Even more Michael Black! Lyric's chorus master was featured in the August edition of Lyric Notes, and here is some bonus info from that interview.

In our August edition of Lyric Notes, Lyric's Chorus Master Michael Black takes us through some of the choral highlights of the 2014-15 season, including Lyric's mainstage production of Verdi's Il Trovatore and the two very special Chorus showcases at Chicago's Fourth Presbyterian Church on September 12 and Evanston's Alice Millar Chapel on November 22.

Here are some tidbits that we couldn't fit into the article, including his history with the opera, why he loves Sir David McVicar's productions, and what this Aussie has been doing over his Lyric vacation.

Il Trovatore is one of the standards of the operatic repertoire—what is your history with the piece?

I've prepared Trovatore perhaps five or six times on two different productions at Opera Australia. The first production was a delightful Elijah Moshinsky production and, a few years earlier, premiered with Dame Joan Sutherland as Leonore. Coincidentally when I first worked on the piece the conductor was Dame Joan's husband Richard Bonynge. I have also had the dubious distinction of being one of two anvil players at every performance of Trovatore I have been involved in. [Black will stay behind the scenes in Lyric's production. Watch for some talented supernumeraries to provide the signature anvil clash!]

Reading about Sir David McVicar's production of Trovatore, one of the advantages of moving the action to the early 1800s is that the gypsies in the Anvil Chorus are actually forging weapons.  How do you prepare the Chorus for this iconic scene?

Fortunately, as with all amazing directors, Sir David uses actors to give the illusion that the chorus is moving and performing strenuous moves. He lets the chorus sing! They just have to keep out of the way of the anvils!

How have you been keeping busy this summer? Can you let us in on some of your travels and the musical projects that keep you busy in the off-season?

I arrived back in Sydney the day of my son Liam's 18th birthday, and then took off to thaw out after the incredibly cold Chicago winter by relaxing by a pool in Bali with my Kindle catching up on some reading whilst getting some sun. Apart from the Bali trip I was in Sydney the entire time where I was lucky enough to do a short stint as répétiteur [rehearsal pianist and coach] on a terrific Harry Kupfer production of Otello at the Sydney Opera House. It was a treat listening to my old chorus from a distance and having absolutely no responsibility for them!

Photo credits:

  • Michael Black poses with Lyric Opera Chorus members backstage during various productions from last season: Otello, Madama Butterfly, and Parsifal. (Photos courtesy Michael Black.)