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Critics love Lyric's “bold, provocative, hot-blooded” DON GIOVANNI

Lyric's Diamond Anniversary season has started off in style. Critics are raving about the new production of Mozart's Don Giovanni from renowned director Robert Falls of the Goodman Theatre, with Lyric's music director Sir Andrew Davis on the podium. Seductive and stunning, this is the can't-miss event of the fall season. Here are just a few reasons why.

Lyric's Diamond Anniversary season has started off in style. Critics are raving about the new production of Mozart's Don Giovanni from renowned director Robert Falls of the Goodman Theatre, with Lyric's music director Sir Andrew Davis on the podium. Seductive and stunning, this is the can't-miss event of the fall season. Here are just a few reasons why. 

Robert Falls's audacious staging 

"Falls' bold, provocative, hot-blooded new production of 'Don Giovanni' opened Lyric's 60th anniversary season Saturday night at the Civic Opera House, and it had the audience cheering for numerous reasons. … This 'Don Giovanni' is as nourishing to the eye as it is to the ear and mind." - John von Rhein, Chicago Tribune

"Director Robert Falls' fresh, boldly conceived staging infused new life into Mozart's dramma giocoso. " - Lawrence A. Johnson, Chicago Classical Review

"Falls’s fast-moving staging has an eye for the opera’s comedy and even more for its sexuality." - George Loomis, Financial Times

"The production of Giovanni, which just opened at the Lyric Opera of Chicago, is a glorious triumph for Falls, and a spectacular opening to the Lyric's 60th season. Falls re-imagination of Don Giovanni has it all—passion, sex, heartbreak, murder, jealousy, and revenge. " - Betty Mohr, Le Bon Travel and Culture

"[Lyric's] cast and crew throw themselves into Falls' approach, and what results is an impressive theatrical and musically intensive brew that will have you laughing one minute while gasping with indignation the next." - Scott C. Morgan, Daily Herald 

"Run, do not walk, to the Civic Opera House and catch this show." - Lawrence A. Johnson, Chicago Classical Review

The exceptional cast 

"A more appealing cast could hardly have been assembled for Mozart’s 'Don Giovanni' than the vocally resplendent, good-looking singers who inhabit the Lyric Opera of Chicago’s new production and season opener." - Lawrence B. Johnson, Chicago on the Aisle

"Polish baritone Mariusz Kwiecień is one of the world's best Don Giovannis, a trim, handsome bundle of raging testosterone. " - Wynne Delacoma, Chicago Sun-Times 

"The Polish baritone wielded his robust, burnished baritone with such elegant style and tonal beauty, it was easy to understand why all the women of Europe are dropping at his feet." - Lawrence A. Johnson, Chicago Classical Review

"Puerto Rican soprano Ana María Martínez is wonderfully fiery with a dusky sound as the revenge-bent Donna Elvira (she also clearly relishes her 'modern woman' role reconceptualization—even arriving via motorcycle)." - Scott C. Morgan, Daily Herald 

"It's a tribute to Kyle Ketelsen that he held his own with Kwiecień's Don, more than is usually the case. The bass-baritone delivered a nimble and witty Catalog Aria and firmly brought out the servant's seething resentment as well as the men's camaraderie with a natural conversational quality to their rapid-fire exchanges." - Lawrence A. Johnson, Chicago Classical Review

"I found [Marina Rebeka's] Donna Anna superb: The sound was creamy, voluminous and steady as a laser, with plenty of fiery temperament to match the dramatic thrust of her singing." - John von Rhein, Chicago Tribune

Andriana Chuchman "brought a charming yet vixenish quality to the good-girl flirt and sang her two arias with notably youthful spirit." - Lawrence A. Johnson, Chicago Classical Review

"...bass-baritone Michael Sumuel deftly captured Masetto's mix of jealous male and vulnerable lover." - Wynne Delacoma, Chicago Sun-Times

Antonio Poli's "ardent, tender arias shaped Don Ottavio, often a bland cipher, into the opera's sole voice of reason." - Wynne Delacoma, Chicago Sun-Times 

"Andrea Silvestrelli's Commendatore was towering in height and sonorous of voice" - Lawrence A. Johnson, Chicago Classical Review

 Sir Andrew Davis and the Lyric Opera Orchestra and Chorus 

"Lyric music director Sir Andrew Davis conducted the Lyric Orchestra with plenty of panache, bringing out the light and dark colors of Mozart's timeless score with buoyant style." - Scott C. Morgan, Daily Herald

"...conductor Andrew Davis’ eloquent and expressive musical direction was greatly to be savored, as was a precise and buoyant performance by the Lyric Opera Orchestra. Add to that the exuberant yet disciplined singing by the Lyric Chorus and the last element was in place for a musically rewarding night." - Lawrence B. Johnson, Chicago on the Aisle

"…music director Andrew Davis drew lithe, elegant, stylish playing from his fine orchestra that felt all of a piece with the Don's high-stakes games of seduction." - John von Rhein, Chicago Tribune

