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Lyric Libations: DON GIOVANNI

Lyric's new production of Don Giovanni is so passionate that you need a cocktail just to relax after the show. Channel your favorite character with these beverages inspired by Mozart's masterpiece.

Lyric's new production of Don Giovanni is so passionate that you need a cocktail just to relax after the show. Channel your favorite character with these beverages inspired by Mozart's masterpiece.

The Don Juan 

Don Giovanni's voracious appetites are his downfall, and this drink might get you in trouble too. Like the lothario weaving his web of seduction, this drink's dangerous combination of tequila and rum has a sweet start, but an end that is not for the faint-of-heart.

  • 1 part dark rum
  • 1 part tequila
  • 1 part pineapple juice
  • ½ part grapefruit juice
  • Orange twist to garnish

Put lots of ice and all ingredients into a shaker and mix well for about 20 seconds.  Strain the mix into a chilled glass and add a twist to garnish. (Recipe from Mixed Cocktails)

Zerlina's Flirtini 

So it's your wedding day, and the champagne is flowing. Sure your peasant fiancé is loving and stable, but you can't help but cast your eyes over to the rich bad boy who just walked into the room. Why shouldn't you have it all? Get your flirt on with this sparkling drink in your hand. 

  • 1 ounce vodka
  • 2 ounces champagne
  • 2 ounces pineapple juice

Combine vodka, champagne, and pineapple juice in a highball or collins glass filled with ice. Makes 1 cocktail. For a party multiply recipe and mix in a pitcher. (Recipe from PopSugar)

The Commendatore's Corpse Reviver 

Whether you're hanging out in a cemetery or preparing for a very special dinner party, this cocktail is the perfect refresher for the recently deceased. 

  • 1 ounce gin
  • 1 ounce Cointreau
  • 1 ounce Lillet Blanc
  • 1 ounce fresh lemon juice
  • 1 dash absinthe
  • Orange peel for garnish

Shake all ingredients in a shaker, strain into a chilled cocktail glass, and garnish. (Recipe from Imbibe Magazine)

Seething Jealousy 

Sometimes the best way to deal with your raging jealousy is to drown it drown it in liquor. Maybe if Masetto would relax and have a few of these, he wouldn't find himself getting beat up and ridiculed at every turn.

  • 1 ounce sweet vermouth
  • ½  ounce Scotch
  • ½ ounce cherry brandy
  • ½ ounce fresh orange juice

Shake all ingredients with ice, then strain into a chilled cocktail glass. (Recipe from Chow.com)

Donna Anna's Vendetta 

This is the perfect way to seal a pact with your long-suffering fiancé to kill the man who murdered your father. The freshness of basil mixes with the richness of brandy to create an intoxicating brew. Possible side effects include the inability to get married for at least a year after drinking.

  • 1 ½ ounces vodka
  • 1 ½ ounces brandy
  • ¼ ounce Pernod
  • ¾ ounce bitters
  • 6 basil leaves, plus a sprig for garnish
  • Ice

Add the vodka, brandy, pernod, bitters, and basil leaves into a shaker loaded with ice. Shake until condensation forms around the shaker. Strain into a rocks glass with fresh ice and garnish with a basil sprig. (Recipe from The Daily Meal)

The Leporello 

Life is hard when your rich, entitled boss with a questionable moral compass is constantly looking to you to clean up his messes-that is when he's not trying to have you killed. When obsessive list making is not enough to calm your nerves, this very strong, very sweet, very complicated drink is another way to get away from it all.

