If you thought moving was hard, you can't imagine what goes into shifting thousands of pounds of sets that are the backbone of Lyric's magnificent productions. Here is what it takes to go from The Barber of Seville to Rusalka in just one minute.

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If you thought moving was hard, you can't imagine what goes into shifting thousands of pounds of sets that are the backbone of Lyric's magnificent productions. Here is what it takes to deconstruct the wrought-iron creations of Scott Pask from The Barber of Seville—including a 300-gallon reflecting pool!—to make way for John Macfarlane's gothic wonderland for Rusalka, which incorporates a forest, lake, gigantic kitchen, and ballroom complete with fireplace and 59 mounted deer heads. Through the magic of time lapse, you can watch these nine hours of intense work condensed to one minute!

 

Photo credits:
(top row) Act One, The Barber of Seville by Dan Rest / Lyric Opera of Chicago.
(bottom row, l-r) Rusalka, Act One by Todd Rosenberg / Lyric Opera of Chicago; Rusalka, Act Two by Robert Kusel / Lyric Opera of Chicago