"the magnificence of the production should also be credited to Sir Andrew Davis, who at the helm of Lyric’s exceptional orchestra, gives his all to Mozart’s delicious score; [and] to Michael Black who brings out the best in Lyric’s chorus..." - Betty Mohr, Le Bon Travel and Culture

The fantastic sets and costumes 

"Walt Spangler's sets and Ana Kuzmanic's costumes persuasively and colourfully suggest urban Seville, including a handsome townhouse for the Commendatore, seen from the street, and a church interior dominated by a statue of Mary for the Sextet scene of Act 2." - George Loomis, Financial Times  

"Not only are the sets something to behold, but so too are the ravishing costumes by Ana Kuzmanic that evoke the carefree flamboyance of the Jazz Age." - Betty Mohr, Le Bon Travel and Culture

"Between designer Walt Spangler's fetching Spanish sets and Ana Kuzmanic's stylish 1920s costumes (a temporal relocation that Mozart surely would have adored), this 'Don Giovanni' has an integrated look and feel that not only works but also allows for doses of broad, updated humor." - Lawrence B. Johnson, Chicago on the Aisle

"Walt Spangler's scenic design is consistently imaginative, centered on a traditional balconied facade of a Spanish house as unit set with striking splashes of flowers and color." - Lawrence A. Johnson, Chicago Classical Review

"…in the ball scene, [Ana Kuzmanic's] lavishly stylized, brocade and velvet costumes for Donna Elvira, Donna Anna (Marina Rebeka) and Don Ottavio (Antonio Poli) clearly delineated the chasm between the aristocrats and the common folk, an important point for Mozart and his librettist Lorenzo Da Ponte. " - Wynne Delacoma, Chicago Sun-Times

The spectacular final scene 

"While everything about the opera soars, the climactic scene (which I won't spoil), in which Giovanni is sent to hell, is jaw-dropping stunning. This is the best Don Giovanni I have ever seen. Opera lovers will be talking about it for a long time." - Betty Mohr, Le Bon Travel and Culture

"There is a juicily melodramatic death scene for the Don whose surprising details I will not spoil by revealing." - John von Rhein, Chicago Tribune

Photo credits:

  • Don Giovanni photos credit Todd Rosenberg / Lyric Opera of Chicago

 

Sex, drugs, and rock 'n' roll: DON GIOVANNI design preview

Can't wait for opening night of Lyric's brand-new production of Don Giovanni on September 27? Here's a sneak peek at some of the production's design elements to whet your appetite.

Can't wait for opening night of Lyric's brand-new production of Don Giovanni on September 27? Here's a sneak peek at some of the production's design elements to whet your appetite. 

Director Robert Falls and his creative team have updated the setting to 1920s Spain. "Sex, drugs and rock 'n' roll. It never stops; the perfect opera in many ways," as Falls told Neil Steinberg of the Chicago Sun-Times.  

This updating of the opera's traditional setting (a first for Lyric!) gave set designer Walt Spangler a lot of room to play. Here's a look at the set and some of the period details that will be showcased on stage, including the motorcycle belonging to the fiery Donna Elvira. 

And here are some more casual close-ups of some of the production's props, snapped backstage during summer tech week. Pictured are some of the faux grapes that make up the onstage vineyard, the Commendatore's coffin, benches being stored backstage (these will be pews for the funeral scene), and some of the beautiful details on Don Giovanni's massive dinner table.

But the sets are only half of the fun. Here are some of the fabulous 1920s-inspired looks that innovative costume designer Ana Kuzmanic has created for the characters.

(Top row: Designs for Don Giovanni, Donna Elvira, and Donna Anna;
Bottom row: Designs for Leporello, Zerlina, and Don Ottavio)

Craving more? Get the inside scoop from the design team in this video:

 

Photo credits:

  • Don Giovanni set photos credit Todd Rosenberg / Lyric Opera of Chicago
  • Don Giovanni summer tech photos credit Carrie Krol / Lyric Opera of Chicago
  • Don Giovanni design sketches credit Ana Kuzmanic

The Lyric Opera Broadcasts on WFMT: Experience opening night from your living room

There's nothing like experiencing one of Lyric's magnificent productions right here at the historic and beautiful Civic Opera House. But if you can't be with us live, you can still join us from wherever you may be, thanks to The Lyric Opera of Chicago Broadcasts on 98.7WFMT, which are streamed live around the world at  wfmt.com.

There's nothing like experiencing one of Lyric's magnificent productions right here at the historic and beautiful Civic Opera House. But if you can't be with us live, you can still join us from wherever you may be, thanks to The Lyric Opera of Chicago Broadcasts on 98.7WFMT, which are streamed live around the world at wfmt.com.

From Don Giovanni  to The Passenger, all eight of Lyric's mainstage productions will be heard this season live on opening night. Plus WFMT will broadcast the star-studded 60th Anniversary Concert on Saturday, November 1, in a delayed broadcast on November 2.  The broadcast season officially began with the September 6 performance of Stars of Lyric Opera at Millennium Park, pictured above.

