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Lyric Unlimited 2015 Highlights

2015 is going to be a busy year for Lyric Unlimited, which is presenting three world premieres and a brand-new family performance! Read more about these great new projects, which include a klezmer opera and a zoo opera!

2015 is going to be a busy year for Lyric Unlimited, which is presenting three world premieres and a brand-new family performance! Lyric General Director Anthony Freud and Lyric Unlimited Director Cayenne Harris take you through these exciting new projects:

 

Adapted from the acclaimed graphic novel by Rutu Modan, The Property tells the story of Regina Segal and her granddaughter Mica, who travel to modern Warsaw to try to regain family property lost during World War II. As their journey unfolds, Regina is forced to confront painful truths about her past, while Mica realizes their reasons for coming might not be all that they seemed. 

This world-premiere opera is being composed by Wlad Marhulets and will be in the klezmer style. Stephanie Fleischmann and Eric Einhorn have adapted the novel and will act as librettist and director, respectively.

The Property will be presented in partnership with the Reva and David Logan Center for the Arts at the University of Chicago and will be performed at that venue and at Skokie's North Shore Center for the Performing Arts. Tickets go on sale on July 1!

Let's all go to the zoo! In August 2015, Lyric Unlimited presents world premiere of a new children's opera, Second Nature, at the beautiful and historic Lincoln Park Zoo. Second Nature is set in the not-so-distant future, when the environment has deteriorated and humans have decided it's safer to live in zoo-like habitats that protect them from the outside world. Encouraged by the other animal inhabitants, two young children dare to explore the world outside the walls to see if there is still something worth saving. 

American composer Matthew Aucoin is both composer and librettist, and Matthew Ozawa directs. This new presentation is recommended for families with children ages 8 to 12. And best of all, it's free and open to the public!

But wait - there's more!! 

 

Preview performances for the highly anticipated mariachi opera El Pasado Nunca Se Termina have been added at Benito Juaréz Community Academy in Chicago’s Pilsen neighborhood and Waukegan's historic Genesee Theatre. Tickets for these previews are available July 1. Seats for the world-premiere performances right here at Lyric are available now!

And tickets for The Magic Victrola  are available right now, so save your seats today for this all-new family concert with music from Mozart's The Magic Flute, Bizet's Carmen, and other beloved operatic masterworks.   

Performance Calendar 

The Magic Victrola

lyricopera.org/victrola
With music by Mozart, Bizet, and others
David Kersnar and Jacqueline Russell, writers
Featuring members of the Ryan Opera Center and the Lyric Opera Orchestra

Civic Opera House
20 N. Wacker Dr., Chicago
Saturday, January 17, 2015, 3 p.m.
Tickets: $10-$40

The Property

lyricopera.org/property
Based on the graphic novel by Rutu Modan
Adapted by Eric Einhorn and Stephanie Fleischmann
Wlad Marhulets, composer
Stephanie Fleischmann, librettist
Eric Einhorn, director
Featuring members of Maxwell Street Klezmer Band

World-Premiere Performances
Reva and David Logan Center for the Arts
915 E. 60th St., Chicago
Wednesday, February 25, 2015, 7:30 p.m.
Thursday, February 26, 2015, 7:30 p.m.
Friday, February 27, 2015, 1 p.m.
Tickets start at $20 (on sale July 1)

The North Shore Center for the Performing Arts
9501 Skokie Blvd., Skokie
Wednesday, March 4, 2015, 7:30 p.m.
Thursday, March 5, 2015, 7:30 p.m.
Tickets start at $20 (on sale July 1)

El Pasado Nunca Se Termina

lyricopera.org/pasado
Jose "Pepe" Martínez, composer
Leonard Foglia, librettist and director

 

Preview Performances
Benito Juárez Community Academy
1450 W. Cermak Rd., Chicago
Friday, March 13, 2015, 7:30 p.m.
Saturday, March 14, 2015, 2 p.m.
Saturday, March 14, 2015, 7:30 p.m.
Sunday, March 15, 2015, 2 p.m.
Tickets: $10 (on sale July 1)

Genesee Theatre
203 N. Genesee St., Waukegan
Sunday, March 22, 2015, 2 p.m.
Tickets: $10-$25 (on sale July 1)

World-Premiere Performances
Civic Opera House
20 N. Wacker Dr., Chicago
Saturday, March 28, 2015, 7:30 p.m.
Sunday, March 29, 2015, 2 p.m.
Tickets: $25-$125

Second Nature

lyricopera.org/secondnature
Matthew Aucoin, composer and librettist
Matthew Ozawa, director

 

World-Premiere Performances
Café Brauer at Lincoln Park Zoo
2021 N. Stockton Dr., Chicago
Wednesday, August 19, 2015
Thursday, August 20, 2015
Performances times to be announced.
Free admission.

Subjects:

DON GIOVANNI: A Lyric Photo History

Did you know that Don Giovanni actually was Lyric Opera of Chicago's (then called the Lyric Theatre of Chicago) very first production in 1954? Here's a look at how this monumental opera has evolved throughout Lyric's history.  

