Lyric Opera of Chicago

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The Lyric Opera Broadcasts on WFMT: Experience opening night from your living room

There's nothing like experiencing one of Lyric's magnificent productions right here at the historic and beautiful Civic Opera House. But if you can't be with us live, you can still join us from wherever you may be, thanks to The Lyric Opera of Chicago Broadcasts on 98.7WFMT, which are streamed live around the world at  wfmt.com.

There's nothing like experiencing one of Lyric's magnificent productions right here at the historic and beautiful Civic Opera House. But if you can't be with us live, you can still join us from wherever you may be, thanks to The Lyric Opera of Chicago Broadcasts on 98.7WFMT, which are streamed live around the world at wfmt.com.

From Don Giovanni  to The Passenger, all eight of Lyric's mainstage productions will be heard this season live on opening night. Plus WFMT will broadcast the star-studded 60th Anniversary Concert on Saturday, November 1, in a delayed broadcast on November 2.  The broadcast season officially began with the September 6 performance of Stars of Lyric Opera at Millennium Park, pictured above.

All broadcasts feature exclusive interviews with the cast of the opera, plus expert analysis from the broadcast team, which features a new voice this season. WFMT afternoon drive host Suzanne Nance is joining Lyric dramaturg Roger Pines, broadcast commentator for the past five seasons, in the booth. Suzanne is an award-winning broadcaster, plus an acclaimed soprano and actor. Learn more about Suzanne in this Q&A on WFMT's website. Roger and Suzanne previously collaborated for one Lyric broadcast last season (Verdi's La traviata), and began the current season on September 6. Producing this season's broadcasts is WFMT's Daniel Goldberg, who was associate producer for the past three seasons. 

Here is the full schedule of broadcasts-be sure to mark your calendars to tune in, that is if you're not already in the audience!

Don Giovanni (Mozart)

Sat., Sept. 27 at 7:15pm

Capriccio (R. Strauss)

Mon., Oct. 6 at 7:15pm

Il Trovatore (Verdi)    

Mon., Oct. 27 at 7:15 pm

60th Anniversary Concert

Sun., Nov. 2, 5pm (delayed broadcast)

Porgy and Bess (Gershwin)    

Mon., Nov. 17 at 7:15pm

Anna Bolena (Donizetti)

Sat., Dec. 6 at 7:15pm

Tosca  (Puccini)           

Sat., Jan. 24 at 7:15pm

Tannhäuser (Wagner) 

Mon., Feb. 9 at 5:45pm

The Passenger  (Weinberg)     

Tue., Feb. 24 at 7:15pm

Photos

  • Top: The Lyric Opera of Chicago Broadcast team backstage at Stars of Lyric Opera at Millennium Park on Sept. 6, 2014. (L-R) Suzanne Nance, producer Daniel Goldberg, and Roger Pines
  • Bottom L: Suzanne Nance
  • Bottom R: Roger Pines

Our Diamond Anniversary season has all of the hits

There's something for everyone in Lyric's 2014/15 season, including some of opera's must recognizable music from Don Giovanni, Il Trovatore, Tosca, and more! Read on to see and  hear some of this season's hit tunes. 

There's something for everyone in Lyric's 2014/15 season, including some of opera's must recognizable tunes. You might know some of these selections outside of their operatic homes—come and see these famous songs as you only can see them at Lyric, with the grandest staging and finest musicians.

Don Giovanni 

On stage September 27 to October 29

The Champagne Aria

Mariusz Kwiecień performs the Champagne Aria from Don Giovanni in this video from the Royal Opera House, Covent Garden's 2014 production. The song is an ode to the fabulous party that the Don is planning, yet another occasion for him to add to his list of conquests. Kwiecień plays a Giovanni who has smoldering movie star charisma in Lyric's brand-new production from renowned stage director Robert Falls, which updates the setting to 1920s Spain.

 

 "La ci darem la mano"

This love duet between the duplicitous Don and the naïve Zerlina is one of the most well-known in the operatic repertoire. The odd couple of Luciano Pavarotti and Sheryl Crow have teamed up to perform it in concert! Once again is Mariusz Kwiecień, Lyric's Giovanni, with Mojca Erdmann as Zerlina.

 

(Metropolitan Opera, 2011)

Il Trovatore 

On stage October 27 to November 29

The Anvil Chorus

You've heard it in commercials and in films—now come see it on Lyric's stage! The Anvil Chorus from Verdi's Il Trovatore is one of the most famous tunes in opera. You're sure to be humming it for days after you see it in performance. Here is the incredible scene from director Sir David McVicar's epic production. 

 

(Metropolitan Opera, 2011)

Porgy and Bess 

On stage November 17  to December 20

"Summertime" and more…

Gershwin's Porgy and Bess is filled with an incredible number of songs that have made their way into the popular songbook, including "Summertime," "Bess, You Is My Woman Now," "I Got Plenty o' Nuttin," "It Ain't Necessarily So."  Here's a highlight reel of some of those amazing songs as performed at the San Francisco Opera in 2009 —and this is the very same production that will be right here at Lyric with Eric Owens as Porgy.

 

Tosca 

On stage January 24 to March 14

"Vissi d'arte"

Puccini's gut-wrenching story features a number of incredible musical moments, but none is quite so magical as "Vissi d'arte," Tosca's beautiful aria describing how she's lived for art and love, only to have fate turn against her. This season, you'll have two chances to hear this wonderful piece interpreted with Tatiana Serjan and Hui He both starring in the new-to-Lyric production.

The luminous Sondra Radvanovsky, who will take on the role of Anne Boleyn in Donizetti's Anna Bolena at Lyric later this year, brings this magnificent aria to life. 

