you can see them next season in Chicago and beyond!

Elizabeth Futral 
(Ryan Opera Center member from 1989 to 1991) 

Past season   Highlights of Elizabeth's busy 2013-14 season include her role debut as Desiree Armfeldt in Houston Grand Opera's production of Sondheim's A Little Night Music , a role debut as Zdenka in Minnesota Opera's production of Strauss's Arabella, and a performance of one of her signature roles, Lucia di Lammermoor, for Portland Opera.

Coming soon! — Catch Elizabeth as Elsa Schraeder in Lyric's upcoming all-new production of Rodgers and Hammerstein's The Sound of Music  opening on April 25 right here at the beautiful Civic Opera House.   

Andriana Chuchman
(Ryan Opera Center member from 2007 to 2010)
 

Past season — Andriana had an amazing 2013-14 season. Already slated to debut with the Metropolitan Opera in February 2014 in The Enchanted Island, her debut came a month earlier as Adina in L'Elisir d'Amore when Anna Netrebko was ill for opening night. Andriana stepped in and wowed the New York critics!  

Coming soon! — Andriana is part of the amazing cast that makes up Lyric's new production of Mozart's Don Giovanni  that opens the 2014-15 season, with Robert Falls directing and Sir Andrew Davis conducting. She will also appear with Vancouver Opera in Sondheim's Sweeney Todd in April 2015.

Quinn Kelsey
(Ryan Opera Center member from 2003 to 2006)
 

Past season — Quinn made his role debut as Germont in Lyric's new production of Verdi's La Traviata in October 2013. He also performed the title role in Verdi's Rigoletto for English National Opera and in I vespri siciliani at Oper Frankfurt.

Coming soon! — Catch him at Lyric as Count di Luna in Verdi's Il Trovatore in October 2014. He will also perform as Marcello in the Metropolitan Opera's La Bohème in September 2014.  

Amber Wagner
(Ryan Opera Center member from 2007 to 2010)
 

Past season — In addition to welcoming her first child in summer 2013, Amber performed Verdi's Requiem with Sir Andrew Davis and the Melbourne Symphony in September 2013 and made her Washington National Opera debut in Verdi's La Forza del Destino in October 2013.

Coming soon! — Like Quinn Kelsey, Amber comes home to Lyric next season in Il Trovatore  as Leonora from October 27 to November 29. Then she's back just a few months later, starring in Tannhäuser  as Elisabeth from February 9 to March 6, 2015.

Amanda Majeski 
(Ryan Opera Center member from 2009 to 2011) 

Past season — Amanda was part of the dream cast of La Clemenza di Tito  that wrapped up Lyric's 2013-14 season. She also made her role debut as Donna Elvira in Mozart's Don Giovanni at Opera Philadelphia, as well as making her Carnegie Hall solo recital debut at Weill Recital Hall. 

Coming soon! — This Gurnee native will be back in her hometown to conclude another Lyric season. This time, she stars as Marta in Weinberg's The Passenger  from February 24 to March 15, 2015. She will also make her Metropolitan Opera debut as Countess Almaviva in the Met's new production of Mozart's The Marriage of Figaro in December 2014. 

Photo credits: Elizabeth Futral (credit Karli Cadel), Andriana Chuchman (credit Chia Messina), Quinn Kelsey (credit Dan Rest), Amanda Majeski (credit Dario Acosta).

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