Lyric's Diamond Anniversary season opens up in grand style on September 27 with a brand-new production of Mozart's Don Giovanni from the always-innovative directorial mind of Robert Falls, artistic director of Goodman Theatre. 

Did you know that Don Giovanni actually was Lyric Opera of Chicago's very first production in 1954? Here's a look at how this monumental opera has evolved over the years at Lyric. And what's in store for this year? Subscribe now to reserve your seat!

1954 

Lyric Theatre of Chicago's first season opens with Nicola Rossi-Lemeni and Eleanor Steber starring as Don Giovanni and Donna Anna in a production directed by William Wymetal and conducted by company co-founder Nicola Rescigno. Below is an ad proof from the Chicago Daily News and a costume photo of Nicola Rossi-Lemeni in character. Lyric would mount this same production with Rossi-Lemeni again in the title role in 1959, this time with Georg Solti (before he was music director of the Chicago Symphony Orchestra) as conductor.

1961 & 1964 

In 1961, Lyric presented a new production of the opera from director Wolfgang Weber with Peter Maag as conductor.  Eberhard Waechter starred as Don Giovanni.  Pictured below (top left) are Walter Berry as Leporello and Lisa Della Casa as Donna Elvira. The company revived the production in 1964, this time with Nicolai Ghiaurov in the title role. Shown from this production are Ghiaurnov and Nicoletta Panni as Zerlina (top right) and a wide view of the stage during Act 2, when the Commendatore (Bruno Marangoni) confronts Giovanni.

1969 

The multitalented Tito Gobbi both starred as the Don and directed this production, which featured sets and costumes by the legendary designer Peter J. Hall. In this photo, Don Giovanni (Gobbi) seduces Zerlina (Judith Raskin).

Donna Anna (Claire Watson), Don Ottavio (Alfredo Kraus), and Donna Elvira (Ilva Ligabue) in disguise during the party at Don Giovanni's house.

1980, 1988-89, & 1995-96 

In 1980, Lyric mounted a new-to-Lyric production (originally from the Salzburg Festival) by Jean-Pierre Ponnelle, one of the most celebrated directors and set designers in opera. Ponnelle wore many hats for this production as well, both directing and designing sets and costumes, characterized by their somber tone and death-haunted imagery.

The production proved to be so popular that it was revived twice: first with Samuel Ramey in the title role in the 1988-89 season, and then with James Morris as Don Giovanni and an up-and-coming Bryn Terfel as Leporello. Morris was appearing as Wotan in that same season as part of Lyric's first-ever Ring cycle.

Shown above (clockwise starting from top right) are Richard Stilwell as Don Giovanni and Stafford Dean as Leporello in the 1980 presentation; Samuel Ramey as the Don in 1988-89; Richard Stilwell's Don surrounded by his ladies of the night in 1980; Donna Elvira (Carol Vaness), Zerlina (Susanne Mentzer), Masetto (Roberto Scaltriti), Leporello (Terfel), Don Ottavio (Frank Lopardo), and Donna Anna (Luba Organasova) gesture towards the deceased Giovanni (James Morris) in 1988-89); and Leporello and Giovanni sing together (l-r Bryn Terfel and James Morris).

2004-05 

For Lyric's 50th anniversary season, Bryn Terfel returned—this time as Don Giovanni! This new Lyric Opera production from director Peter Stein featured Susan Graham in a role debut as Donna Elvira, Karita Mattila as Donna Anna (with recent Ryan Opera Center graduate Erin Wall filling in for an ill Mattila on opening night), Ildebrando D'Arcangelo as Leporello, and even a young Kyle Ketelsen as Masetto. Christoph Eschenbach made his podium debut, with Sir Andrew Davis stepping in for a few performances.  

(Clockwise from top left) - Graham as Donna Elvira; Leporello (D'Arcangelo) and Giovanni (Terfel) in the cemetery; Giovanni (Terfel) attempts to seduce Zerlina (Isabel Bayrakdarian); Leporello (D'Arcangelo), Masetto (Ketelsen), Zerlina (Bayrakdarian), Don Ottavio (Kurt Streit), Donna Anna (Mattila), and Donna Elvira (Graham) confront Giovanni (Terfel).

Photo credits:

  • 1954 - courtesy Lyric Opera of Chicago archives
  • 1961 - credit Nancy Sorenson
  • 1964 & 1969 - credit David H. Fishman
  • 1980, 1988-89 - credit Tony Romero
  • 1995-96 and 2004-05 - credit Dan Rest

 

Jane Lynch to Emcee 60th Anniversary Concert

This just in! Illinois native and Second City alum Jane Lynch will be emceeing Lyric's spectacular 60th Anniversary Concert on Saturday, November 1. She has won an Emmy and Golden Globe for her portrayal of the scheming Sue Sylvester on Glee, but she has an amazing array of roles in her repertoire. Here are some of our favorite Jane Lynch gems from throughout her career.

