The week of July 7, the creative team for Lyric's world premiere opera Bel Canto  (opening in 2015!), gathered in Chicago for several days of intensive work on the project. Read on to get a glimpse of this work-in-progress.

The week of July 7, the creative team for Lyric's world premiere opera Bel Canto (opening in December 2015!), gathered in Chicago for several days of intensive work on the project. Composer Jimmy López, librettist Nilo Cruz, and director Kevin Newbury were on hand to listen to the completed portions of the score in a version for two pianos and vocals, conducted by Sir Andrew Davis.

This was the first time that any members of the team had heard the music sung. Almost the entire Ryan Opera Center ensemble participated in these working sessions, taking on not only the main roles but doubling the minor characters plus chorus parts as well.

The days of work culminated with a reading of four scenes (two from Act One and two from Act Two) that have been completed. The session was opened up to a small group of journalists and sponsors and was followed by a Q&A with the creative team and Lyric's general Director Anthony Freud.

Here are just a few of the fascinating details that were revealed:

  • A polyglot opera! The opera will be performed in seven languages: English, Spanish, French, German, Russian, Japanese, and Quechua—one of the indigenous languages of Peru, where the opera is set. Sir Andrew Davis noted that this could be the first opera to use Quechua!
  • Reinvention, not adaptation. Nilo Cruz talked about how he's not simply adapting the novel, but making something completely different. Anthony Freud added that the aim for the project is to make Bel Canto stand on its own terms as an opera, rather than just reproduce the book as a play set to music. 
  • Ann Patchett's positive reaction. Anthony Freud shared that author Ann Patchett, who was initially afraid to read the libretto when it was sent to her, has declared it even more beautiful than her original novel.
  • Bel Canto is the new black? Director Kevin Newbury says that the story is really about creating a community within captivity, and how he is excited to show the small private moments that can happen in the middle of a very public space. He drew a comparison to the hit TV show Orange is the New Black, which gives characters' background within the larger story of life in prison.
  • It will be crowdedon stage, at least! During the real-life captivity, all of the hostages were made to stay in the same space, which means that all cast members will be on stage together for virtually the entire opera.

Learn more about Bel Canto from the creative team:

 

Photo credits:

  • Bel Canto libretto (credit Todd Rosenberg / Lyric Opera of Chicago)
  • The Bel Canto creative team: librettist Nilo Cruz, composer Jimmy López, and director Kevin Newbury (credit Andrew Cioffi / Lyric Opera of Chicago)
  • Ryan Opera Center members are conducted by Sir Andrew Davis during the workshop (credit Todd Rosenberg / Lyric Opera of Chicago). For the workshop, Ryan Opera Center members Hlengiwe Mkhwanazi, J’nai Bridges, Jonathan Johnson, Bradley Smoak, Jesse Donner, and Anthony Clark Evans sang principal roles. Laura Wilde, Julie Anne Miller, John Irvin, Will Liverman, and Richard Ollarsaba sang multiple roles. Ensemble member Maureen Zoltek and Ryan Opera Center Music Director Craig Terry were pianists. 
  • Anthony Freud and Sir Andrew Davis during the discussion (credit Todd Rosenberg / Lyric Opera of Chicago)