All broadcasts feature exclusive interviews with the cast of the opera, plus expert analysis from the broadcast team, which features a new voice this season. WFMT afternoon drive host Suzanne Nance is joining Lyric dramaturg Roger Pines, broadcast commentator for the past five seasons, in the booth. Suzanne is an award-winning broadcaster, plus an acclaimed soprano and actor. Learn more about Suzanne in this Q&A on WFMT's website. Roger and Suzanne previously collaborated for one Lyric broadcast last season (Verdi's La traviata), and began the current season on September 6. Producing this season's broadcasts is WFMT's Daniel Goldberg, who was associate producer for the past three seasons. 

Here is the full schedule of broadcasts-be sure to mark your calendars to tune in, that is if you're not already in the audience!

Don Giovanni (Mozart)

Sat., Sept. 27 at 7:15pm

Capriccio (R. Strauss)

Mon., Oct. 6 at 7:15pm

Il Trovatore (Verdi)    

Mon., Oct. 27 at 7:15 pm

60th Anniversary Concert

Sun., Nov. 2, 5pm (delayed broadcast)

Porgy and Bess (Gershwin)    

Mon., Nov. 17 at 7:15pm

Anna Bolena (Donizetti)

Sat., Dec. 6 at 7:15pm

Tosca  (Puccini)           

Sat., Jan. 24 at 7:15pm

Tannhäuser (Wagner) 

Mon., Feb. 9 at 5:45pm

The Passenger  (Weinberg)     

Tue., Feb. 24 at 7:15pm

Photos

  • Top: The Lyric Opera of Chicago Broadcast team backstage at Stars of Lyric Opera at Millennium Park on Sept. 6, 2014. (L-R) Suzanne Nance, producer Daniel Goldberg, and Roger Pines
  • Bottom L: Suzanne Nance
  • Bottom R: Roger Pines

Our Diamond Anniversary season has all of the hits

There's something for everyone in Lyric's 2014/15 season, including some of opera's must recognizable music from Don Giovanni, Il Trovatore, Tosca, and more! Read on to see and  hear some of this season's hit tunes. 

There's something for everyone in Lyric's 2014/15 season, including some of opera's must recognizable tunes. You might know some of these selections outside of their operatic homes—come and see these famous songs as you only can see them at Lyric, with the grandest staging and finest musicians.

Don Giovanni 

On stage September 27 to October 29

The Champagne Aria

Mariusz Kwiecień performs the Champagne Aria from Don Giovanni in this video from the Royal Opera House, Covent Garden's 2014 production. The song is an ode to the fabulous party that the Don is planning, yet another occasion for him to add to his list of conquests. Kwiecień plays a Giovanni who has smoldering movie star charisma in Lyric's brand-new production from renowned stage director Robert Falls, which updates the setting to 1920s Spain.

 

 "La ci darem la mano"

This love duet between the duplicitous Don and the naïve Zerlina is one of the most well-known in the operatic repertoire. The odd couple of Luciano Pavarotti and Sheryl Crow have teamed up to perform it in concert! Once again is Mariusz Kwiecień, Lyric's Giovanni, with Mojca Erdmann as Zerlina.

 

(Metropolitan Opera, 2011)

Il Trovatore 

On stage October 27 to November 29

The Anvil Chorus

You've heard it in commercials and in films—now come see it on Lyric's stage! The Anvil Chorus from Verdi's Il Trovatore is one of the most famous tunes in opera. You're sure to be humming it for days after you see it in performance. Here is the incredible scene from director Sir David McVicar's epic production. 

 

(Metropolitan Opera, 2011)

Porgy and Bess 

On stage November 17  to December 20

"Summertime" and more…

Gershwin's Porgy and Bess is filled with an incredible number of songs that have made their way into the popular songbook, including "Summertime," "Bess, You Is My Woman Now," "I Got Plenty o' Nuttin," "It Ain't Necessarily So."  Here's a highlight reel of some of those amazing songs as performed at the San Francisco Opera in 2009 —and this is the very same production that will be right here at Lyric with Eric Owens as Porgy.

 

Tosca 

On stage January 24 to March 14

"Vissi d'arte"

Puccini's gut-wrenching story features a number of incredible musical moments, but none is quite so magical as "Vissi d'arte," Tosca's beautiful aria describing how she's lived for art and love, only to have fate turn against her. This season, you'll have two chances to hear this wonderful piece interpreted with Tatiana Serjan and Hui He both starring in the new-to-Lyric production.

The luminous Sondra Radvanovsky, who will take on the role of Anne Boleyn in Donizetti's Anna Bolena at Lyric later this year, brings this magnificent aria to life. 

 

(Metropolitan Opera, 2011)

Tannhäuser 

On stage February 9 to March 6

The Pilgrim's Chorus

The Pilgrim's Chorus in Act 3 of Tannhäuser is one of Wagner's most beautiful and majestic melodies. The simple melody starts quietly, as the singers are off stage, but grows until the full orchestra and chorus are at full volume. It has become a staple of concert choirs such as the Mormon Tabernacle Choir and was even one of the Wagner melodies quoted in the Bugs Bunny cartoon "What's Opera, Doc?"  We dare you not to be moved.

 

 

(Lyric Opera of Chicago does not own copyrights to any of the above videos.)

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