This just in! Illinois native Jane Lynch will be emceeing Lyric's spectacular 60th Anniversary Concert on Saturday, November 1. As she notes in her official bio, Lynch "cut her theatrical teeth at The Second City, Steppenwolf Theatre, and in many church basements all over the greater Chicagoland area, helping her become the comedic talent she is today."

Lyric creative consultant Renée Fleming personally invited Lynch to host the concert, after meeting her at the National Christmas Tree lighting in 2013 and they reconnected during Fleming's recent performances of A Streetcar Named Desire in Los Angeles. "As all of America knows by now, she is a comedic genius," said Fleming. "I can't wait to see her dry wit and impeccable timing on the Lyric stage!"

Lynch adds to an already-amazing lineup of stars including Lyric creative consultant Renée Fleming, jazz legend Ramsey Lewis, and opera stars Stephanie Blythe, Johan Botha, Christine Goerke, Susan Graham, Quinn Kelsey, Mariusz Kwiecień, Ana María Martínez, Eric Owens, Sondra Radvanovsky, Samuel Ramey, Marina Rebeka, and Amber Wagner, as well as members of the Ryan Opera Center and The Second City.  Lyric's  Music Director Sir Andrew Davis will lead the Lyric Opera Orchestra.  Plus, world-renowned architect Jeanne Gang is designing a brand-new concert shell that will debut at this one-night-only event. (Read more here.)

Lynch has won an Emmy and Golden Globe for her portrayal of the scheming Sue Sylvester on Glee, but she has an amazing array of roles in her repertoire. Here are some of our favorite Jane Lynch gems from throughout her career:

Annie 

Lynch's singing and acting prowess were showcased on Broadway in 2013 when she played the villainous Miss Hannigan in the revival of this beloved musical.

 

Best in Show 

Lynch's breakout role was this turn as dog trainer Christy Cummings in this Christopher Guest mockumentary. She has great chemistry with her hilarious co-star, Jennifer Coolidge, who played the ditzy dog owner Sherri Ann Cabot.

 

The 40-Year-Old Virgin 

Lynch was the delightfully deranged boss of the titular character, played by Steve Carell, who had more than a passing interest in his dilemma.  

 

Party Down 

Lynch played the sweetly naïve actress Constance Carmell on this regrettably short-lived series.

 

Wreck-It Ralph 

She lent her voice acting talents to this Disney animated film, playing the no-nonsense army commander Calhoun.

 

A Mighty Wind 

Making her mark in yet another Christopher Guest mockumentary, Lynch memorably portrayed Laurie Bohner, a folk singer who has some unique religious beliefs.

 

Role Models 

Lynch's reformed drug addict Gayle Sweeny was the highlight of this film about two men forced to do community service.

 

 Photo credit

  • Jane Lynch (credit Jake Bailey)

(Lyric Opera of Chicago does not own copyrights to any of the above videos.) 

Opera 101: How to plan a season

At Lyric, each opera season has eight different productions. So how do you choose just eight from the whole history of opera, plus new operas that are being written each year? Lyric's General Director Anthony Freud and Music Director Sir Andrew Davis take you through the basics of planning a season, which is part science and part subjectivity. 

At Lyric, each opera season has just eight different productions. So how do you choose just eight from the whole history of opera, plus new operas that are being written each year?

In the video below, Lyric's General Director Anthony Freud and Music Director Sir Andrew Davis take you through the basics of planning a season. The process is somewhat like putting together an elaborate puzzle, but one that they both enjoy very much!

The main factors they consider are:

  • Variety - Making sure that the opera season represents the wealth of musical styles (Baroque, Classical, Romantic, or Modern) plus a breadth of dramatic possibilities (comedy, tragedy, fantasy, etc.) and languages (French, Italian, German, Russian, etc.)
  • Passion - Freud and Davis also seek to program operas and productions that they both are truly excited about presenting to the public.
  • Longevity - Lyric is celebrating its 60th anniversary in the 2014/15 season, so it's imperative to take a look at what has been programmed within the last 10 years and what will be programmed in the years to come!

 

What's your fantasy opera season? Tell us on Facebook or Twitter with #dreamseason. Or email us with your picks and any other questions you want to see answered at opera101@lyricopera.org!

Photo credits:

  • Mariusz Kwiecien as Don Giovanni (credit Ken Howard / Metropolitan Opera)
  • Renée Fleming in Capriccio (credit Ken Howard / Metropolitan Opera)
  • Stephanie Blythe in Il Trovatore (credit Terrence McCarthy / San Francisco Opera)
  • A scene from Tosca (credit Robert Millard / LA Opera)
  • Michaela Schuster as Venus in Tannhäuser (credit Clive Barda / Royal Opera House / Arena Pal)
  • Eric Owens as Porgy in Porgy and Bess with cast members (credit Terrence McCarthy / San Francisco Opera)
  • Sondra Radvanovsky as Anna Bolena (credit Cade Martin / Washington National Opera)
  • A scene from The Passenger (credit Karl Forster)

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