  • ½ ounce white rum
  • 1 ½ ounces golden rum
  • 1 ounce dark rum
  • ½ ounce 151-proof rum
  • 1 ounce lime juice
  • 1 teaspoon pineapple juice
  • 1 teaspoon papaya juice
  • 1 teaspoon superfine sugar

Stir together all these ingredients except the 151 and pour into a 14-ounce collins glass three-fourths full of cracked ice. Float the 151 as a lid (by pouring it into a spoon and gently dipping it under the surface of the drink). Then, if the spirit moves you, take a match to this mixture; it will burn. Garnish with mint (either straight or dipped in lime juice and then superfine sugar) and/or fruit. (Recipe from Esquire)

Photo credits:

  • Don Giovanni production photos credit Todd Rosenberg / Lyric Opera of Chicago

 

Critics love Lyric's “bold, provocative, hot-blooded” DON GIOVANNI

Lyric's Diamond Anniversary season has started off in style. Critics are raving about the new production of Mozart's Don Giovanni from renowned director Robert Falls of the Goodman Theatre, with Lyric's music director Sir Andrew Davis on the podium. Seductive and stunning, this is the can't-miss event of the fall season. Here are just a few reasons why.

Lyric's Diamond Anniversary season has started off in style. Critics are raving about the new production of Mozart's Don Giovanni from renowned director Robert Falls of the Goodman Theatre, with Lyric's music director Sir Andrew Davis on the podium. Seductive and stunning, this is the can't-miss event of the fall season. Here are just a few reasons why. 

Robert Falls's audacious staging 

"Falls' bold, provocative, hot-blooded new production of 'Don Giovanni' opened Lyric's 60th anniversary season Saturday night at the Civic Opera House, and it had the audience cheering for numerous reasons. … This 'Don Giovanni' is as nourishing to the eye as it is to the ear and mind." - John von Rhein, Chicago Tribune

"Director Robert Falls' fresh, boldly conceived staging infused new life into Mozart's dramma giocoso. " - Lawrence A. Johnson, Chicago Classical Review

"Falls’s fast-moving staging has an eye for the opera’s comedy and even more for its sexuality." - George Loomis, Financial Times

"Bob Falls has found a way to connect in a fresh way with a work we know and a work we love." - Andrew Patner, WFMT

"The production of Giovanni, which just opened at the Lyric Opera of Chicago, is a glorious triumph for Falls, and a spectacular opening to the Lyric's 60th season. Falls re-imagination of Don Giovanni has it all—passion, sex, heartbreak, murder, jealousy, and revenge. " - Betty Mohr, Le Bon Travel and Culture

"[Lyric's] cast and crew throw themselves into Falls' approach, and what results is an impressive theatrical and musically intensive brew that will have you laughing one minute while gasping with indignation the next." - Scott C. Morgan, Daily Herald 

"Moving the story of Don Juan from its seventeenth century origins to circa 1920s Spain proves to be a great decision by Falls. It manages to strip the production of stuffy periodicity while placing it into a time more familiar to the contemporary audience yet distant enough that the story’s messy morality seems plausible." - Brian Hieggelke, New City

"This new production proves that modern practice can combine with classic opera to create art of the highest order. This 'Don Giovanni' should not be missed." - M.L. Rantala, Hyde Park Herald

"Run, do not walk, to the Civic Opera House and catch this show." - Lawrence A. Johnson, Chicago Classical Review

The exceptional cast 

"A more appealing cast could hardly have been assembled for Mozart’s 'Don Giovanni' than the vocally resplendent, good-looking singers who inhabit the Lyric Opera of Chicago’s new production and season opener." - Lawrence B. Johnson, Chicago on the Aisle

"Polish baritone Mariusz Kwiecień is one of the world's best Don Giovannis, a trim, handsome bundle of raging testosterone. " - Wynne Delacoma, Chicago Sun-Times 

"The Polish baritone wielded his robust, burnished baritone with such elegant style and tonal beauty, it was easy to understand why all the women of Europe are dropping at his feet." - Lawrence A. Johnson, Chicago Classical Review

"Puerto Rican soprano Ana María Martínez is wonderfully fiery with a dusky sound as the revenge-bent Donna Elvira (she also clearly relishes her 'modern woman' role reconceptualization—even arriving via motorcycle)." - Scott C. Morgan, Daily Herald 