 

(Metropolitan Opera, 2011)

Tannhäuser 

On stage February 9 to March 6

The Pilgrim's Chorus

The Pilgrim's Chorus in Act 3 of Tannhäuser is one of Wagner's most beautiful and majestic melodies. The simple melody starts quietly, as the singers are off stage, but grows until the full orchestra and chorus are at full volume. It has become a staple of concert choirs such as the Mormon Tabernacle Choir and was even one of the Wagner melodies quoted in the Bugs Bunny cartoon "What's Opera, Doc?"  We dare you not to be moved.

 

 

(Lyric Opera of Chicago does not own copyrights to any of the above videos.)

Getting to know…Lyric Opera Chorus member Kimberly McCord

As a special season-opening treat this year, Lyric's magnificent Chorus will be featured in  two showcase concerts on September 12 and  November 22. Soprano Kimberly McCord is one of the featured singers, and she took the time to give us a bit of her background—and let us in on her own Lyric love story!

As a special season-opening treat this year, Lyric's magnificent Chorus will be featured in two showcase concerts on September 12 at Chicago's Fourth Presbyterian Church (right on Michigan Avenue) and on November 22 at Northwestern University's Millar Chapel in Evanston.

The concert features excerpts from operas featured in Lyric's 2014-15 Diamond Anniversary season,  plus some beloved choral favorites with solos from certain Chorus members. Soprano Kimberly McCord is one of the featured singers, and she took the time to give us a bit of her background—and let us in on her own Lyric love story!

When did you know you wanted to be a singer?

I always loved singing and as a child would spend hours singing along to the few but diverse LPs my parents had, such as Jo Stafford, The Sound of Music soundtrack, and The Fifth Dimension. My preschool teacher told my parents to get me piano lessons, which they did. I thought music would be a tough career, but, thanks to my parents' support, I decided to pursue singing as a career my junior year in high school. 

(McCord, back row fourth from left, poses with her fellow nuns and Jenn Gambatese, center / Maria, during Lyric's production of The Sound of Music.)

When did you join the Chorus? And what brought you to Lyric or Chicago?

I joined the chorus in 2008. I had been living in Europe for eight years, singing mostly Baroque music, giving recitals, and teaching privately. When I was ready to come back to the States, I thought Chicago would be a friendly, livable, culturally vibrant city. I was right!

What was your background before joining the Chorus?

I earned my Bachelor's of Music from Indiana University and then received a Fulbright grant to study Early Music with Dame Emma Kirkby. I was getting a lot of work singing Baroque music, but I felt that I needed to transition into opera in order to develop my voice and artistry more fully. This process led to a serious vocal crisis but I eventually learned how to integrate my vocal technique and emotional expression more fully. Now singing is even more artistically satisfying.

You're one of the featured singers in Lyric's upcoming Chorus concerts—what about the concerts is most exciting to you?

There is something truly cosmic about sublimating your individuality to express something in sync with 47 other people. It's a thrilling and visceral experience for us and the audience! I'm also excited about performing with Maestro Black conducting and our rehearsal pianist, Jerad Mosbey, accompanying. They prepare us in the crucial daily, behind-the-scenes rehearsal process. The public gets to experience this very intimate working relationship for the first time in these concerts. 

Can you talk a little bit about the piece that you're featured on during the concert: "Placido è il, mar"  from Mozart's Idomeneo?

On the surface, this piece seems like yet another graceful Mozart composition, but I hear real longing in the big vocal leaps upward and weariness in the short repeated phrases. Connecting with these deeper human emotions while performing technically difficult music is what Mozart demands of us. I hope I am able to do his genius justice! 

 

(Salzburg Festival 2006 production of Idomeneo)

What has been your most memorable experience at Lyric so far?

I met the love of my life at Lyric! Dan Pyne, a software salesman by day, supernumerary occasionally by night, walked into our first staging rehearsal of Lohengrin, and I was thrilled to be placed near him in the opening scene. It gave me the chance to strike up a conversation and we've been going strong ever since. (McCord and Pyne pictured right.)

What is the most outrageous costume you've worn on stage?

Probably the witches in Macbeth. In fact, the costumes were so crazy, with all these dangling pieces, that one chorister accidentally performed the first scene with a bra caught on her costume. No one noticed it until we were back up in the dressing room! We had a good laugh about that one!

(Kimberly McCord and her fellow witches having fun at Lyric, both on stage and off. Top photo: the witches on stage. McCord is third from left; Bottom left: Fire witches Laurie Seely Vassalli, McCord, Nina Heebink (the chorister with the "wardrobe malfunction") and Carla Janzen; Bottom right: The three types of witches, Snake, Earth, Fire. L-R Rachel Crim-Holzhausen, McCord, Desiree Hassler, and Pamela Williams.)

What do you enjoy most about being in the Chorus?

I consider it a great privilege to dedicate my energy to singing. Working diligently on giving fresh expression to classic stories of human experience is a deeply rewarding way to earn a living.

When you're not a Lyric, what are some of your hobbies or other projects?

 I enjoy creating things that are more concrete than sound waves! I am a serious cook, I do lots of different crafts, from sewing to embroidery to crochet, and I also love home renovation projects. 

What do you love most about living in Chicago?

The diversity of people.

And a few fun questions:

Do you have a go-to karaoke song?

Anything by Heart

 

("Barracuda" from 1977)

Who is your favorite singer?

Margaret Price

 

What is your favorite opera?

Don Giovanni

 

(Royal Opera House 2014 production of Don Giovanni)

And what is your favorite musical?

South Pacific

 

(Live performance from the 2008 Tony Awards of Lincoln Center Theater's production)

Photos courtesy Kimberly McCord

(Lyric Opera of Chicago does not own copyrights to any of the above videos.)

 

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