"It's a tribute to Kyle Ketelsen that he held his own with Kwiecień's Don, more than is usually the case. The bass-baritone delivered a nimble and witty Catalog Aria and firmly brought out the servant's seething resentment as well as the men's camaraderie with a natural conversational quality to their rapid-fire exchanges." - Lawrence A. Johnson, Chicago Classical Review

"I found [Marina Rebeka's] Donna Anna superb: The sound was creamy, voluminous and steady as a laser, with plenty of fiery temperament to match the dramatic thrust of her singing." - John von Rhein, Chicago Tribune

Andriana Chuchman "brought a charming yet vixenish quality to the good-girl flirt and sang her two arias with notably youthful spirit." - Lawrence A. Johnson, Chicago Classical Review

"...bass-baritone Michael Sumuel deftly captured Masetto's mix of jealous male and vulnerable lover." - Wynne Delacoma, Chicago Sun-Times

Antonio Poli's "ardent, tender arias shaped Don Ottavio, often a bland cipher, into the opera's sole voice of reason." - Wynne Delacoma, Chicago Sun-Times 

"Andrea Silvestrelli's Commendatore was towering in height and sonorous of voice" - Lawrence A. Johnson, Chicago Classical Review

 Sir Andrew Davis and the Lyric Opera Orchestra and Chorus 

"Lyric music director Sir Andrew Davis conducted the Lyric Orchestra with plenty of panache, bringing out the light and dark colors of Mozart's timeless score with buoyant style." - Scott C. Morgan, Daily Herald

"...conductor Andrew Davis’ eloquent and expressive musical direction was greatly to be savored, as was a precise and buoyant performance by the Lyric Opera Orchestra. Add to that the exuberant yet disciplined singing by the Lyric Chorus and the last element was in place for a musically rewarding night." - Lawrence B. Johnson, Chicago on the Aisle

"…music director Andrew Davis drew lithe, elegant, stylish playing from his fine orchestra that felt all of a piece with the Don's high-stakes games of seduction." - John von Rhein, Chicago Tribune

"the magnificence of the production should also be credited to Sir Andrew Davis, who at the helm of Lyric’s exceptional orchestra, gives his all to Mozart’s delicious score; [and] to Michael Black who brings out the best in Lyric’s chorus..." - Betty Mohr, Le Bon Travel and Culture

The fantastic sets and costumes 

"Walt Spangler's sets and Ana Kuzmanic's costumes persuasively and colourfully suggest urban Seville, including a handsome townhouse for the Commendatore, seen from the street, and a church interior dominated by a statue of Mary for the Sextet scene of Act 2." - George Loomis, Financial Times  

"Not only are the sets something to behold, but so too are the ravishing costumes by Ana Kuzmanic that evoke the carefree flamboyance of the Jazz Age." - Betty Mohr, Le Bon Travel and Culture

"The contributions of frequent Falls collaborators Ana Kuzmanic (costume design) and Walt Spangler (sets) deserve equal billing with the performers. The production lives in black and white and gray, but splashes of color – blood, flowers – transcend decoration and become metaphor for the proximity of sensuality and death herein." - Brian Hieggelke,New City

"Between designer Walt Spangler's fetching Spanish sets and Ana Kuzmanic's stylish 1920s costumes (a temporal relocation that Mozart surely would have adored), this 'Don Giovanni' has an integrated look and feel that not only works but also allows for doses of broad, updated humor." - Lawrence B. Johnson, Chicago on the Aisle

"Walt Spangler's scenic design is consistently imaginative, centered on a traditional balconied facade of a Spanish house as unit set with striking splashes of flowers and color." - Lawrence A. Johnson, Chicago Classical Review

"…in the ball scene, [Ana Kuzmanic's] lavishly stylized, brocade and velvet costumes for Donna Elvira, Donna Anna (Marina Rebeka) and Don Ottavio (Antonio Poli) clearly delineated the chasm between the aristocrats and the common folk, an important point for Mozart and his librettist Lorenzo Da Ponte. " - Wynne Delacoma, Chicago Sun-Times

The spectacular final scene 

"While everything about the opera soars, the climactic scene (which I won't spoil), in which Giovanni is sent to hell, is jaw-dropping stunning. This is the best Don Giovanni I have ever seen. Opera lovers will be talking about it for a long time." - Betty Mohr, Le Bon Travel and Culture

"There is a juicily melodramatic death scene for the Don whose surprising details I will not spoil by revealing." - John von Rhein, Chicago Tribune

Photo credits:

  • Don Giovanni photos credit Todd Rosenberg / Lyric Opera of Chicago

 

Sex, drugs, and rock 'n' roll: DON GIOVANNI design preview

Can't wait for opening night of Lyric's brand-new production of Don Giovanni on September 27? Here's a sneak peek at some of the production's design elements to whet your appetite.

Can't wait for opening night of Lyric's brand-new production of Don Giovanni on September 27? Here's a sneak peek at some of the production's design elements to whet your appetite. 

Director Robert Falls and his creative team have updated the setting to 1920s Spain. "Sex, drugs and rock 'n' roll. It never stops; the perfect opera in many ways," as Falls told Neil Steinberg of the Chicago Sun-Times.  

This updating of the opera's traditional setting (a first for Lyric!) gave set designer Walt Spangler a lot of room to play. Here's a look at the set and some of the period details that will be showcased on stage, including the motorcycle belonging to the fiery Donna Elvira. 

And here are some more casual close-ups of some of the production's props, snapped backstage during summer tech week. Pictured are some of the faux grapes that make up the onstage vineyard, the Commendatore's coffin, benches being stored backstage (these will be pews for the funeral scene), and some of the beautiful details on Don Giovanni's massive dinner table.

But the sets are only half of the fun. Here are some of the fabulous 1920s-inspired looks that innovative costume designer Ana Kuzmanic has created for the characters.

(Top row: Designs for Don Giovanni, Donna Elvira, and Donna Anna;
Bottom row: Designs for Leporello, Zerlina, and Don Ottavio)

Craving more? Get the inside scoop from the design team in this video:

 

Photo credits:

  • Don Giovanni set photos credit Todd Rosenberg / Lyric Opera of Chicago
  • Don Giovanni summer tech photos credit Carrie Krol / Lyric Opera of Chicago
  • Don Giovanni design sketches credit Ana Kuzmanic

Sir Andrew’s Busy Summer

Lyric's eminent music director, Sir Andrew Davis, is back in Chicago preparing for our spectacular season-opening production of Don Giovanni. But where has he been all summer? Learn about his incredibly busy summer of globetrotting. 

Lyric's eminent music director, Sir Andrew Davis, is back in Chicago preparing for our spectacular season-opening production of Don Giovanni. He's been in town since late August to start preparations for Giovanni and to lead the annual Stars of Lyric Opera at Millennium Park on September 6. He ended last season with an acclaimed production of Mozart's La Clemenza di Tito on March 23—but where has he been in between Mozart operas? Perhaps it's better to ask, "Where hasn't he been?"

In the span of a few short months, he's traveled from Chicago to Boston to London to New York to Toronto to Leipzig to Bergen to Manchester to Berlin back to Bergen to Melbourne back to Chicago back to London back to Melbourne to Edinburgh back to London back to Edinburgh to Amsterdam to Ulrichshusen to Copenhagen to Chicago! 3 continents, 14 cities, 34 performances, 2 recordings—all in 59 days…with a few precious moments in the middle for vacation.

Here are just three concert highlights from his incredible summer.

First Night of the Proms 

On July 18, Sir Andrew had the distinct honor of conducting the First Night of the BBC Proms. Davis was a familiar face on the podium in the 1990s as the former chief conductor of the BBC Symphony Orchestra, so this season marked a triumphant return. The Proms are the largest classical music festival in the world, and the evening was a showcase for Sir Andrew and the BBC Symphony Orchestra and Chorus, and the National Chorus of Wales. They performed Elgar's biblical oratorio The Kingdom with soloists Erin Wall (a Ryan Opera Center alumna!), Catherine Wyn-Rogers, Andrew Staples, and Christopher Purves

This was only the second time that this piece had been performed at the BBC Proms in its entirety (the first time also had Sir Andrew on the podium), and the result was magnificent. Here is just some of the praise from critics:

 "Once again balancing sumptuousness and transparency, he drew vivid playing from the orchestra, from the silvery violins down to the lowest depths of the Albert Hall organ, which was sometimes a big beast but often quiet enough merely to disturb the sweltering air in the hall." - Erica Jeal, The Guardian

"Andrew Davis made sure Elgar's amazingly colourful orchestration was touched in with a delicate chiaroscuro…. It would be easy to indulge the swirling harps and slithering chromatic basses, but by keeping the whole thing on a tight rein Davis ensured the integrity of the whole was preserved." Ivan Hewitt, The Telegraph

Melbourne Symphony Orchestra Tour

In addition to his role here at Lyric, Sir Andrew is also Chief Conductor of the Melbourne Symphony Orchestra, a position he took on in 2013. This summer, he conducted a number of concerts in Melbourne, but he also lead the orchestra on an incredible European tour. Stops included the Edinburgh International Festival, the Concertgebouw in Amsterdam, the Mecklenburg-Vorpommern Festival at Ulrichshusen in Germany, and the Tivoli Concert Hall in Copenhagen. Here's a short preview of their appearance from the Edinburgh Festival:

 

In addition to these prestigious festivals, the tour opened with the orchestra's BBC Proms debut on August 19  at Royal Albert Hall in London. As John Allison pointed out in his interview with Sir Andrew in The Telegraph, "No orchestra making its  Proms debut could wish for a better guide to that institution's rituals than Sir Andrew Davis, one of the most familiar faces in recent Proms history and a particular favourite of Last Night  audiences."

Read more about this tour at MSO's Backstage Blog from reporter Michael Shmith.

The Dream of Gerontius in Berlin 

As if the BBC Proms and a triumphant tour weren't enough, Sir Andrew found time to pop over to Germany to lead another great Elgar composition, The Dream of Gerontius, at the  Deutsches Symphonie-Orchester Berlin on June 1. Joining them were the combined choruses of the Rundfunkchor Berlin and RIAS Kammerchor and featured soloists Sarah Connolly, Brindley Sherratt, and Jeffrey Lloyd-Roberts.

 

The piece, which describes a dying man of faith reflecting on his life, is widely considered Elgar's greatest choral work-one that cemented his reputation as a great composer—and is a great favorite of Sir Andrew's. This performance in Berlin was part of what could be called a "summer of Elgar" for Sir Andrew. He also performed The Dream of Gerontius with the the BBC Symphony Orchestra, with whom he also performed The Kingdom (at the Proms) and The Apostles, thus performing all three of Elgar's oratorios in the span of just a few months!

But wait...there's more!

In addition to these highlights, Sir Andrew led concerts with the New York Philharmonic, Toronto Symphony Orchestra, Leipzig Gewandhaus Orchestra, Bergen Philharmonic, and found time for recording sessions with the BBC Philharmonic and Bergen Philharmonic. Plus, he even managed to come back to Chicago for the working sessions for Bel Canto, the world premiere opera that is part of Lyric's 2015-16 season.

Photo credits:

  • Top L: Sir Andrew Davis puts on his shoes before a concert on the Melbourne Symphony Orchestra tour.  Courtesy Melbourne Symphony Orchestra.
  • Top R: Sir Andrew leads the First Night of the Proms. Courtesy BBC.
  • Bottom: Melbourne Symphony Orchestra rehearses at Royal Albert Hall for the BBC Proms. Courtesy Melbourne Symphony Orchestra.

(Lyric Opera of Chicago does not own copyrights to any of the above videos.)

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